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Jinx- Too Late 7”

Posted in 1980s, 1987, coldwave, france, french, minimal, minimal synth, new wave on December 28, 2020 by Frankie Teardrop

Hi friends. Hope everyone had a lovely holiday season. This will likely be my last post of the year at this rate, a final sweet synth sayonara to 2020 in hopes we all find better tidings in the new year. Here’s a single that I’ve both loved and forgotten in recent months. I can’t remember where I first heard this one a few years back, but a friend reminded me of it a few weeks ago, and I fell in love with it all over again, as if I were hearing it for the first time, but knew deep down this was a deeper obsession. The band, a French new wave act named Jinx (erroneously spelled Jynx on the inner label). This is their lone recording from 1987, and both tracks are pure wistful, romantic synth bliss. I’m reminded a bit of Ivy’s Day, Coldreams, Jane’s haunting “It’s a Fine Day,” and Rive Gauche across the span of both tracks. I can’t really choose a favorite, and even though it’s the b-side that might appeal more to most folks with it’s dual male/female vox, moody atmosphere, and beautiful high synth leads, the a-side is no slouch either once you get past the intro, which appears at first glance to be a bit more reggae/dub-inspired before it settles into a similarly great groove.

For those eager to find a copy of this single and don’t want to wait for it to pop up online, the b-side has been lovingly remastered and reissued by the excellent Camisole records, appearing on a split with the also stellar Madame Bovary (another single where I can’t choose my favorite track, but lean slightly towards the a-side). Anyway, I’m sure you’ve all skipped right to the download link for this one, with good reason. Let’s cut to the chase and get to the details:

Jinx- Too Late 7”
1. Too Late
2. Rêve Inconscient

*download it here*

Otherwise, hope you all have a lovely new year, and hope to see many of you in the digital space in 2021!

 

 

Quick note for those playing along at home: I even hate to end this post on this note, but it deserves to be said after a slew of interactions I’ve had recently that have left a poor taste in my mouth… I am not a lossless factory, and will not be publishing/replying to any further comments about providing lossless rips here or the demand for “free” music as such from punisher Discogs users out there. Please kindly keep those comments to yourself, as you will forever be whining into an abyss. I’m more than happy to share the music I am passionate about, but if you’re interested in making baseless demands please either have something to offer in exchange (I am *very* agreeable to digital trades) or feel free to press that Discogs button yourselves.

4 Comments »

Tableau Noir- Correspondances LP

Posted in 1980s, 1986, coldwave, france, french, minimal synth, tableau noir on January 15, 2019 by Frankie Teardrop

Happy new year, everyone!

I’d like to kick off 2019 with a record that just arrived in my mailbox just yesterday. This LP is a curious French obscurity from 1986, centered around the works of Charles Baudelaire. Each song on this LP pulls the title, lyrics, and inspiration from Baudelaire’s classic Les Fleurs Du Mal. The music is set to a minimal backdrop; cold synths, dry drum machines, angular guitars, and a mix of both male and female vocals across the board, often sung and sometimes spoken. It’s not as dark as you might suspect, given the subject matter, but there’s definitely plenty to love here, especially for fans of bands like Marquis De Sade, early Martin Dupont, Taxi Girl, etc. I’m especially fond of “Sed Non Satiata,” which I could easily imagine hearing in a club setting.

Since there isn’t too much more to tell about this LP, let’s jump straight to the details. Enjoy!

Tableau Noir- Correspondances LP
1. Correspondances
2. Le Voyage
3. Le Reniement de St Pierre
4. Lesbos
5. L’Albatros
6. Sed Non Satiata
7. La Mort des Amants
8. Le Serpent Qui Danse
9. Les Bijoux

*download it here*

5 Comments »

7ème Discours (Pour Une Meilleure Existence)- 7ème Discours (Pour Une Meilleure Existence) LP

Posted in 1980s, 1987, 7ème Discours (Pour Une Meilleure Existence), coldwave, france, lyon, synthpop on December 16, 2016 by Frankie Teardrop

Thanks to Nick from Crispy Nuggets for re-ripping this gem for me to clean up and share with y’all! This is the lone LP from French synthpop/coldwave project 7ème Discours (Pour Une Meilleure Existence), which translates to 7th Speech (For Better Existence). A little bit of a mouthful, but what we have here is eight killer tracks of lo-fi synthpop of the highest caliber. Every track here is a gem, most ripe for the dance floor, with a few moody coldwave numbers included for good measure.

