Archive for the 1987 Category

The Heart Throbs- Early 12” Recordings

Posted in 1987, 1988, dreampop, indie, the heart throbs, uk on April 20, 2022 by Frankie Teardrop

Trying to stay more active these days, for my sanity as well as for your ears’ sake. Up on the slab are 5 (FIVE) 12”s by late 80s dream pop/indie pop band The Heart Throbs. This band has been a forever favorite since I first saw the video for “Dreamtime” back in the early 2000s. That song kills me in every which way. But before that blissful melody was recorded and the band got traction via One Little Indian, the band cut their teeth on a slew of successful 12” singles, each one as good as the last. Some of the tracks were remixed for inclusion on their underrated debut record, Cleopatra Gripwhich came out in 1990.

I reckon a lot of folks are already familiar with this band, but if not, best touchstones are bands like Kitchens of Distinction, Darling Buds, Lush, The Primitives, early Throwing Muses, The Sundays, and so on. Rough Trade ahoy!

The Heart Throbs- Toy 12” (1987)
1. Toy
2. I, the Jury
3. Make My Day

The Heart Throbs- Bang 12” (1987)
1. Bang
2. Sick At Heart
3. Naked Bang

The Heart Throbs- Too Many Shadows 12” (1988)
1. Too Many Shadows
2. I See Danger
3. Things That Linger

The Heart Throbs- Here I Hide 12” (1988)
1. Here I Hide (Extended Version)
2. Pale Fire
3. Come (First Version)

The Heart Throbs- Blood From a Stone 12” (1988)
1. Blood From a Stone
2. Cry Hard Cry Fast
3. Smothered

*download it here*

The Myst- Nothing Can Stop Me 7”

Posted in 1980s, 1987, new wave, ohio, the myst, US on March 6, 2022 by Frankie Teardrop

Here’s a very rare new wave-infused 7” from the US, one that’s been under-the-radar for me for some time now. I finally decided to spring for a copy just to quell my curiosity. The Myst were a trio from Ohio, and this is the only recording that I’m aware of. A single, lone 7” from 1987, when hair metal ruled the world.

Now, the original Discogs listing (since changed) is a bit misleading, as I wouldn’t really call this post-punk OR coldwave (especially by the American definition), though it’s not a completely unrelated genre trying to pass off as dark synth, which is a thing I’ve seen far too much out there (hint hint, sellers). That said, I’d say there’s a lot more of a new wave and light indie rock/jangle/power-pop flavor here, which is certainly a vibe I can hang with all the same. Some R.E.M. touchstones, though obviously not mysterious or esoteric as their earlier material. Both tracks could have appeared on a late 80s film soundtrack, especially the first song, with its uplifting chorus (get the girl, get the job, nothing can stop me, yeah!). I slightly prefer the b-side, myself. In general, I’m here for those guitar tones, and both tracks deliver in spades here. This might fit nicely in a playlist with The Psalms 7”.

After releasing this single, The Myst were never heard from again. Perhaps one of their members developed the popular 90s point-and-click computer game? 🤔 Bad jokes and associations aside, here’s the deets for this single. Let me know what you make of it!

The Myst- Nothing Can Stop Me 7”
1. Nothing Can Stop Me
2. Shattered Dreams

*download it here*

 

Jinx- Too Late 7”

Posted in 1980s, 1987, coldwave, france, french, minimal, minimal synth, new wave on December 28, 2020 by Frankie Teardrop

Hi friends. Hope everyone had a lovely holiday season. This will likely be my last post of the year at this rate, a final sweet synth sayonara to 2020 in hopes we all find better tidings in the new year. Here’s a single that I’ve both loved and forgotten in recent months. I can’t remember where I first heard this one a few years back, but a friend reminded me of it a few weeks ago, and I fell in love with it all over again, as if I were hearing it for the first time, but knew deep down this was a deeper obsession. The band, a French new wave act named Jinx (erroneously spelled Jynx on the inner label). This is their lone recording from 1987, and both tracks are pure wistful, romantic synth bliss. I’m reminded a bit of Ivy’s Day, Coldreams, Jane’s haunting “It’s a Fine Day,” and Rive Gauche across the span of both tracks. I can’t really choose a favorite, and even though it’s the b-side that might appeal more to most folks with it’s dual male/female vox, moody atmosphere, and beautiful high synth leads, the a-side is no slouch either once you get past the intro, which appears at first glance to be a bit more reggae/dub-inspired before it settles into a similarly great groove.

