Archive for the goth Category

Various Artists- 13 CD & L’Appel de la Muse LP

Posted in asylum party, coldwave, compilations, ellysgarden, france, french, goth, goth-rock, little nemo, lively art, post-punk on May 13, 2015 by Frankie Teardrop

Here’s a two for Tuesday post- two indispensable French compilations that you may have seen around before over the years, but both of these may serve as upgraded versions of what’s available in the ether.

Let’s start with 13, a near-perfect sampler of the Lively Art roster released in 1990, just as the label was hitting its peak. Just one glance at the artists gives the impression that Lively Art was truly on par with Factory Records, if nowhere near as well known outside of France and Belgium. It’s easy to forget that And Also the Trees had several releases on Lively Art, since they stick out like a sore thumb amidst a slew of French coldwave bands. That said, they certainly share the label’s aesthetic, in many ways a touchstone for La Vague Froide. Otherwise, you have classic tracks by Asylum Party, Museum of Devotion, and arguably Little Nemo’s best song… Not too shabby! The CD version provided here features three additional bonus tracks, to boot- bringing the total number of tracks to…well…….

While 13 is incredibly strong, L’Appel de la Muse is an all-time favorite. Track after track of dark French perfection. This is the first of five comps bearing this title, this series was perfect for showcasing new, underground French post-punk acts, oftentimes broadening their geographical horizons over the years. This first installment was the only release on vinyl, and kicked things off for the Alea Jacta Est in 1989. Alea Jacta Est would go on to release most of Lucie Cries’ discography, as well as Ellysgarden‘s debut release. Meanwhile, there are several repeat offenders across both of these compilations. Little Nemo’s “Alan’s Waiting” appears in re-recorded form here, and this version has never been compiled elsewhere. You also have killer exclusives from Excès Nocturne, Message, and a delightfully bizarre, yet satisfying track from Medikao, just to name a few. All in all, a flawless compilation, and part of a perfect pair. Enjoy!


Various Artists- 13
1. Tribes Are Meeting- Teepee
2. Love or Madness- Asylum Party
3. This Place- Data-Bank-A
4. Lover Pot Pie- Sky Cries Mary
5. Stiff- Numb
6. City Lights- Little Nemo
7. The Party- Mary Goes Round
8. Quimbi Come Home- Museum of Devotion
9, Istante (Live)- Club De Rome
10. Anton’s Mind’s Getting Blind- Collection d’Arnell~Andréa
11. The Subject Animal- Anechoic Chamber
12. (In the) Name of Surival- Circle Confusion
13. Wallpaper Dying- And Also the Trees


Various Artists- L’Appel de la Muse
1. The Muse’s Calling- Lucie Cries
2. Froh- Clair Obscur
3. Les Enfants- L’An III
4. Sex Gore- Medikao
5. Alan’s Waiting (2nd Version)- Little Nemo
6. Excès Nocturne
7. Anastoria- Tuatha De Danann
8. The Nightmare (1st Version)- Mary Goes Round
9. The Grave- Message
10. Dreaming- Asylum Party

*download both here*

Crashblack Big Orange- Crashblack Big Orange K7

Posted in 1980s, 1989, chicago, crashblack big orange, darkwave, goth, goth-rock, post-punk, US on April 15, 2015 by Frankie Teardrop

Today’s post is a supplement to Goutroy’s excellent post from 2012. His original post featured the lone full length LP from Chicago based husband and wife duo Crashblack Big Orange, which was a surprisingly excellent late 80s darkwave record in the vein of Intelligence Unit, Stimmen Der Stille, Xmal Deutschland, & Insulin Reaction. I’ve always thought these guys were kind of like a gothier version of X (or even a much less campy version of Rumania-era Nuns).

In his post, Goutroy mentioned that the band released three demo tapes prior to the LP, so this is one of the three missing pieces to the puzzle. This particular demo from 1989 is a single sided, self-titled affair, and features three tracks- two of which are exclusive to this release. The final song appears on the LP as well, and doesn’t seem to be too heavily altered, so it’s hard to tell if they just re-used this version or re-recorded it in exactly the same manner. The two exclusive tracks are exactly what you’d expect if you’re already a fan of the LP. The uninitiated can expect plenty of trashy, distorted deathrock-style guitars, high energy drum patterns, a mix of excellent male and female vox, and plenty of menacing hooks to go around.


Crashblack Big Orange- Crashblack Big Orange K7
1. Voices
2. Nerves
3. Strange Sky

*download it here*

If anyone has a copies of the remaining two demos, feel free to drop a comment or an email! Would love to hear them!