The LP was self-released in 1987. The band hailed from Lyon featured Xavier Martin on synths, bass, guitar, and vox, Eric Arcil on synths, and Christophe Berthoux on synths as well. This is their only logged release, though the band’s Facebook page linked a few deleted videos with additional song titles, so perhaps there are demos or a self-pressed follow up in someone’s collection. Would love to hear more about that, if so! Otherwise, here’s the details:

7ème Discours (Pour Une Meilleure Existence)- 7ème Discours (Pour Une Meilleure Existence) LP
1. Ruptures
2. Le Bébe
3. Cauchemars De Jour
4. Lait Caillé Et Peau Flasque
5. J’ai Cassé Ma Montre
6. Le Square
7. Vide
8. 7ème Discours

*download it here*

6 Comments »

Various Artists- Systems of Romance Vol. 7 & 8

Posted in 1980s, coldwave, compilations, Intro, mélopée, New deutsche welle, new wave, post-punk, synth, synthpop, systems of romance, uk, various artists, Vibø, wave on September 1, 2015 by Frankie Teardrop

I’ve been talking a big game about this Various Artists compilation series for a long time. So many allusions to the next installment of loose tracks have been made over the past few years, always saying the same thing. Stay tuned, etc. Well, it just occurred to me that it’s been THREE (3) years since the last installment, which is just pathetic on my part. That said, in order to atone for these missed opportunities and empty promises, I’ve assembled not ONE, but TWO compilations, just like the old days. Some of these tracks were passed on by friends and allies of the blog, others by band members themselves, and as always, quite a few come from the record shelves. Little writeups to follow below, but for now, let’s get to the tracklisting, shall we?

sor7

Various Artists- Systems of Romance Vol. 7
1. Blood Brothers- Beyond The Nightmare
2. Unfamiliar Skies- Loveland
3. I Wish- The Name
4. 4711- New Holland
5. Glass Lady- Glass Lady
6. Lovers- Siam
7. Forever Till Never- When Kids Are Alone
8. Dancing On Your Own- Martin & Martin
9. Loss- Camouflage
10. Saison Fleurie- Cello
11. The Haunting Moon- Lyon in Winter
12. ふり返った男- Imitation Brain
13. Epics- Moravagine
14. Deutschland Brennt- D.U.R.
15. GG Man- Underjordiska Lyxorkestern
16. Pathetical Twat- Weaveworld
17. Ansassa- Tiistai
18. Symétrie (Live)- Pro Memoria
19. Zondagsplicht- Vibø
20. Pour Everyone- Irrelevant

sor8

Various Artists- Systems of Romance Vol. 8
1. The Tribute- Christophe Grelier
2. Sisters- Carter Burwell
3. Dancing to Kill- Almost Alone
4. Curtain of Love- Ce Soir
5. Ultraviolet- Fade to Black
6. L’Arbre- Mélopée
7. Frozen (Demo)- Yvonne
8. Uomini di Vetro- Sirtaki
9. Darkness- A Distant Echo
10. Clever Dancers- Paul Piacentini
11. Grey Day- Nick Haward
12. Nuclear Car- Chapter 13
13. Tornado- The Blue Law
14. In Your Window- Indians Fall In Love
15. Korea- European Toys
16. Grind- October Game
17. Stormy Weather- Systems of Romance
18. Apynee- Laughing Out Loud
19. Disunion- Baby Hotel Hunger
20. Is This the End?- Avo-8

