Archive for the 1982 Category

Nu-Este- From This Side of the Window 7”

Posted in 1980s, 1982, indie, jangle, Nu-Este, post-punk, US on June 23, 2021 by Frankie Teardrop

Here’s a rather excellent, if but unassuming 7” from a US-based trio called Nu-Este. I was originally turned on to this single by way of my Harrow bandmate Greg, who sold me on it as a guitar-band who sounds quite a bit like For Against, which I’m inclined to agree… Also has a bit of that early R.E.M./jangle feel, just in time for summer. I dig both tracks, but the b-side is a little more my speed overall!

This is the band’s lone single, released in 1982 on Intense Intents records, which was based in Philly. Not sure if the band was from there as well, but my guess is they’re from the area, as producer/engineer Chas Gerber also worked on Pretty Poison’s excellent Laced 12”.

Enjoy!

Nu-Este- From This Side of the Window 7”
1. From This Side of the Window
2. If You Want It

*download it here*

The Psalms- A Story I Was Told 7”

Posted in 1982, arizona, gin blossoms, jangle, new wave, post-punk, US on October 22, 2020 by Frankie Teardrop

First things first I’d like to thank Bret Helm of the excellent post-punk band Audra and from the Life on This Planet blog for clueing me into this one, as well as for providing the rip to share with you all. This particular 7” is one of those rare nuggets that only pops up once in a blue moon, and goes for an extraordinary amount, but in my opinion, is totally worth the asking price.

The Psalms were a new wave/post-punk band from Tempe, Arizona. The biggest touchstone here is guitarist/synth player Doug Hopkins and bassist Bill Leen, both who would form the Gin Blossoms a few years later. I could probably get into a big rant here about how the Gin Blossoms were REM in the time of Hootie, unfortunate timing for an otherwise solid jangle pop band. I’ll defend them to my dying day, but that all being said, this single is its own beast, and certainly should find lots of love around these parts. The A-side has an excellent airy synth lead and some power pop overtones, while the B-side has a little bit of a darker and harder edge. Both songs are incredibly catchy, and fans of bands like The Lucy Show, Weeping Messerschmitts, and Wild Flowers. More info about the band (including some lineup change info) can be found here.

This single was released in 1982 on Reilly Records and is the only piece of wax The Psalms released. The band put out a cassette in 1983, the single-sided No Great Cathedrals, with four more tracks. I’ve heard one of them on Youtube, but if anyone out there has the cassette (or a nice rip of it), please do get in touch! Otherwise, here’s the details for this 7”:

The Psalms- A Story I Was Told 7”
1. A Story I Was Told
2. Christmas Island

*download it here*

Christiane F.- Final Church/Gesundheit! 12”s

Posted in 1980s, 1982, alexander von borsig, christiane f., Einstürzende Neubauten, german, NDW, synth on January 29, 2020 by Frankie Teardrop

This pair of 12”s should be pretty familiar for most folks, but thought they were long overdue for a re-rip and a cleanup from my copies. For those unfamiliar on all levels, here’s the full recorded solo discography of , Christiane Vera Felscherinow, aka Christiana, aka Christiane X., aka Christiane F., most famous for her autobiography Wir Kinder vom Bahnhof Zoo (and the subsequent movie that shares her name and features a Berlin-era soundtrack by David Bowie), which captures her troubled teenage years.

For our intents and purposes, she also recorded two 12”s of NDW-flavored synth music and was a member of Sentimentale Jugend, an experimental project shared with then boyfriend Alexander Von Borsig/Hacke, who would soon join Einstürzende Neubauten, where he is still active to date. The first 12” (released under Christiana), features Hacke, Los Microwaves member David Javelosa, and Neubauten heavy-hitter F.M. Einheit as part of the recording entourage. The main track “Suechtig” is Felscherinow’s main bread and butter, appearing across both singles in various forms (a dub mix on Final Church, and an extended/single mix, re-recorded and retitled “Wunderbar,” featuring additional members of Los Microwaves on Gesundheit!).

There are two exclusive tracks, one on each single, and both are of interest as an industrial highlight and a sleazy synth shuffle, respectively. Meanwhile, the main track(s) are excellent, both worthy of inclusion in any experimental synth or NDW collection. It’s really a matter of preference as to which version is best, and I tend to teeter back and forth between the two.

