Archive for the 1985 Category

The Blessed- Taboo 12”

Posted in 1980s, 1985, goth, post-punk, the blessed, US on August 23, 2016 by Frankie Teardrop

I was out last night with a few pals, digging through my favorite NYC record store bin when I came across this one. At first glance, the cover piqued my interest, and after a ten-second preview at the listening station (I am often quick to judge), I was sold. This particular slice of wax is the second release from The Blessed, a US-based post-punk band. Their first 7”, a more traditional punk affair, fetches obscene prices, but this particular record can be found for just a few bucks. The stylistic change makes sense given the gap between releases (six years), as this record definitely adds a darker approach to an already incisive guitar palate.

As for the songs- I could do without the first track’s lyrics and vocal melodies (though I do enjoy the prominent synth stabs), but the following tracks definitely have a fair amount of bite to them, a welcome addition to the mid-80s goth/post-punk cannon. Hope you enjoy!

The Blessed- Taboo 12”
1. Rubbernecking
2. Rags to Riches
3. Potter’s Field

*download it here*

Glass Lady- Glass Lady 7”

Posted in 1980s, 1985, italo, italo disco, synth, synthpop, uk on January 6, 2016 by Frankie Teardrop

By popular request, and with love from Nick at Crispy Nuggets (who hunted this one down, dropped the needle, and passed it over for a quick cleanup), we have a new and updated rip of the elusive Glass Lady 7”. This track was one of the highlights of the previous SOR comps, even at 128kbps, and I’ve been dying to share it in full high quality, even if the flip is a six minute spaced-out dub mix that pales in comparison to the gloriously Italo-esque, sleazy mid-tempo synth jam that adorns the A-side. Just take a look at the cover- you know right away what you’re in for, and it delivers, in spades.

Like the amazing Tocatta 7” (re-ripped recently for those who don’t follow SOR on Facebook), Nick and I first heard this track in the back of Sean/Martial Canterel’s car, played off a well-loved cassette sent by a fellow friend and collector. We’ve been obsessed with both tracks since and have spent years tracking these singles down. All things in due time, I suppose!

As for the details, there’s very little out there to report. According to the sleeve, Glass Lady was the working name for Marty Flynn, based in the UK. The record was made in Jersey and released in 1985, most likely in extremely limited quantities. Happy hunting and happy new year. y’all!

Glass Lady- Glass Lady 7”
1. Glass Lady
2. Glass Lady (Dub)

*download it here*

Suicide- Celebration 7”

Posted in 1980s, 1985, goth, goth-rock, japan, japanese, post-punk, suicide on January 22, 2015 by Frankie Teardrop

Welcome to 2015! A bit of a slow start here, but I’m slowly ripping a lot of things I’ve acquired over the past few weeks, with plenty of great stuff to go around for a while. So with that in mind, thanks as always for visiting, and I hope to keep your ears happy in 2015.

Despite the fact that the title of this post reads like a twisted self-help book, what we have here is an excellent and uncelebrated post-punk/goth 7” from Japan, released on Captain Records in 1985.  I unearthed this gem at a record fair in Brooklyn, listening to only a few seconds of each track on what looked like a Fischer Price turntable, and immediately it ticked all the right boxes. Chorus-drenched bass, big guitar hooks, and driving, but melancholy melodies across three tracks. This is the last of three 7”s from this band, and from my understanding, this one leans more towards the goth side of the spectrum, while the first two appear to be more straightforward anthemic punk.

This one should definitely appear to fans of Blitz, Christian Death, Lost Loved Ones, and any other driving and/or big-minded goth bands. Here’s the info:

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Suicide- Celebration 7”
1. Celebration
2. Last Decide
3. Darkness

*download it here*

The Supreme Court- The Supreme Court 7”

Posted in 1980s, 1985, post-punk, swedish, the supreme court on December 30, 2014 by Frankie Teardrop

Here’s one that I was turned on to by Goutroy, who brought the 7” over to my place for a listening party. I tracked my own copy down recently, and I’m still as nuts about it as I was that afternoon.

I can’t tell you much about this Swedish post-punk band, but I can say that if you like The Church, The Chameleons, Mighty Lemon Drops, and C86/Flying Nun stuff with a little grit in the mix, you’re going to love this one. It’s the kind of sound I can’t get enough of, so I’m always grateful for more in this vein. This seems to be their only recording, released in 1985 on Alchemy Records. Unfortunately, the sound quality is a little thin, since they crammed four songs here at 45 speed, but the quality of the songs makes up for the fidelity.

Guitarist Claes Westling also played in Swedish Indie band Drug, who had one single in 1991. You can grab that one here.