*download both compilations here*

Vol. 7 credits:
1. French band, released in the mid 90s, early 2000s. Also known as Beyond the Nightmare About Claudia.
2. Rare compilation appearance from these US-based synthpop greats, responsible for this trashy 12”. This track was released in 1993 on the American Independence- The New York Underground compilation. They were never heard from again.
3. Another track with virtually no information to be found out in the ether. Welcoming any tips on this one!
4. Incredible post-punk with cold synths from the Netherlands. They have a wealth of unreleased material, all available on Youtube.
5. Sleazy italo disco vibes from the UK, This is their lone single, the flip being an instrumental dub version.
6. Not related to the Israeli band of the same name, but instead the second project from Jacqui Brookes, aka Shox and Intro, respectively. This is the b-side of their Catrix 7”, a much better song than the intended single.
7. The a-side from a killer post-punk/wave 7” from the US, released in 1985.
8. An old Wierd party favorite, donated by a friend some time ago. Has seen many a play on the NYC dancefloors, but I’ll be damned if I can tell you anything about this otherwise italo/synthpop smash.
9. Not related to the German synthpop titans, but instead the centerpiece of this Swedish wave band’s second record, released in 1986.
10. Neoclassical darkwave vibes from Portugal, released the mid-90s. This track hails from their third record.
11. Gloomy new wave track from a lone US 12”, released in 1986.
12. Japanese a-side, also from 1986.
13. Early Martial Canterel demo, recorded under the Moravagine alias and released on a 6 track cd-r of similarly early demos.
14. The A-side from a 1982 NDW single, released on Zenzor.
15. The standout track from this Swedish band’s lone LP from 1982. The rest of the album is a mixed bag of new wave/prog tracks, but this one is a cold gem.
16. Four piece UK band featuring frequent members and collaborators of The Chameleons, The Sun & The Moon, Black Swan Lane, etc. Features the same trademark sound as all three of these bands. Also appears in demo form under the name Music For Aborigines.
17. Standout track from this Finnish band’s debut LP, released in 1987.
18. Unreleased live track from this otherwise amazing French coldwave project, with heavy similarities to Cocteau Twins. Get their first demo tape here.
19. Unreleased demo track from these Belgian darkwave greats, whose 12” appears on these back pages as well.
20. Unreleased demo from Philippe Planchon’s post-Asylum Party project.

Vol. 8 credits:
1. Neoclassical track from the mid-90s, released on the Cantara I compilation. Christophe was mostly active in No Words.
2. Plucked from the Psycho 3 soundtrack and featuring Stanton Miranda, yet another killer collaboration between the pair that brought you Thick Pigeon and the killer Wheels Over Indian Trails 12” on Factory Benelux. This is Carter’s first soundtrack work, a world where he is still active today.
3. Unreleased demo from this UK synthpop duo.
4. Flip side from a Scandanavian synthpop single from 1983. This is the first of three singles by Ce Soir. The A-side is nice, but this is the real standout of the two.
5. Lone compilation appearance from these US goth greats. It’s by far my favorite track of theirs, with a menacing edge and a slightly questionable organ line. Released on an otherwise mixed bag compilation. Miller High Life wave?
6. Centerpiece of this French coldwave band’s CD release from 1995. Get their earlier material here.
7. Demo track from mid-90s Sweden.
8. I couldn’t tell you a thing about this one!
9. The only released track from this Belgian synth band, released on the Blitz Pop 2 compilation in 1983.
10. Standout from the 1985 Out of the Box LP, recorded in one continuous take. Another Wierd party favorite.
11. The a-side from an extremely rare UK minimal synth single, released in 1983.
12. The b-side from a US-based 7” from 1982.
13. Gloomy, standout new wave track from a lone US 12”, released in 1988. If I recall, this is the only track that sounds anything like this.
14. Unreleased track from this UK-based post-punk/goth band, originally featured on the band’s Myspace page. This one goes out to Michael B. Wood from Return of the East, who passed away recently, but not before sharing this obscure band with the world.
15. Title track from this rickety UK post-punk band’s second release from 1984.
16. Probably the most well-known band on here, if only because it features a young, pre-Nettwerk Sarah McLachlan on vocals. Originally released in 1986 on the Out of the Fog (The Halifax Underground 1986) compilation.
17. US-based 12”, named after this blog just kidding, but still a nice slice of excellent new wave from 1983.
18. Another one I know virtually nothing about, and welcome any further information!
19. AKA Hotel Hunger, a Danish post-punk band. This track hails from their first 12”, released in 1986.
20. UK-based indie-rock/pop in the style of Shop Assistants, Flying Nun records, etc. This is the title track from their 1987 12” of the same name. Thanks to Goutroy for passing on an extra copy!