For those eager to find a copy of this single and don’t want to wait for it to pop up online, the b-side has been lovingly remastered and reissued by the excellent Camisole records, appearing on a split with the also stellar Madame Bovary (another single where I can’t choose my favorite track, but lean slightly towards the a-side). Anyway, I’m sure you’ve all skipped right to the download link for this one, with good reason. Let’s cut to the chase and get to the details:

Jinx- Too Late 7”
1. Too Late
2. Rêve Inconscient

*download it here*

Otherwise, hope you all have a lovely new year, and hope to see many of you in the digital space in 2021!

 

 

Quick note for those playing along at home: I even hate to end this post on this note, but it deserves to be said after a slew of interactions I’ve had recently that have left a poor taste in my mouth… I am not a lossless factory, and will not be publishing/replying to any further comments about providing lossless rips here or the demand for “free” music as such from punisher Discogs users out there. Please kindly keep those comments to yourself, as you will forever be whining into an abyss. I’m more than happy to share the music I am passionate about, but if you’re interested in making baseless demands please either have something to offer in exchange (I am *very* agreeable to digital trades) or feel free to press that Discogs button yourselves.

The Sophist- Subliminal Control LP

Posted in 1980s, 1987, minimal, minimal synth, new wave, US on February 6, 2019 by Frankie Teardrop

I’ve had this LP kicking around for ages, but never really thought much about it. One of my recent great purges had me reconsidering this record, and after careful consideration, I’m all in. Here we have a private press, gonzo minimal synth record from 1987, the lone album by an otherwise mysterious project from the NY/NJ area. There’s a tape edition of this album, as well as a single-sided flexi 7” of the title track, which in itself is worth the price of admission alone.

There are quite a few experimental pieces in play here, dark ambient passages mixed with short industrial landscapes, and a long, evolving piece that fills out side B. As mentioned though, minimal synth heads will love the title track, a furious 18-minute KR-55 workout that starts with gusto, begins to wear out its welcome, and by the time it finishes, comes back around again and commands the utmost respect. It’s one helluva ride.

With all that in mind, here’s the rundown:

The Sophist- Subliminal Control LP
1. Attention All People
2. Subliminal Control
3. Baby
4. Eternal Performance

*download it here*

Drowning Pool- Satori LP

Posted in 1980s, 1987, drowning pool, los angeles, post-punk, US on November 5, 2018 by Frankie Teardrop

Are y’all down with the sickness?

If so, this one is a request for the 1987 comp. from Drowning Pool, the nu metal bandthe post-punk band from Los Angeles, California. The band were also featured on the Ultraviolet compilation I posted last time around, so the name should certainly sound familiar… You may also recognize the band via their debut single under the name Landscape of Sound, which has also been featured here previously.

This particular double LP is a compilation of sorts, collecting a series of rare tracks alongside centerpieces from their four major LPs. This LP may have been shared in the past, but certainly at a low bitrate according to all sources I could find. As such, it’s an excellent introduction point AND a solid record to fill in the gaps, even if you have their other LPs in your collection. This record was released in 1987 via Nate Starkman and Son, an offshoot of Independent Project Records. It’s actually some small mystery they weren’t officially on IPR, as the sound and style and location all line up. They would have certainly been a welcome addition to the roster.

For those unfamiliar with Drowning Pool, there’s lots to love here across the post-punk spectrum. On paper, the band come off like a much more sinister and experimental take on Dead Can Dance, with tribal passages and ethereal soundscapes nestled among pure post-punk fury and avant-ghetto chaos. I’m also reminded of In the Nursery’s earlier, more primitive records. Of course, apt comparisons could also be made to local scene bands Autumnfair and Savage Republic, as the band no doubt ran in similar circles.

Soon after this LP was released, Drowning Pool changed their name to Mumbles and released one LP before disbanding. If you like what you hear here, you’d do well to seek out the band’s LPs, which are all rather affordable and all worth pouring over in great detail. For those who like to check on these things, the band keep an active social media presence, so you can check in on them for some old photos, details, stories, and more. Otherwise, here’s all the info:

Drowning Pool- Satori LP
1. Petit Malfacteur
2. Ritual Regeneration/Toy Soldiers*
3. Ruts
4. Nierika
5. Festival Of Healing
6. Fired From Within
7. Uncork The Mind
8. Game Room
9. You Are My Rescue
10. Weaving Petals
11. Muted Streak
12. Master Bebra
13. Ghirlandaio’s Apprentice/Macaulay Call*

*ripped as one track

*download it here*

—–

Also seems fitting to post a band from LA, as I’ll be landing there tomorrow to kick off a tour with Public Memory, who I’m playing synths with these days. Perhaps we’ll cross paths? Check here for full list of west coast dates, and come say hi if you’re in town!