Christiana- Final Church 12”
1. Suechtig
2. Spinnen
3. Health Dub

Christiane F.- Gesundheit! 12”
1. Wunderbar
2. Heimweh (Homesick)
3. Wunderbar

*download both here*

Somewhere A Voice- Love, Logic + Ego LP

Posted in 1980s, 1982, post-punk on August 29, 2018 by Frankie Teardrop

Here’s an excellent UK DIY post-punk gem from 1982, well within the golden era of bands with this sort of sound. Somewhere A Voice were based in London and existed for two short years, with just this album and an appearance on Compilation 1 to show for their time together. The band were primarily a three piece, as their original drummer left before recording the LP and was subsequently replaced with a session musician. According to a rather lengthy discogs bio, the melodic interplay on the record is a byproduct of the band’s relative inexperience, with Hillary Dron’s basslines often mimicking the vocals while the synth provides alternate leads. Dron also handled the artwork for the LP.

That all said, this LP is a great listen from front to back, chock full of Factory-minded post-punk, complete with skirty rhythms, icy synths, and the occasional sax. The closest touchstone for me is the equally obscure Phones debut Two Hearts, Two Heads, but this LP is a bit quicker on the tempo overall. Perhaps a kinder, gentler Swell Maps?

Either way, hope y’all enjoy!

Somewhere a Voice- Love, Logic + Ego LP
1. Snakebite
2. Shalott
3. Maze
4. Conscience
5. Hanged Man
6. Lowlands
7. Bitter Sweet
8. Face On A Wall
9. His Decade
10. Another World

*download it here*

Decades- Just Another Dream & Hell 7”

Posted in 1980s, 1981, 1982, minimal, minimal synth, post-punk, uk on March 28, 2018 by Frankie Teardrop

Here’s a mysterious pair of 7” singles from UK-based post-punk/minimal synth band Decades. Not to be confused with the French band of the same name (though these singles were pressed in France), this particular project released only two 7”s in the early 1980s on the equally unknown Emperor label.

All four tracks feature glacial drum machine rhythms (most likely DR-55), deep bass, eerie synth lines, and hypnotically stark guitar. The vocals float on top, adding a sense of dread to an already gloomy cocktail. Definitely not for the faint of heart, but an amazing listen that calls The Cure’s incredible Carnage Visors soundtrack to mind.

Since I can’t seem to find much else to share, let’s let the music speak for itself. That said, there HAVE been a few copies of these extremely scarce singles being leaked out on discogs, so you know what to do if you want one of these for yourself at a reasonable price (for now)… Otherwise, here’s the info:

Decades- Just Another Dream 7” (1981)
1. Just Another Dream
2. China Doll

Decades- Hell 7” (1982)
1. Hell
2. Enderlein

*download both here*

The Blush- A Look From Outside 7”

Posted in 1980s, 1982, post-punk, the blush, uk on January 9, 2018 by Frankie Teardrop

No matter how much I try, I keep coming back to that early 1980s post-punk sound time and time again. Icy string synths, detached vocals, heavy driving bass, and razor sharp guitars. Nothing piques my interest more than those early Factory/4AD vibes.

With that in mind, this particular 7” falls well within that category. This is the lone release by UK band The Blush, who self-released this 7” in 1982. The lineup on the back of the sleeve lists five members – two guitars, bass, drums, and of course, synths. According to another blog, there may be some Associates connections, though it’s hard to tell if the original lineup changed or adopted pseudonyms before this single was recorded. Even without confirmation, this single should definitely please fans of early Associates material, as well as bands like The Names, Acute Logic, etc. Especially love the thick bass! Both sides of the single are incredible, but the catharsis on the second song is fantastic.

The Blush- A Look From Inside 7”
1. A Look From Inside
2. Skipping

*download it here*

 

Hambi & the Dance- Heartache LP + 25 Tears a Day 12”

Posted in 1980s, 1982, 1984, new romantic, new wave, uk on August 17, 2017 by Frankie Teardrop

Here’s one for the new romantics in the house!

I originally picked this up a while ago at the urging of a friend, but kept it on the shelf for many years. Not sure why, but I reckon some of you can relate. I recently dropped the needle and was surprised by a rather catchy pop record from 1982 that especially calls early Talk Talk to mind, with plenty of guitars for good measure. There’s a few other touchstones here, perhaps some bigger and more stadium-oriented Gene Loves Jezebel singles, mid-era Modern English, the pop perfection of The Outfield (hush, they’re great), and there’s even one track that kind of hints at a Modern Eon/Opposition sort of melancholy in the verses (#4), but it’s not terribly obvious. The final track in particular is a stunner, but I dig everything on this record from start to finish, so long as you guys can hang with something a little bigger and brighter than some of the other gems featured here.

This is the only LP from Hambi & the Dance, though a handful of singles were pulled from the record. Two singles followed, the former exclusive and the latter pulled from a second LP, which was released just as Hambi. There were quite a few big names involved in this project over the years, including ex-Adam & the Ants drummer Chris Hughes, second Frankie Goes to Hollywood vocalist Paul Rutherford, and even the Mission/Sisters of Mercy’s own Wayne Hussey (who must have been an early member, as there aren’t any credits I can find on their recorded output). Vocalist Hambi Haralambous previously worked with other members of this band in Tontrix, also notable for featuring a pre-Flock of Seagull’s Mike Score.

