Archive for the 1987 Category

7ème Discours (Pour Une Meilleure Existence)- 7ème Discours (Pour Une Meilleure Existence) LP

Posted in 1980s, 1987, 7ème Discours (Pour Une Meilleure Existence), coldwave, france, lyon, synthpop on December 16, 2016 by Frankie Teardrop

Thanks to Nick from Crispy Nuggets for re-ripping this gem for me to clean up and share with y’all! This is the lone LP from French synthpop/coldwave project 7ème Discours (Pour Une Meilleure Existence), which translates to 7th Speech (For Better Existence). A little bit of a mouthful, but what we have here is eight killer tracks of lo-fi synthpop of the highest caliber. Every track here is a gem, most ripe for the dance floor, with a few moody coldwave numbers included for good measure.

The LP was self-released in 1987. The band hailed from Lyon featured Xavier Martin on synths, bass, guitar, and vox, Eric Arcil on synths, and Christophe Berthoux on synths as well. This is their only logged release, though the band’s Facebook page linked a few deleted videos with additional song titles, so perhaps there are demos or a self-pressed follow up in someone’s collection. Would love to hear more about that, if so! Otherwise, here’s the details:

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7ème Discours (Pour Une Meilleure Existence)- 7ème Discours (Pour Une Meilleure Existence) LP
1. Ruptures
2. Le Bébe
3. Cauchemars De Jour
4. Lait Caillé Et Peau Flasque
5. J’ai Cassé Ma Montre
6. Le Square
7. Vide
8. 7ème Discours

*download it here*

Eirin Peryglus- Bronson 7”

Posted in 1980s, 1987, eirin peryglus, minimal, minimal synth, synth, synthpop, uk, wales, welsh on June 27, 2014 by Frankie Teardrop

Here’s an old favorite that the postman just dropped off at my door the other day, so I thought I’d celebrate with a fresh rip of this Welsh synthpop classic.  Released in 1987, this is the first of five releases by the band, and my favorite that I’ve heard to date.   Seriously, the A-side is the perfect mix of powerful female vocals, chorus-heavy guitars, and a rollicking beat, which plenty of synth hooks to keep you coming back for more.  It’s been a regular in my DJ sets for some time, and I’d honestly rank it as one of my all-time favorites, through and through.  The flip is no slouch, either!

Vocalist Fiona Owen was also a member of Plant Bach Ofnus (translation- Timid Little Children), who were a little more on the esoteric side, but no less delightful.  Her husband, Gorwel, was also a member of the project, and the two still make music together to date.

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Eirin Peryglus- Bronson 7”
1. Bronson
2. Y Dyn Newydd

*download it here*

Quite Simple- Victims 7” & Unknown Stranger LP

Posted in 1980s, 1987, 1989, darkwave, Dutch, goth, goth-rock, post-punk on November 18, 2013 by Frankie Teardrop

I have two posts today, both request from friends so I thought I’d drop both on you in one day.  This first post fulfills a request by Xerfrank for the official discography of post-punk/goth band Quite Simple, from Holland.  I’ve seen these two records go for moderate prices over the years, so they certainly warrant some more attention for those unaware of the band.

Fans of hook-driven Leeds bands such as March Violets and the Lorries should love this one, straight down to the male/female vocal dynamics and big, shameless production.   For a private pressing, the production on the LP is especially impressive, and sometimes it sounds like the LP is only a major label away from being Floodland II.

Unknown Stranger was released in 1989, while the 7” (which I prefer by a small margin) was released in 1987.  There’s also another track released on the Made In Brabant compilation in 1987, and since that collection pre-dates the LP as well, I’m assuming the recording of “Visions” from the compilation is different than what would appear two years later.  If anyone has this compilation, feel free to drop a line!   Otherwise, enjoy!

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Quite Simple- Victims 7” (1987)
1. Victims
2. Light In the Dark

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Quite Simple- Unknown Stranger LP (1989)
1. Unknown Stranger
2. Mistery of the Night
3. Visions
4. Age of Miracles
5. China Town
6. Curious Eyes
7. Nightmare
8. Out of the Spirit World

*download both here*

The Chyldren- Mortis Hora

Posted in 1980s, 1987, darkwave, synth, synthpop, the chyldren, uk on October 29, 2013 by Frankie Teardrop

Now that blog culture has come full circle, there are very few “holy grails” left to uncover.  However, this LP has achieved near mythic status to me over the years after hearing a loose track ages ago.  I don’t even remember how I came across the track, and having it tagged improperly didn’t help much, as it took me some time to figure out that the band name was The Chyldren and not The Children.  Either way, I was always curious to hear the rest of it, and here we have it, another donation that comes courtesy of xerfrank.  Thanks again!

