Archive for June, 2014

Eirin Peryglus- Bronson 7”

Posted in 1980s, 1987, eirin peryglus, minimal, minimal synth, synth, synthpop, uk, wales, welsh on June 27, 2014 by Frankie Teardrop

Here’s an old favorite that the postman just dropped off at my door the other day, so I thought I’d celebrate with a fresh rip of this Welsh synthpop classic.  Released in 1987, this is the first of five releases by the band, and my favorite that I’ve heard to date.   Seriously, the A-side is the perfect mix of powerful female vocals, chorus-heavy guitars, and a rollicking beat, which plenty of synth hooks to keep you coming back for more.  It’s been a regular in my DJ sets for some time, and I’d honestly rank it as one of my all-time favorites, through and through.  The flip is no slouch, either!

Vocalist Fiona Owen was also a member of Plant Bach Ofnus (translation- Timid Little Children), who were a little more on the esoteric side, but no less delightful.  Her husband, Gorwel, was also a member of the project, and the two still make music together to date.

eperyglus

Eirin Peryglus- Bronson 7”
1. Bronson
2. Y Dyn Newydd

*download it here*

Shark Vegas- You Hurt Me 12”

Posted in 1980s, 1984, 1986, die ubekannten, factory, new order, shark vegas on June 16, 2014 by Frankie Teardrop

Here’s one on the synthpop side of things, a mild obscurity on the otherwise popular Factory imprint.  Some may be familiar with this tune via the club circuit, where it enjoyed massive success in The States and Berlin, despite a relatively cool reception in the UK.

Shark Vegas was a German supergroup of sorts, featuring ex-Die Unbekannten members Mark Reeder on synths/tapes/guitar and Alistair Gray on vocals with two other members of pop band Soif de la Vie.  The original version of this 12” was recorded in 1984 and released on Totenkopf Records (Abwärts, Die Toten Hosen).  After a tour with New Order in 1984, the band decided to rerecord and remix the single with Bernard Summer in to assist on the decks (a very common practice at the time, if you consider New Order’s involvement with Section 25, Thick Pigeon/Stanton Miranda, etc.).  Sumner would also play guitar at the end of the track, while co-producer Donald Johnson (A Certain Ratio) sang backup.  A real family affair!  The Factory version of the 12” (complete with an iconic message on the cover) became a dance club hit overseas.

These two singles would make up the majority of Shark Vegas’ discography, though the band would contribute a handful of tracks to soundtracks and compilations, most notably the track “Pretenders of Love,” which appears on Young, Popular, and Sexy (1987) and was reissued on the FAC.DANCE compilation in 2011.  I just now discovered “Love Habit” on Youtube, and it continues to push the band’s slightly ironic sound to the extreme, with some rather of-the-time synth lines…  If anyone has an mp3 of that one that isn’t sourced from YouTube, feel free to send it my way.  I’m also interested in hearing “11th March”- which apparently hails from an independent film called The Party.  With that in mind, here’s both versions of this excellent 12” for your listening pleasure.

shark-vegas-1

Shark Vegas- You Hurt Me 12” (1984)
1. You Hurt Me
2. You Hurt Me For the First Time
3. You Hurt Me For the Last Time

shark-vegas-2

Shark Vegas- You Hurt Me 12” (1986)
1. You Hurt Me
2. You Hurt Me Version
3. But Now Your Flesh Lies Rotting In Hell

*download both here*

…and here’s some rare footage of the band performing the track in Berlin in the mid-1980s!  Enjoy!

Madame Edwarda- Illuminé K7

Posted in 1980s, 1986, goth, goth-rock, japan, japanese, post-punk on June 2, 2014 by Frankie Teardrop

Happy Monday, folks!  Here’s a generous donation of a very special Japanese cassette, courtesy of Elias, who runs an excellent Facebook page on the Japanese goth movement.  Until now, I hadn’t heard much about Madame Edwarda, just some passing familiarity with the name, but I’m psyched to offer this release from 1986.  Fans of Japanese post-punk/goth bands such as G-Schmitt and D-Day should find lots to love here.

This is one of five releases from Madame Edwarda, a four piece band who, even at first glance, seemed very influenced by The Damned, Bauhaus, etc.  The band formed in 1980 and took their name from a Georges Bataille’s novel of the same name. Their earlier releases are more straightforward goth-rock affairs, while this cassette combines those influences with an experimental, almost neo-classical approach (see also In the Nursery for a suitable reference point).  There are several killer goth tunes here, including “Honey,” “La Nuit,” and “Marionette,” while other tracks are a bit more esoteric, mixing carnival-esque melodies, synth choir patches, and what sounds like cellos from time to time (though may very well be synth patches as well).  All in all, it’s an incredibly interesting listen from front to back.

The cassette box itself is a rather curious affair, with a larger box and book with rather intricate designs inspired by Aubrey Beardsley and Art Nouveau designs, which more or less sets the stage for the aural treats on this tape.

Ps- for anyone looking to hear their other releases, Elias has provided me a few links to share as well… They aren’t his own, nor mine, but if anyone would like to hear more and can’t find them elsewhere, please leave a note and I’ll upload them soon.  That said, you can still get a copy of the Lorelei 12” from the band’s official site.  With that in mind, here’s the information for this excellent cassette, with embedded English translations courtesy of Elias as well!

madame-edwarda

Madame Edwarda- Illuminé K7
1. 混声合唱 (Mixed Choir)
2. Carnival
3. 夜間飛行 (Night Flight)
4. 夜想曲~ノクターン~ (Nocturne)
5. 幻惑 (Enchanting)
6. 回転木馬~メリーゴーラウンド~ (Carousel~Merry-Go-Round~)
7. 青い悪魔 (Blue Devil)
8. 大観覧車 (Ferris Wheel)
9. サーカス (Circus)
10. 恋歌~ロマンス~ (Love Song~Romance~)
11. Le Château
12. Honey
13. コクトーの剣 (Sword of Cocteau)
14. Marionette
15. La Nuit
16. 夢想 (Reverie)
17. Emeralde

*download it here*