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The Surpreme Court- The Supreme Court 7”
1. Ethical Crime
2. Watching Myself Go Down
3. Solid Ground
4. Between Love

*download it here*

Inox- Segni Dal Fiume 12”

Posted in 1980s, 1985, inox, italian, new wave, post-punk on August 12, 2014 by Frankie Teardrop

I feel like I’ve had this 12” on my hard drive for ages, but for some reason it never really clicked with me until today.  A shame, as it’s an excellent, catchy piece of Italian new wave that’s well worth hearing.   The opening notes of “Waiting For You” immediately set the tone for a great listen, chock full of heavy drum pads, big guitars, sparkling synth arpeggios, female vocal melodies with just the right blend of joy and sadness, and even a little saxophone to drive the wave home.  They almost come across like Italy’s answer to The Passions, Missing Persons, and Berlin, mixing both post-punk and wave influences seamlessly.

The band hailed from Turin, Italy and self-released this 12” in 1985, following it up with a full length LP in 1986 before disappearing into the ether.  I’d love to hear that one if anyone happens to have a copy…  Otherwise, hope you all enjoy this nice little slice of Italian new wave!

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Inox- Segni Dal Fiume 12”
1. Waiting For You
2. Chance
3. Shanghai
4. Energia In Bianco
5. Sexy Play
6. Shanghai Reprise

*download it here*

Move- Move K7

Posted in 1980s, 1985, demo, goth, goth-rock, italian, move, post-punk on March 28, 2014 by Frankie Teardrop

Sorry for the huge delay in posting, ladies and gents.  That said, good things come to those who wait, and I have quite a few obscurities to share to make up for my disappearance.  First up we have a previously unheard Move demo tape from 1985, ripped by a good friend in Italy.  This tape precedes the Move out Sight cassette and the self-titled LP by a year and change and features a handful of otherwise unreleased songs from the Move catalog, as well as a few that appear elsewhere over the years.

I believe this tape completes the Move discography, though I also have been sent a live performance from S.P.S.P., which featured some members from Move.  The tracklisting is unknown, but the band also performed a few Move songs in the set.  I don’t generally go for live tapes, but I hope to post that sometime down the line for anyone who’s interested.  In the meantime, here’s the info for this cassette:

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Move- Move K7
1. Speeding Speed/Sweet Move
2. Kronstadt
3. Ragazzo Di Strada
4. Re Sole
5. Salto Nel Vuoto
6. When I’m With Myself
7. Lacrime & Sangue
8. Romano
9. F.L.C.T.
10. Lo Scoglio

*download it here*

The Sensational Creed- Nocturnal Operations 7”

Posted in 1980s, 1981, 1985, 39 lyon street, 7'', billy mackenzie, christine beveridge, jih, minimal, minimal synth, orbidöig, steve reid, synth, synthpop, the associates, the sensational creed on February 26, 2014 by Frankie Teardrop

I spent the majority of last year re-ripping a lot of my 7” collection and delicately cleaning up the sound (you can find more evidence of this here), so to tide you over until I finish putting the finishing touches on a new VA compilation, I figured I’d post a few of these here and there.  I’ll have that VA comp up in the next week or two, so stay tuned!

This has always been one of my favorite semi-obscure 7”s, clocking tons of plays and spins over the years.  This single was originally released on Situation Two in 1981 under the name Orbidöig, and this particular version was released in 1985 on Beggars Banquet with an identical track listing (though Down Periscopes has become Down Pericomoscopes for whatever reason. though likely a misprint).  I’m not sure why the band changed their name in general, but Sensational Creed is certainly a little easier to type…  There’s a third Orbidöig/Sensational Creed song on the 12” version of this reissue, a killer instrumental track that clocks in at 10 minutes, but I don’t own a physical copy of the 12”, so I won’t include it here for the time being.

Otherwise, this single has strong Associates connections, with Billy Mackenzie often calling Orbidöig his favorite band, despite their relative obscurity at the time.  The a-side features heavenly vocals from Christine Beveridge, who sang backup on several tracks (and Big Country’s breakthrough!) and also wiggled another “side project” out of the affair under the name 39 Lyon Street, created by Mackensie and Alan Rankine to release a single outside of their contract, with Ms. Beveridge on lead vocals and a properly credited Associates cut on the flip.  Steve Reid was also the second guitarist of the Associates, playing on 1985’s Perhaps after Rankine and Michael Dempsey’s departure three years prior.  It was likely this lineup change that dug this single out of obscurity and prompted a re-release.  Reid also played synths in Nu Shooz and bass on two tracks for Jih.  As if that wasn’t enough, Mackenzie also played tubular bells on the a-side here (though he is incorrectly credited as doing so on the b-side on the sleeve), while he and Mike Hedges (The Cure/Fiction Records) manned the mixing board with Reid.   The result is a killer single that while very Associates-esque in execution, stands on its own as a classic.