All talk aside, this record, like VHF and Eleven Pond before it, deserves it’s mythic status, less so based on the quality of the recording but moreso because it was never *officially* released.  Sure, there are copies of it out there, especially if you’ve got $700 to spare, but good luck finding this one in your local record store.  The story behind it is simple: band makes record, record goes to print in 1987, record does not make it past the test pressing phase.  It should be self explanatory, but in case you’re not a vinyl collector or of a younger generation, test pressings are simply copies of an album used to gauge the quality of a pressing, as anomalies, variables, and errors can be rather commonplace.  Now in my experience, there’s usually only four or five test pressings of a given record, mostly for individual band members or label personnel.  With that in mind, I’m not sure how 8 people (or more, since discogs records are never 100% accurate) came across a test pressing, but I suppose it could be possible that they pressed more of these than usual to be sold at shows or given away to friends.  Either that, or some people on discogs are theoretical collectors.  All copies of this album come complete with a (rather goofy) cover/sleeve that looks professional, but the inner label is handwritten, as shown here in photos.

Now, let’s talk a bit about the music.  You might expect this record to be a complete novelty, judging from the goofy cover, terrible font choices, and religious themed psuedonyms used by the three band members (my personal favorite is Lucifer the Cross, though your mileage may vary).  Well, it’s not.   The album is a rather good, if but a little one-dimensional synth-driven record that utlizes the same bombastic drum machine pattern and vocal melody on almost every track.  So, while the band certianly doesn’t take themselves too seriously, even on the compositional side of things, there are some nice gems to be found here, even if they all sound pretty interchangeable with each other.  The good news is that the album is rather short- 7 tracks in 25 minutes, so as long as you like the vibe, it doesn’t overstay its welcome.

You know, it’s funny that I mentioned both VHF and Eleven Pond up there, as this album almost comes across like a hybrid of both records, combining the synth-heavy, toe-tapping catchiness of VHF with the darkwave/Factory records vibes of Eleven Pond.  The religious themes also remind me heavily of Eyes of God, but in all honesty, this LP sounds like a long lost, fully synth-driven cousin of Sanity Plexus, but I digress.  Check this one out for yourself.

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The Chyldren- Mortis Hora LP
1. Private Crucifixion
2. Sin
3. Chase Me
4. Speed
5. Burn
6. Fade Away
7. You
8. Dope

*download it here*

Toccata- We Are the Sub-Machines 7”

Posted in 1980s, 1987, british, new wave, synth, toccata, uk on October 8, 2013 by Frankie Teardrop

I first heard this one on a cassette while sitting in a car outside the Wierd party with Martial Canterel and Nick from Crispy Nuggets, and we all couldn’t get enough of it.  I’ve been trying to track the single down since with no luck, but many thanks to Klumpa for providing a rip of this one to share. We can expect a few more treats along these lines, including a handful of loose tracks just itching to be compiled and an Italo flavored 7” to come over the next few weeks.

Very little info to be found about this band (who shares the name with classical terminology, making it difficult to google), though the sleeve indicates that this was released in 1987 and featured the duo of Jan Sinclair and Pete Ward, with various guest musicans and backup singers contributing.  There are a few Pete/r Wards out there, some active around the same period, so I can’t really pinpoint which, if any, are responsible.  Believe me, I’ve tried!

However, here we have two excellent tracks, the a-side coming across like a Kissing the Pink/Eurythmics hybrid with a stomping, torch song rave-up, while the b-side has a very neofolk-esque frailty reminiscent of the Nature & Organisation record and other Rose Mcdowall contributions over the years…

Any more information on this one is welcome!

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Toccata- We Are the Sub-Machines 7”
1. We Are the Sub-Machines
2. Gypsy Eyes

*download it here* (RE-RIPPED 11.21.15)

Decade- Diva Diva 7”

Posted in 1980s, 1987, coldwave, Decade, france, french, post-punk on October 1, 2013 by Frankie Teardrop

Originally posted by the great Dreams and Voices and freshly ripped from my own copy, this is one of my favorite mid-tempo French singles from Montpellier, a little romanticism in the B-side to get you through the week.  As he mentions, there’s a Little Nemo vibe in “Diva Diva,” certainly a welcome addition to the cold, melancholic French catalog.  “Conquistador” isn’t too shabby either, with a sinister synth undercurrent and a percussive-heavy melody.

This single was released in 1987 and is their only known recording.  Not much more to say about this one, other than enjoy!

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Decade- Diva Diva 7”
1. Diva Diva
2. Conquistador

*download it here*

Sculpteurs D’Ombres- L’Ange Noir 7”

Posted in 1980s, 1987, coldwave, france, french, post-punk, sculpteurs d'ombres on August 22, 2013 by Frankie Teardrop

Apologies for being sparse these days, but I’ve been keeping busy with a new project.  That said, here’s an amazing 7” from France, private pressing from 1987.  Great coldwave sounds on both tracks, gloomy yet driving- the perfect combination.  Both tracks are both dark and incredibly catchy, with deep French vocals.  Hooks all around, driving drums (edit-thanks for clarifying, Phil). Really, the perfect package.