12 Comments »

Various Artists- 13 CD & L’Appel de la Muse LP

Posted in asylum party, coldwave, compilations, ellysgarden, france, french, goth, goth-rock, little nemo, lively art, post-punk on May 13, 2015 by Frankie Teardrop

Here’s a two for Tuesday post- two indispensable French compilations that you may have seen around before over the years, but both of these may serve as upgraded versions of what’s available in the ether.

Let’s start with 13, a near-perfect sampler of the Lively Art roster released in 1990, just as the label was hitting its peak. Just one glance at the artists gives the impression that Lively Art was truly on par with Factory Records, if nowhere near as well known outside of France and Belgium. It’s easy to forget that And Also the Trees had several releases on Lively Art, since they stick out like a sore thumb amidst a slew of French coldwave bands. That said, they certainly share the label’s aesthetic, in many ways a touchstone for La Vague Froide. Otherwise, you have classic tracks by Asylum Party, Museum of Devotion, and arguably Little Nemo’s best song… Not too shabby! The CD version provided here features three additional bonus tracks, to boot- bringing the total number of tracks to…well…….

While 13 is incredibly strong, L’Appel de la Muse is an all-time favorite. Track after track of dark French perfection. This is the first of five comps bearing this title, this series was perfect for showcasing new, underground French post-punk acts, oftentimes broadening their geographical horizons over the years. This first installment was the only release on vinyl, and kicked things off for the Alea Jacta Est in 1989. Alea Jacta Est would go on to release most of Lucie Cries’ discography, as well as Ellysgarden‘s debut release. Meanwhile, there are several repeat offenders across both of these compilations. Little Nemo’s “Alan’s Waiting” appears in re-recorded form here, and this version has never been compiled elsewhere. You also have killer exclusives from Excès Nocturne, Message, and a delightfully bizarre, yet satisfying track from Medikao, just to name a few. All in all, a flawless compilation, and part of a perfect pair. Enjoy!

Various Artists- 13
1. Tribes Are Meeting- Teepee
2. Love or Madness- Asylum Party
3. This Place- Data-Bank-A
4. Lover Pot Pie- Sky Cries Mary
5. Stiff- Numb
6. City Lights- Little Nemo
7. The Party- Mary Goes Round
8. Quimbi Come Home- Museum of Devotion
9, Istante (Live)- Club De Rome
10. Anton’s Mind’s Getting Blind- Collection d’Arnell~Andréa
11. The Subject Animal- Anechoic Chamber
12. (In the) Name of Surival- Circle Confusion
13. Wallpaper Dying- And Also the Trees

Various Artists- L’Appel de la Muse
1. The Muse’s Calling- Lucie Cries
2. Froh- Clair Obscur
3. Les Enfants- L’An III
4. Sex Gore- Medikao
5. Alan’s Waiting (2nd Version)- Little Nemo
6. Dahlia Noir- Excès Nocturne
7. Anastoria- Tuatha De Danann
8. The Nightmare (1st Version)- Mary Goes Round
9. The Grave- Message
10. Dreaming- Asylum Party

*download both here*

11 Comments »

Mélopée- Mélopée & Lyelle K7s

Posted in 1980s, 1990, 1990s, coldwave, france, french, goth, goth-rock, k7, mélopée, post-punk on March 9, 2015 by Frankie Teardrop

Two fantastic, rare, and undersung cassettes up on the slab today from Mélopée (translation- threnody), a coldwave band from France. Very little to be found on the net about this band, as both tapes were self-released in very limited numbers. One of the tapes (Lyellle) dates back to 1990, while the self-titled cassette doesn’t have a year attached to it, but is likely around the same time period, give or take a year in either direction. Outside of a handful of compilation appearances, the band also released a CD in 1995, but I haven’t heard it aside from the track that appears on the excellent Beaucoup, compilation alongside Lucie Cries, Ellysgarden, Résistance, Babel 17, and more, to say the least…

Fans of all the aforementioned bands (as well as the slew of Mémoires D’automne tapes from a few years back) will find lots and lots to love here!