Mélopée- Mélopée & Lyelle K7s

Posted in 1980s, 1990, 1990s, coldwave, france, french, goth, goth-rock, k7, mélopée, post-punk on March 9, 2015 by Frankie Teardrop

Two fantastic, rare, and undersung cassettes up on the slab today from Mélopée (translation- threnody), a coldwave band from France. Very little to be found on the net about this band, as both tapes were self-released in very limited numbers. One of the tapes (Lyellle) dates back to 1990, while the self-titled cassette doesn’t have a year attached to it, but is likely around the same time period, give or take a year in either direction. Outside of a handful of compilation appearances, the band also released a CD in 1995, but I haven’t heard it aside from the track that appears on the excellent Beaucoup, compilation alongside Lucie Cries, Ellysgarden, Résistance, Babel 17, and more, to say the least…

Fans of all the aforementioned bands (as well as the slew of Mémoires D’automne tapes from a few years back) will find lots and lots to love here!


Mélopée- Mélopée
1. Le Vide D’Un Cœur Solitaire
2. A L’Aube De La Vie
3. Les Tempes Blanchies
4. Mémorial
5. Ignaledre


Mélopée- Lyellle
1. Petite Vieilles Fanées
2. L’Arbre
3. Lyellle
4. Vision
5. Niomée
6. Procession
7. Inwradness

*download both tapes here*

Suicide- Celebration 7”

Posted in 1980s, 1985, goth, goth-rock, japan, japanese, post-punk, suicide on January 22, 2015 by Frankie Teardrop

Welcome to 2015! A bit of a slow start here, but I’m slowly ripping a lot of things I’ve acquired over the past few weeks, with plenty of great stuff to go around for a while. So with that in mind, thanks as always for visiting, and I hope to keep your ears happy in 2015.

Despite the fact that the title of this post reads like a twisted self-help book, what we have here is an excellent and uncelebrated post-punk/goth 7” from Japan, released on Captain Records in 1985.  I unearthed this gem at a record fair in Brooklyn, listening to only a few seconds of each track on what looked like a Fischer Price turntable, and immediately it ticked all the right boxes. Chorus-drenched bass, big guitar hooks, and driving, but melancholy melodies across three tracks. This is the last of three 7”s from this band, and from my understanding, this one leans more towards the goth side of the spectrum, while the first two appear to be more straightforward anthemic punk.

This one should definitely appear to fans of Blitz, Christian Death, Lost Loved Ones, and any other driving and/or big-minded goth bands. Here’s the info:


Suicide- Celebration 7”
1. Celebration
2. Last Decide
3. Darkness

*download it here*

Stimmen Der Stille- Morgenstern LP

Posted in 1980s, 1988, german, goth, goth-rock, post-punk, stimmen der stille on October 22, 2014 by Frankie Teardrop

Hi all, apologies for the delay but it’s been a bit difficult to make time for a post these days. I hope to rectify that soon. With that in mind, here’s one of my all-time favorite obscure goth/post-punk records, 1988′s Morgenstern by German band Stimmen Der Stille. Someone had requested this in the Asmodi Bizarr post, and that was the only motivation I needed to finally shell out for this one. Thanks for being a bad influence! ;)

There’s only a little information to be found about this band. Their name translates to Voices of Silence (pretty awesome). The official lineup consisted of Daniela Siemon on vocals, Thomas Stelkens on guitar, Martin Gasper on drums and Pamela Alnoch on bass. The band recorded two demos between 1985-6 and released one 12”, Kristallkugel around the same time as this LP. As one might expect, there’s a lot of similarity to Xmal Deutschland and Siouxsie and the Banshees (including a Budgie-esque breakdown on the title track), but the quality of this record is astounding. A few tracks veer into experimental soundscapes before taking hold with killer hooks and powerful vocals, so there’s plenty to love on this LP from front to back!


Stimmen Der Stille- Morgenstern LP
1. Intro (Warten)
2. Kämpfen
3. Fegefeuer
4. Eine Stunde
5. Morgenstern
6. Unterwelt
7. Sahara
8. Not Red
9. Todeslied

Tracks 8 and 9 are ripped as one continuous track!

*download it here*

Madame Edwarda- Illuminé K7

Posted in 1980s, 1986, goth, goth-rock, japan, japanese, post-punk on June 2, 2014 by Frankie Teardrop

Happy Monday, folks!  Here’s a generous donation of a very special Japanese cassette, courtesy of Elias, who runs an excellent Facebook page on the Japanese goth movement.  Until now, I hadn’t heard much about Madame Edwarda, just some passing familiarity with the name, but I’m psyched to offer this release from 1986.  Fans of Japanese post-punk/goth bands such as G-Schmitt and D-Day should find lots to love here.

This is one of five releases from Madame Edwarda, a four piece band who, even at first glance, seemed very influenced by The Damned, Bauhaus, etc.  The band formed in 1980 and took their name from a Georges Bataille’s novel of the same name. Their earlier releases are more straightforward goth-rock affairs, while this cassette combines those influences with an experimental, almost neo-classical approach (see also In the Nursery for a suitable reference point).  There are several killer goth tunes here, including “Honey,” “La Nuit,” and “Marionette,” while other tracks are a bit more esoteric, mixing carnival-esque melodies, synth choir patches, and what sounds like cellos from time to time (though may very well be synth patches as well).  All in all, it’s an incredibly interesting listen from front to back.