A Primary Industry- (Mostly Full) Discography

Posted in 1980s, 1984, 1985, 1986, 1987, 1988, a primary industry, dreampop, ethereal, industrial, post-punk, shoegaze on August 7, 2018 by Frankie Teardrop

Got an email request for the early material of A Primary Industry, an incredibly underrated UK band who walked a fine line between the avant ghetto of SPK, 23 Skidoo, and A Certain Ratio and the ethereal textures of Cocteau Twins and Operating Theatre. While their lone LP Ultramarine was released in 1986, there are quite a few tracks that point heavily towards the shoegaze genre that was barely a glimmer across a pedalboard at the time.

That all said, A Primary Industry released most of their material on Sweatbox, an excellent label also responsible for the like-minded In the Nursery during their earlier and more experimental phase. The label also released a handful of Meat Beat Manifesto records, so you get an idea of some of the wildly oscillating moods and textures that can be found across all three bands. Otherwise, once A Primary Industry ran its course, the band morphed into Ultramarine (sharing the name with API’s lone LP), who released a series of more electronic/downtempo records in the 90s, and one in 2013. While Ian Cooper and Paul Hammond stayed on board for both projects, vocalist Jemma Mellerio left after Ultramarine’s first LP, Folk.

A Primary Industry’s work has been shared before, but at low bitrates that have since been scrubbed from the internet blogosphere. As their work is some of my very favorite, it was due time to dust off my copies of these records and share them across the board. Thanks also to Jeffo! for supplying a great rip of the band’s first 7”. I’ve uploaded the band’s four main singles and excellent LP from fresh rips, but have also included a handful of compilation tracks. I can’t take credit in any way for the lower bitrate comp rips, with the exception of the exclusive track from Bark, an excellent compilation from the Sweatbox label that also features The Anti Group, Perennial Divide, Meat Beat Manifesto, and In the Nursery. Just wanted to include the other comp tracks (minus Life at the Top, as the version of “Perversion” is identical to the 7” b-side, as is the mix of “Heart of Glass” from Bark) to complete the discography, more or less.

That said, if anyone has the elusive Real Time 6 compilation (or the exclusive track “Under Western Eyes”) I’d love to hear it, as that’s all we’re really missing here… Otherwise, enjoy!

A Primary Industry- At Gunpoint 7” (1984)
1. At Gunpoint
2. Perversion

Various Artists- Heures Sans Soleil LP (1985)
11. From This Prospect

A Primary Industry- 7 Hertz 12” (1986)
1. Cicatrice
2. Obeah
3. Biting Back
4. Bled Dry

A Primary Industry- Ultramarine (1986)
1. Body Blow
2. Beacon Hill
3. Shear
4. Sans Orange
5. Cicatrice
6. Watchword Weal
7. Gush
8. Raw Umber
9. Silesia
10. Rose Madder

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Various Artists- Suck (A Soundtrack For Everyday Living) LP (1986)
5. Rose Madder (Edit)

Various Artists- Abstract Magazine Issue 6 – Audio Visual LP (1986)
10. They’re Biting

A Primary Industry- Heart of Glass 7” (1987)
1. Heart of Glass
2. Where Is Your Vortex

A Primary Industry- Heart of Glass 12” (1987)
1. Heart of Glass A
2. Heart of Glass B

Various Artists- Vinile No. 1 7” (1987)
5. Fokker Bomb-Shit

Various Artists- Perdurabo LP (1987)
1. Watchword Weal (Remix)

Various Artists- Bark LP (1988)
9. Merde Alors

*download everything here*

When’s the last time we had a video here?! With that in mind, there’s a video for “Cicatrice” (the first track of theirs I heard, and the winner among winners). Enjoy!

Royal Depeche- Reality 7”

Posted in 1980s, 1987, german, goth, post-punk, royal depeche on June 5, 2018 by Frankie Teardrop

This one is FRESH off the needle, ladies and gentlemen. Just got home to find this waiting in my mailbox, and couldn’t wait to rip and share it with y’all.

Some folks may recall hearing the guitar and hook driven b-side on a previous Systems of Romance compilation, but I’ve always wanted to hear the lead track. I feared the worst, for usually when only one track surfaces from a highly coveted single, chances are that the other track isn’t really worth it. Happy to report that the a-side might be even better, though the two tracks are very similar sounding overall. Chances are the b-side originated from this excellent compilation of German goth and post-punk tracks, as this single appears to be extremely rare.