Screen-Shot-2015-03-09-at-5.31.56-PM

Mélopée- Mélopée
1. Le Vide D’Un Cœur Solitaire
2. A L’Aube De La Vie
3. Les Tempes Blanchies
4. Mémorial
5. Ignaledre

R-2608753-1293385991.jpeg

Mélopée- Lyellle
1. Petite Vieilles Fanées
2. L’Arbre
3. Lyellle
4. Vision
5. Niomée
6. Procession
7. Inwradness

*download both tapes here*

8 Comments »

Azile- La Sainte 7”

Posted in 1980s, 1988, azile, coldwave, france, french, lyon, post-punk on April 29, 2014 by Frankie Teardrop

It’s been a dog’s age, ladies and gents- or at least it feels like it’s been some time since my last post.  Life’s been a bit crazy here, but all is well, and I’m hoping to resume regular activity here soon.  With that in mind, here’s a new acquisition originally introduced to me by the always astute Stéphane B. of coldwave.fr.  Olivier, the singer and guitarist of the band was kind enough to send me a copy and to lend his permission to share the single here with you all.

This is the lone release by Azile, a French coldwave band from Lyon, home of some of the best bands of the era, including Gestalt, L’Enfance Éternelle, Opéra De Nuit, etc.  The latter is actually an excellent touchstone, as I find some sonic similarities between the A-side of this single and ODN tracks such as “Inviation” and “Karen Lloyd.”   It’s a short blast of excellent coldwave that I’m glad exists in this world, no matter how obscure.  The flip is no slouch either, combining acoustic guitar and churning synth stabs.

This 7” was self-funded and self-released by the band in 1988, though Olivier mentioned that the band recorded a few more tracks around the same time.  I hope to be able to share those with you soon, but in the meantime, here’s the details for this excellent single.

Azile- La Sainte 7”
1. La Sainte
2. L’Homme Qui Tombe

*download it here*

4 Comments »

Hymn- Coming Home & Too Many Lies K7s

Posted in 1980s, 1983, 1984, coldwave, hymn, minimal, minimal synth, post-punk on April 2, 2014 by Frankie Teardrop

Here’s a generous donation of two rare cassette releases from Hymn, a French coldwave band who released a more well known 12” on Nova Express in 1984.  These two cassettes were recorded shortly before that record, the first of which was self-released in 1983, while the other appeared on Autoproduit a few months before the 12”.  While the band’s trademark Joy Division influence can still be heard here, the instrumentation is more on the minimal synth side of the spectrum, with the classic TR606 providing the backbone to the gloomy, Ian Curtis-esque vocals.  I believe the band was originally a trio, and added a drummer just before recording the 12”.

That said, don’t let the sparse instrumentation and the shorter track length fool you, these tracks are still as cold as ever, and there are just enough guitars in the mix to make things interesting.  Without any further adieu, here’s the info for these two gems:

hymn--coming-home

Hymn- Coming Home K7 (1983)
1. Danger
2. Die For You
3. I Guess
4. I Am The Absolute
5. Shock Of The Dates
6. Comin’ Home
7. Nos Pieds et Nos Têtes

hymn--too-many-lies

Hymn- Too Many Lies K7 (1984)
1. Never Show Me
2. Too Many Lies
3. I Can
4. Give Me
5. Like In My Dreams
6. Surch Me
7. Hymn
8. Hope I Dream
9. Lost World

*download both tapes here*

10 Comments »

Various Artists- Treviso Underground Vol. 1: Nuovo Rock/Wave

Posted in 1980s, coldwave, italian, post-punk on November 27, 2013 by Frankie Teardrop

Here’s an amazing Italian cassette compilation from 1988, generously ripped by Carlo. This is the first in a two part series of homebrew tape compilations from the 80s featuring bands from the Treviso region of Northern Italy. This edition focuses on new wave and post-punk bands, while the second volume caters more towards experimental and ambient bands. You can get the second volume here.

I was originally drawn to this cassette via Wax Heroes and Scent Merci, two excellent post-punk bands that only have a handful of releases between them.  However, the entire compilation is awesome, with the exception of the Nicotine Spyral Surfers songs, which aren’t bad if you prefer things on the more garage-y side. However, the true standout to me is Inside Loneliness, a band who truly invokes the cold Cure-esque vibes of Seventeen Seconds as well as other bands of that ilk.  I can’t get enough of “It’s Over Again,” (which builds to the same simple, but perfect chord progression as The Chameleons’ “Second Skin”), while their second track here is no slouch, either.  Inside Loneliness also contributed more tracks (including an alternate version of “It’s Over Again” that lacks the synth intro) to the Opere Senze Ombre compilation, which features the German Shadowplay, Opera Multi Steel, and the Venus Fly Trap. As you can see, that compilation wasn’t as ethnocentric as this one is, but is still worth hearing and can be found here.