There’s another Orbidöig single, released in 1982 under the name Mackenzie sings Orbidöig, which features Billy on vocals and Reid on instruments.   I believe this one is considered an Associates release, taking the lineup changes and timing into consideration, and the track appears on a recent Associates singles collection.

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Sensational Creed- Nocturnal Operations 7”
1. Nocturnal Operations
2. Down Pericomoscopes

*download it here*

Atrocity- Because 7”

Posted in 1980s, 1985, denmark, post-punk on December 10, 2013 by Frankie Teardrop

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For those who prefer something a little more visceral than our last post, here’s a complete 180 for you.  A slice of post-punk bliss from Denmark, a very scarce 7” from 1985 on Hub Records (Kalishnikov). One could point to the Factory Records roster for direct inspiration, as those kind of buzzing synths call Martin Hannett and co. to mind. Very possible that the band name is a nod to Joy Division by way of J.G. Ballard as well.

Little else is known about these guys, but bassist Bjarne Hansen has some scattered production/engineering credits over the years.

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Atrocity- Because 7”
1. Because
2. Scene
3. Love Song
4. Part of the Crowd

*download it here*

Peggy & the Pills- Nobody’s Bride 12”

Posted in 12'', 1985, italian, italo, italo disco, peggy & the pills, synthpop on December 4, 2013 by Frankie Teardrop

It’s been a very low energy week here at SOR headquarters, so here’s something that gets my blood flowing a bit more, and hopefully will have the same effect on you.

This is a one off Italo 12” from Peggy & the Pills, recorded and released 1985.   While some Italo records fetch insane prices (some of the highest I’ve ever seen, actually), this one can still be found for a few bucks, and is worth picking up for anyone interested.   While the sound is very much in the Italo disco vein we all know and love, this song also calls the sweet, sugary, and sharp edge of bands like Strawberry Switchblade, Pink and Black, and especially Book of Love to mind.  There’s also some guitar undercurrents throughout the track, little stabs of chorus-infused strings that add an interesting element to the track.  I’m also reminded a bit of Stephin Merrit’s Future Bible Heroes project a bit, the sardonic wit of the lyrics call to mind some of the best moments from Eternal Youth, an album I used to adore (but haven’t thought about since coming across this record).

As with most Italo projects, the creators of this track had their hands in other releases.   Keyboardist Marcello Ciao was also the engineer for an early Litfiba release, while Mario Natale (arrangement) also worked with Den Harrow, Clockwork, and dozens of other Italo artists.

 

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Peggy & the Pills- Nobody’s Bride 12”
1. Nobody’s Bride (Vocal)
2. Nobody’s Bride (Instrumental)

*download it here*

Sadly, Peggy Richardson, the wedding-dress donning diva from this 12”, passed away a few years ago, but drummer Andrea Contini has posted an excellent video honoring her life and the project.  This video appears to be the only “live” recording of Peggy & the Pills, and shows the three piece band backing Peggy in 1984, who swaps out her trademark wedding dress at the halfway mark.   Check it out below:

Vietnam- Vietnam LP

Posted in 1980s, 1985, coldwave, new zealand, post-punk, vietnam on October 22, 2013 by Frankie Teardrop

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(Photo credit: Neil Monkhouse)

Sorry for the delay, it’s been a very busy time at SOR headquarters so I’ve been slacking a little bit.  Plus, it’s Fall in New York, so I’m trying to make the most of being outside before hibernating for the winter.  Anywho, here’s a post lovingly ripped and donated by xerfrank, a fellow friend and passionate collector from Spain.  You may have seen this back on Vinyl Obscurity a few years ago, but I believe the post was taken down immediately by some Mediafire bots looking for the latest Rhianna record, long before his blog disappeared into the either as well.  I also included the “best” track from this record on my last v/a compilation, so some of you may be interested in hearing the rest of it.  While ‘Victory’ reigns as my favorite track on this record, I enjoy this one as a whole.

There’s little to be found about Vietnam, yet another extremely difficult band name to Google, but I do know that they existed for a short period of time as part of New Zealand’s post-punk movement and released this record in 1985 on Jayrem Records, a catch-all label for local artists.  There’s the pre-requisite Joy Division influence present in the vocals (fans of De Press, The Opposition, Stranger to Stranger, and Dropopop should enjoy this one especially) but the music jumps from moody post-punk and flirts occasionally with jangle-pop progressions and dreamy, Cure-esque melodies.  “China Tonight” is an excellent moody instrumental track with a descending synth/piano melody.  “Behind the Paintings” is as gloomy, yet driving political anthem, a general theme in the lyrics that hints at a slight U2 influence, who were at the peak of their fire-y political leaning at that point in time.   Honestly, with a name like Vietnam and with artwork like this, it’s safe to assume that the lyrics have a little more spark to them.