If you’re not already familiar with this band, Royal Depeche were a German post-punk band who released this one single in 1987, and were never heard from again. Though it was released much later, there are definitely 81-84 vibes all over this one, especially in the Chameleons-esque guitar lines that can be heard throughout both tracks. There are hooks galore and strong female vocals to bring the tracks home. With that in mind, hope you enjoy this one as much as I do!

Royal Depeche- Reality 7”
1. Reality
2. Your Return

*download it here*

7ème Discours (Pour Une Meilleure Existence)- 7ème Discours (Pour Une Meilleure Existence) LP

Posted in 1980s, 1987, 7ème Discours (Pour Une Meilleure Existence), coldwave, france, lyon, synthpop on December 16, 2016 by Frankie Teardrop

Thanks to Nick from Crispy Nuggets for re-ripping this gem for me to clean up and share with y’all! This is the lone LP from French synthpop/coldwave project 7ème Discours (Pour Une Meilleure Existence), which translates to 7th Speech (For Better Existence). A little bit of a mouthful, but what we have here is eight killer tracks of lo-fi synthpop of the highest caliber. Every track here is a gem, most ripe for the dance floor, with a few moody coldwave numbers included for good measure.

The LP was self-released in 1987. The band hailed from Lyon featured Xavier Martin on synths, bass, guitar, and vox, Eric Arcil on synths, and Christophe Berthoux on synths as well. This is their only logged release, though the band’s Facebook page linked a few deleted videos with additional song titles, so perhaps there are demos or a self-pressed follow up in someone’s collection. Would love to hear more about that, if so! Otherwise, here’s the details:

7ème Discours (Pour Une Meilleure Existence)- 7ème Discours (Pour Une Meilleure Existence) LP
1. Ruptures
2. Le Bébe
3. Cauchemars De Jour
4. Lait Caillé Et Peau Flasque
5. J’ai Cassé Ma Montre
6. Le Square
7. Vide
8. 7ème Discours

*download it here*

Eirin Peryglus- Bronson 7”

Posted in 1980s, 1987, eirin peryglus, minimal, minimal synth, synth, synthpop, uk, wales, welsh on June 27, 2014 by Frankie Teardrop

Here’s an old favorite that the postman just dropped off at my door the other day, so I thought I’d celebrate with a fresh rip of this Welsh synthpop classic.  Released in 1987, this is the first of five releases by the band, and my favorite that I’ve heard to date.   Seriously, the A-side is the perfect mix of powerful female vocals, chorus-heavy guitars, and a rollicking beat, which plenty of synth hooks to keep you coming back for more.  It’s been a regular in my DJ sets for some time, and I’d honestly rank it as one of my all-time favorites, through and through.  The flip is no slouch, either!

Vocalist Fiona Owen was also a member of Plant Bach Ofnus (translation- Timid Little Children), who were a little more on the esoteric side, but no less delightful.  Her husband, Gorwel, was also a member of the project, and the two still make music together to date.

Eirin Peryglus- Bronson 7”
1. Bronson
2. Y Dyn Newydd

*download it here*

Quite Simple- Victims 7” & Unknown Stranger LP

Posted in 1980s, 1987, 1989, darkwave, Dutch, goth, goth-rock, post-punk on November 18, 2013 by Frankie Teardrop

I have two posts today, both request from friends so I thought I’d drop both on you in one day.  This first post fulfills a request by Xerfrank for the official discography of post-punk/goth band Quite Simple, from Holland.  I’ve seen these two records go for moderate prices over the years, so they certainly warrant some more attention for those unaware of the band.

Fans of hook-driven Leeds bands such as March Violets and the Lorries should love this one, straight down to the male/female vocal dynamics and big, shameless production.   For a private pressing, the production on the LP is especially impressive, and sometimes it sounds like the LP is only a major label away from being Floodland II.

Unknown Stranger was released in 1989, while the 7” (which I prefer by a small margin) was released in 1987.  There’s also another track released on the Made In Brabant compilation in 1987, and since that collection pre-dates the LP as well, I’m assuming the recording of “Visions” from the compilation is different than what would appear two years later.  If anyone has this compilation, feel free to drop a line!   Otherwise, enjoy!

Quite Simple- Victims 7” (1987)
1. Victims
2. Light In the Dark



Quite Simple- Unknown Stranger LP (1989)
1. Unknown Stranger
2. Mistery of the Night
3. Visions
4. Age of Miracles
5. China Town
6. Curious Eyes
7. Nightmare
8. Out of the Spirit World

*download both here*