As for the rest of the bands here, Domus Tedii plays a darker, organ driven style of post-punk, while Em’s Dream all but sounds like Robert Smith singing.  In fact, Marathon’s contribution is also reminiscent of the Cure’s Head On the Door/Kiss Me period (see above), with the trademark keyboard flute sounds and sad, yet boisterous melody.  Turbe Psichiche Di Origine Dolosa are the most punk-inspired of the bands, with backing vocals that are both anthemic as well as slightly Byrds-esque.  Aside from Inside Loneliness, my other favorite track on this compilation comes from Lacrima Christi, with some great cold sounds and solid atmosphere.  I’m not sure if this is the same band that appears on a 1991 compilation, but I’d love to hear more from them either way.

R-4002427-1351963938-6694

Various Artists- Treviso Underground Vol. 1: Nuovo Rock/Wave
1. Miky Mouse- Wax Heroes
2. Wake Me Up Wizard!- Wax Heroes
3. It’s Over Again- Inside Loneliness
4. Trees Out of My Way- Inside Loneliness
5. School Days II- Scent Merci
6. The Bright Moonlight- Scent Merci
7. You Make Me Fly (So High)- Nicotine Spyral Surfers
8. Are You Surprised?- Nicotine Spyral Surfers
9. Non Presenza- Domus Tedii
10. Rachele- Lacrima Christi
11. Bloodless (Not Buried)- Em’s Dream
12. Sun of the Awning- Marathon
13. Questo E’ Il Tuo Giorno- Turbe Psichiche Di Origine Dolosa

*download it here*

 

Thanks again, Carlo!

3 Comments »

Vietnam- Vietnam LP

Posted in 1980s, 1985, coldwave, new zealand, post-punk, vietnam on October 22, 2013 by Frankie Teardrop

Vietnam1984v1

(Photo credit: Neil Monkhouse)

Sorry for the delay, it’s been a very busy time at SOR headquarters so I’ve been slacking a little bit.  Plus, it’s Fall in New York, so I’m trying to make the most of being outside before hibernating for the winter.  Anywho, here’s a post lovingly ripped and donated by xerfrank, a fellow friend and passionate collector from Spain.  You may have seen this back on Vinyl Obscurity a few years ago, but I believe the post was taken down immediately by some Mediafire bots looking for the latest Rhianna record, long before his blog disappeared into the either as well.  I also included the “best” track from this record on my last v/a compilation, so some of you may be interested in hearing the rest of it.  While ‘Victory’ reigns as my favorite track on this record, I enjoy this one as a whole.

There’s little to be found about Vietnam, yet another extremely difficult band name to Google, but I do know that they existed for a short period of time as part of New Zealand’s post-punk movement and released this record in 1985 on Jayrem Records, a catch-all label for local artists.  There’s the pre-requisite Joy Division influence present in the vocals (fans of De Press, The Opposition, Stranger to Stranger, and Dropopop should enjoy this one especially) but the music jumps from moody post-punk and flirts occasionally with jangle-pop progressions and dreamy, Cure-esque melodies.  “China Tonight” is an excellent moody instrumental track with a descending synth/piano melody.  “Behind the Paintings” is as gloomy, yet driving political anthem, a general theme in the lyrics that hints at a slight U2 influence, who were at the peak of their fire-y political leaning at that point in time.   Honestly, with a name like Vietnam and with artwork like this, it’s safe to assume that the lyrics have a little more spark to them.

EDIT 6/30/14:  I’ve since been in touch with Adrian Workman, the band’s bassist and synth player, who has shared some tales about the band’s inception and current whereabouts:

Four lads from the same High School in working-class town called Wainuiomata (pronounced Y-noo-ee-o-ma-ta , a suburb of Wellington, NZ).  We started writing/playing together in my parents garage and drove the neighborhood insane over a period of time. New Zealand in 1982 mirrored Thatchers UK; an ultra conservative government, poor economy and civil unrest. Wellington (the nations capital) was a volatile mix of public servants, politicians, university students ,and skinheads. The messages of the Punk and Post-Punk era emanating from the UK resonated strongly in the Wellington music scene and local musical acts discovered their own version of the genre. 