There’s not much more I can tell you about this band, though I’ve been told that there may be more material out there waiting to be revealed.  I shall certainly update this post if and when there’s news or more info to be had!  Otherwise, I promise to be more active in the coming weeks…

Thanks to Phil for filling in a few gaps in the comments:
Our group became “In Extremis”. We composed some good songs in the southwest of France (Hossegor) then we separated some years later. I regret it now. Thank you for your compliments. I still have some 45 tours vinyl to me, if somebody is interested.

 

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Sculpteurs D’Ombres- L’Ange Noir 7”
1. L’Ange Noir
2. Later in the Night

*download it here*

Pavillon 7B- Pavillon 7B LP

Posted in 1980s, 1987, coldwave, france, french, goth, pavillon 7b on March 19, 2013 by Frankie Teardrop

A real quick and dirty post here for today- simply because I’ve had little time this week, have had this in the queue for many months, and almost forgot to post it…  Here we have an updated copy of the s/t Pavillon 7B LP from 1987, lovingly re-ripped by the one and only BX.   A true coldwave classic from Dijon, a small town in the east of France, featuring dark and passionate female vocals and thin, mad-carnival synth lines .  One of my favorite LPs, by far- one that seems to get better with each listen.  The band also released several cassettes, appeared on many compilations, and issued a collection on Minimal Wave in 2007 which collected many of the band’s earliest works.   ‘Black Generation’ was also featured prominently on several compilations, including the excellent Transmission compilation from Infrastition, which I’m sure you’ve all heard by now…

Even if you’re already familiar with this one- you’re in for a treat!

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Pavillon 7B- Pavillon 7B LP
1. Black Generation
2. Wish
3. Sensation
4. The Sailor
5. Les Nouveaux Abris
6. Sphere
7. +
8. Love Loser
9. Somebody

*download it here*

Opera Multi Steel- Regret Qui S’Ecaille K7

Posted in 1980s, 1987, coldwave, french, minimal, minimal synth, opera multi steel on February 24, 2013 by Frankie Teardrop

While Opera Multi Steel are one of my favorite bands, I’ve never had the chance to feature them here, as most of their material has been reissued or posted elsewhere.  However, I realized this particular cassette in 1987 hasn’t been ripped in the past, and aside from two tracks, does not appear on the otherwise excellent K7 Archives collection issued by Vinyl on Demand in 2008.

For those unfamiliar with Opera Multi Steel, the band was founded in 1983 in Bourges, France.  Brothers Franck and Patrick Lopez joined Catherine Marie for their first 12” and debut LP, both essentials in the French coldwave/minimal synth scene.  They were one of the more prolific bands of the genre, and have released top shelf music constantly without splitting up or reuniting.    Two further members would join the band in 1987 and 1988 respectively, just after this tape was released.  You can read a more detailed biography here.

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Opera Multi Steel ‎– Regret Qui S’Ecaille K7
1. Regret Qui S’Ecaille
2. General Hospital
3. Désir Plaisir Après Tristesse
4. Lady Du Sentier De Loosy
5. Messager Monotone
6. Poisson D’Argent
7. Mon Permis De Conduire
8. Mawata

*download it here*

Sixth Comm- The Taste For Flesh 12”

Posted in 12'', 1980s, 1987, darkwave, death in june, neo-folk with tags on December 18, 2012 by Frankie Teardrop

It was difficult to choose the final post for 2012, somehow this particular 12” seems more holiday appropriate, in a morbid sort of way.  Now that I think of it, this band is the perfect soundtrack for the end of the world, due this Friday if all goes according to plan.

I’m sure Sixth Comm are no strangers to readers of this blog, as the band was an outlet for Death In June vocalist/percussionist Patrick Leagas, who abruptly left the band in 1985.  Leagas (aka Patrick O’Kill) was the primary force behind the Death In June’s interest in synth/dance-oriented music, and often re-recorded classic DIJ tracks under the Sixth Comm moniker (it may be sacrilege to most, but the DJ in me has a strong preference for Sixth Comm’s version of “Calling“).  The first few Sixth Comm LPs (most of which have been released on iTunes and can be found on LP for modest prices) continue in this vein, mixing dark, beat-heavy electronics and Norse-inspired mysticism.

I originally purchased this 12” for a non-picture disc version of “Othilia” to DJ at the Wierd party, but much to my surprise, I found the version here to be different than the recording that appears on Morthogenisis.  The more well known version of the track clocks in at the same length, though is a more straightforward run through of the song.  The other two tracks on this 12” appear on Morthogenisis, seemingly unchanged.  The alternate version of “Othilia” is worth the price of admission alone, so hopefully even the biggest DIJ fan can find something new to enjoy.

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Sixth Comm- The Taste For Flesh 12”
1. Othilia
2. Neiflheim
3. Swan Death

*download it here*

On that note, I just wanted to thank everyone for sticking around during a rather tumultuous year.  It’s been five years and counting, and it’s been a pleasure sharing this music with you.  If we all make it to 2013, here’s hoping for an even better year ahead!  Best to you and yours.