EDIT: Thanks to Jeffo! for sending over a rip of the exclusive 12” from 1984 as well! This one is a little more club-centric, but should also hit the spot. Without any further ado:

Hambi & the Dance- Heartache LP
1. Time After Time 4:01
2. Living In A Heartache 3:22
3. Madelaine 4:05
4. L’Image Craque 4:31
5. Spirits 4:31
6. The World 3:23
7. Dancing Inside You 4:08
8. Major Major 3:30
9. Too Late To Fly The Flag 3:30
10. Standing In The Rain

Hambi & the Dance- 25 Tears a Day 12”
1. 25 Tears a Day
2. 25 Tears a Day (Pink Version)
3. Taking My Life In Strides

*download both here*

Synthetic Dreams- 7” discography

Posted in 1980s, 1981, 1982, minimal synth, post-punk, synth, synthetic dreams on June 5, 2017 by Frankie Teardrop

Here’s the full discography from UK post-punk/synth band Synthetic Dreams. The four piece band released two singles in 1981 and 1982, respectively. Their first release isn’t as well known as the Sulphate Suicide 7”, but is just as good (if not a little better) in my book. The first track, “Obsession,” has an excellent punchy wave sound with lots of post-punk influence. However, the B-side is the real winner here- gloomy and dirgy, dripping with buzzing analog synthesizers.

Speaking of their second 7”, I’ve decided to include someone else’s rip of it here as well for those who don’t know it, as the blog who originally uploaded it has since disappeared into the either. More of the same excellent sounds here- the A-side being a spastic near-instrumental, and the flip containing much of the same synth-heavy energy, with more vocals this time around.

Enjoy!

Synthetic Dreams- Obsession 7” (1981)
1. Obsession
2. U+500

Synthetic Dreams- Sulphate Suicide 7” (1982)
1. Sulphate Suicide
2. Voices

*download both here*

Bikini Atoll- 7” discography

Posted in 1980s, 1981, 1982, british, new wave, post-punk, uk on March 10, 2017 by Frankie Teardrop

Here’s the full 7” discography by UK wave/post-punk band Bikini Atoll, who takes their name from a nuclear testing site in the Marshall Islands, located in the deep Pacific Ocean territory. As for the music, you can expect a mix of gloomy and jerky melodies, stellar female vox, icy synths, and a solid discography across these six tracks. If you dig things like Altered Images, Au Pairs, The Limp, Industrie etc. this is definitely the band for you.

Sadly, I don’t know much about them, though it appears that their lineup changed between the first and second single, mostly swapping their rhythm section. The first of the three is my least favorite (though not at all bad) so this might very well explain the jump in quality with a quick personnel shift. With that in mind, here’s the info for these killer singles:

Bikini Atoll- Don’t Reduce My Heart (To Beating Meat) 7” (1981)
1. Don’t Reduce My Heart (To Beating Meat)
2. Lucy In Furs (Laissez Faire De Lucifer)

Bikini Atoll- The Wall 7” (1981)
1. The Wall
2. Russian Doll

Bikini Atoll- Tribal Radio 7” (1982)
1. Tribal Radio
2. Splinter

*download all three here*

Dropopop- Knuste Drømmer 7”

Posted in 1980s, 1982, coldwave, dropopop, goth, goth-rock, norweigan, post-punk with tags on May 23, 2013 by Frankie Teardrop

This 7” was a recent discovery (on Youtube of all places), and it’s as cold as the night is long.  This one-off single from Norway was released in 1982 and bears a strong resemblance to the usual suspects, including heavy influence by Joy Division and early Cure, as well as sharing similar sonic territory with bands like the Dutch Neon, The Opposition’s amazing first record, and the U 137 single I just posted a few days ago.

The A-side is a recent obsession of mine with heavy drums and haunting melodies, but the two tracks on the flip are equally commanding, dark and intense listens.  The band have three more other songs spread across two different cassette comps. but I haven’t heard them.

As always, little to be found about the band.  It appears they were from Skien, a large shipping town in the Southeast of Norway. A four piece by defintion, there were two additional musicians on this single, one playing string synths and the other credited with additional drum work.  Their label, Uncle Remus Records, also released a 7” and LP by fellow Norweigans band Øresus, which you can grab here if you want some excellent anthemic punk a la Generation X or the KBD comps.  But I know you guys, you like it cold and dark…

Dropopop- Knuste Drømmer 7”
1. Knuste Drømmer
2. Frykt
3. Giftige Lepper

*download it here*