The legal drinking age was 20 years old, yet we performed in pubs, clubs and community halls from as young as 16 years, somehow avoiding detection from the authorities.
 
Vietnam was definitely a coming together of 4 very different people that shared a common malaise; suburban isolation in a depressed and oppressed society in the early 1990’s. We were a  weird combination of cultural/ethnic diversity, (unusual in that musical era), and ironically we all achieved well in school and sports…being working class was a badge of honour for us and  we strongly resisted being pigeon-holed into societal roles. Vietnam was a head-fuck for many people because, I believe, we delivered more than was expected of us given our collective backgrounds. We almost dethroned a significant corporate rock band in the national ‘Battle of the Bands’ comp, leaving them crapping their collective duds after we performed a kick-ass set, including  a Vietnam version of ‘Echo Beach’ and just missing the final cut. Anyways…this show got us attention from the right people.
 
It was a pretty intense music scene from memory. Vietnam was a square peg in that scene, mainly due to the stigma associated from the suburb we came from. We played a lot of shows,( including the Aerial Railway stage at ‘Sweetwaters’,  an annual 3 day Music festival, (just think Woodstock meets Lollapallooza). Supported some good acts of the era and made our EP in late 1984 (released in 1985). Radio with Pictures TVNZ picked up ‘Victory’ and the video was made at the cost of taxpayers monies. Shortly after the release I migrated to Sydney, Australia (18 yrs old) in mid 1985, Pete Dransfield followed about a year later. After several attempts to reincarnate a version of the band under different monikers we went our separate ways in 1988, and Pete returned to NZ.
 
Pete released some material in the late 1990’s under the name ‘The Thorn Field’ , became a semi-professional boxer, and continues to work in the live music scene in NZ in a technical capacity.
 
Shane went on to have a stellar career as a national spokesperson for indigenous programs relating to smoking cessation (Go Bro!). Leon has continued to perform political rap in various line-ups.
 
I joined Sydney Band ‘The Bhagavad Guitars’ in late 1988, and stayed with them until 1992. Releasing several recordings in this time on the Red Eye Label, including the belated release of an album produced by Toney Cohen (of Nick Cave and the Bad Seeds fame) in 1995 (Lead vox  ‘No News’). We almost made it to the States, but the band imploded exactly at the critical moment:(
 
I was also a founding member with ‘The Verys’ in the grunge era of the 1990’s, releasing the EP ‘That’s A Moray’ in 1993. Ran my own record label briefly and ventured into twisted world music with Bonepeople in the late 1990s. Recently recorded a reformation album with The Bhagavad Guitars in 2011 called ‘Unfamiliar Places’ (Lead vox ‘Autumn’). Check out my name on ‘Discogs’ website for refs. and/or reverbnation ‘Bhagavad Guitars’.

Vietnam- Vietnam LP
1. Broken Doll
2. China Tonight
3. Behind the Paintings
4. Another Day
5. Victory

*DOWNLOAD LINK REMOVED* – please visit B.F.E. records (website/bandcamp) for a reissue of this LP with some bonus tracks!

There’s also a video for “Victory” (!).  Feels like it’s been ages since we had one of those:

Thanks again to xerfrank for ripping this one!  I have some mail arriving over the next few weeks that may interest some of you looking for something a little seedier/synthier.  In the meanwhile, I picked up some rad stuff in Canada, one record in particular that deserves a re-posting ASAP.  I also have another post lined up from xerfrank’s expansive archives, as well as more from Klumpa’s collection to come in the near future.  Also, perhaps some modern surprises as this year winds down to a close.

 

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On a completely unreleated note, might I bring your attention to THIS?  I have a new project that you all may enjoy, and we just released a limited edition cassette (!) on fellow Brooklyn-based label Function Operate.  I reckon a few of you may enjoy it, and we’ll have plenty more news soon.  If you want to check in on us, we can be found HERE.

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