EDIT 6/30/14:  I’ve since been in touch with Adrian Workman, the band’s bassist and synth player, who has shared some tales about the band’s inception and current whereabouts:

Four lads from the same High School in working-class town called Wainuiomata (pronounced Y-noo-ee-o-ma-ta , a suburb of Wellington, NZ).  We started writing/playing together in my parents garage and drove the neighborhood insane over a period of time. New Zealand in 1982 mirrored Thatchers UK; an ultra conservative government, poor economy and civil unrest. Wellington (the nations capital) was a volatile mix of public servants, politicians, university students ,and skinheads. The messages of the Punk and Post-Punk era emanating from the UK resonated strongly in the Wellington music scene and local musical acts discovered their own version of the genre. 

The legal drinking age was 20 years old, yet we performed in pubs, clubs and community halls from as young as 16 years, somehow avoiding detection from the authorities.
 
Vietnam was definitely a coming together of 4 very different people that shared a common malaise; suburban isolation in a depressed and oppressed society in the early 1990’s. We were a  weird combination of cultural/ethnic diversity, (unusual in that musical era), and ironically we all achieved well in school and sports…being working class was a badge of honour for us and  we strongly resisted being pigeon-holed into societal roles. Vietnam was a head-fuck for many people because, I believe, we delivered more than was expected of us given our collective backgrounds. We almost dethroned a significant corporate rock band in the national ‘Battle of the Bands’ comp, leaving them crapping their collective duds after we performed a kick-ass set, including  a Vietnam version of ‘Echo Beach’ and just missing the final cut. Anyways…this show got us attention from the right people.
 
It was a pretty intense music scene from memory. Vietnam was a square peg in that scene, mainly due to the stigma associated from the suburb we came from. We played a lot of shows,( including the Aerial Railway stage at ‘Sweetwaters’,  an annual 3 day Music festival, (just think Woodstock meets Lollapallooza). Supported some good acts of the era and made our EP in late 1984 (released in 1985). Radio with Pictures TVNZ picked up ‘Victory’ and the video was made at the cost of taxpayers monies. Shortly after the release I migrated to Sydney, Australia (18 yrs old) in mid 1985, Pete Dransfield followed about a year later. After several attempts to reincarnate a version of the band under different monikers we went our separate ways in 1988, and Pete returned to NZ.
 
Pete released some material in the late 1990’s under the name ‘The Thorn Field’ , became a semi-professional boxer, and continues to work in the live music scene in NZ in a technical capacity.
 
Shane went on to have a stellar career as a national spokesperson for indigenous programs relating to smoking cessation (Go Bro!). Leon has continued to perform political rap in various line-ups.
 
I joined Sydney Band ‘The Bhagavad Guitars’ in late 1988, and stayed with them until 1992. Releasing several recordings in this time on the Red Eye Label, including the belated release of an album produced by Toney Cohen (of Nick Cave and the Bad Seeds fame) in 1995 (Lead vox  ‘No News’). We almost made it to the States, but the band imploded exactly at the critical moment:(
 
I was also a founding member with ‘The Verys’ in the grunge era of the 1990’s, releasing the EP ‘That’s A Moray’ in 1993. Ran my own record label briefly and ventured into twisted world music with Bonepeople in the late 1990s. Recently recorded a reformation album with The Bhagavad Guitars in 2011 called ‘Unfamiliar Places’ (Lead vox ‘Autumn’). Check out my name on ‘Discogs’ website for refs. and/or reverbnation ‘Bhagavad Guitars’.

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Vietnam- Vietnam LP
1. Broken Doll
2. China Tonight
3. Behind the Paintings
4. Another Day
5. Victory

*DOWNLOAD LINK REMOVED* – please visit B.F.E. records (website/bandcamp) for a reissue of this LP with some bonus tracks!

There’s also a video for “Victory” (!).  Feels like it’s been ages since we had one of those:

Thanks again to xerfrank for ripping this one!  I have some mail arriving over the next few weeks that may interest some of you looking for something a little seedier/synthier.  In the meanwhile, I picked up some rad stuff in Canada, one record in particular that deserves a re-posting ASAP.  I also have another post lined up from xerfrank’s expansive archives, as well as more from Klumpa’s collection to come in the near future.  Also, perhaps some modern surprises as this year winds down to a close.

 

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On a completely unreleated note, might I bring your attention to THIS?  I have a new project that you all may enjoy, and we just released a limited edition cassette (!) on fellow Brooklyn-based label Function Operate.  I reckon a few of you may enjoy it, and we’ll have plenty more news soon.  If you want to check in on us, we can be found HERE.