The cassette box itself is a rather curious affair, with a larger box and book with rather intricate designs inspired by Aubrey Beardsley and Art Nouveau designs, which more or less sets the stage for the aural treats on this tape.

Ps- for anyone looking to hear their other releases, Elias has provided me a few links to share as well… They aren’t his own, nor mine, but if anyone would like to hear more and can’t find them elsewhere, please leave a note and I’ll upload them soon.  That said, you can still get a copy of the Lorelei 12” from the band’s official site.  With that in mind, here’s the information for this excellent cassette, with embedded English translations courtesy of Elias as well!


Madame Edwarda- Illuminé K7
1. 混声合唱 (Mixed Choir)
2. Carnival
3. 夜間飛行 (Night Flight)
4. 夜想曲~ノクターン~ (Nocturne)
5. 幻惑 (Enchanting)
6. 回転木馬~メリーゴーラウンド~ (Carousel~Merry-Go-Round~)
7. 青い悪魔 (Blue Devil)
8. 大観覧車 (Ferris Wheel)
9. サーカス (Circus)
10. 恋歌~ロマンス~ (Love Song~Romance~)
11. Le Château
12. Honey
13. コクトーの剣 (Sword of Cocteau)
14. Marionette
15. La Nuit
16. 夢想 (Reverie)
17. Emeralde

*download it here*

Crux Ansata- I Feel the Atmosphere 12”

Posted in 1980s, 1990, crux ansata, darkwave, endraum, german, goth, goth-rock, neutral project, post-punk on May 22, 2014 by Frankie Teardrop

Happy world goth day, everyone!  Figured I’d chime in and celebrate with an updated version of one of my favorite darkwave/goth classics, the lone 12” from Germany’s Crux Ansata.  You may have seen this one on Dreams and Voices in the past, but here’s a fresh rip I made of the record early last year.  The opening epic, “Remembrances” is one of my favorite cold, gloomy tracks, perfect for this rainy, foggy day in NYC and beyond.

This record was released in 1989, and while it’s their only release, both members were active in other bands.  Both Hovi Miskovics and Roman Rütten continued in Endraum after this 12”, and also released one song as A Foamy Project In Neutral Days, a supergroup of sorts with Neutral Project.  You can find the one track they recorded together on the infamous Supercherie compilation from 1991.


Crux Ansata- I Feel the Atmosphere 12”
1. Remembrance
2. No Time For Lies
3. Imprinted In My Mind
4. This Night of Memories

*download it here*

Stay tuned over the next few weeks for some more dancefloor-ready 12”s, some unheard discoveries, even more new and improved rips of old classics, and one of these days, a new VA comp. coming down the pipeline!

Move- Move K7

Posted in 1980s, 1985, demo, goth, goth-rock, italian, move, post-punk on March 28, 2014 by Frankie Teardrop

Sorry for the huge delay in posting, ladies and gents.  That said, good things come to those who wait, and I have quite a few obscurities to share to make up for my disappearance.  First up we have a previously unheard Move demo tape from 1985, ripped by a good friend in Italy.  This tape precedes the Move out Sight cassette and the self-titled LP by a year and change and features a handful of otherwise unreleased songs from the Move catalog, as well as a few that appear elsewhere over the years.

I believe this tape completes the Move discography, though I also have been sent a live performance from S.P.S.P., which featured some members from Move.  The tracklisting is unknown, but the band also performed a few Move songs in the set.  I don’t generally go for live tapes, but I hope to post that sometime down the line for anyone who’s interested.  In the meantime, here’s the info for this cassette:


Move- Move K7
1. Speeding Speed/Sweet Move
2. Kronstadt
3. Ragazzo Di Strada
4. Re Sole
5. Salto Nel Vuoto
6. When I’m With Myself
7. Lacrime & Sangue
8. Romano
9. F.L.C.T.
10. Lo Scoglio

*download it here*

Twelfthnight- Masque 7” + Demo Cassettes

Posted in 1980s, 1983, bell hollow, deathrock, goth, goth-rock, Greg Fasolino, Joe Kasher, Joe Truck, New York, new york city, post-punk, Redex, Scarecrow, The Brain Eaters, US on December 19, 2013 by Frankie Teardrop

The holiday season is soon upon us, and I’m going to put the wrap on another excellent year with a gift from my bandmate, Greg Fasolino, who some of you may also be familiar with from Bell Hollow and The Naked and the Dead.

Anyone who knows Greg is aware of his vast archiving skills, complete with photos, setlists, friendships, and a collection that most of us would kill to own.  That said, the stories about this particular band date back to his time in the Naked and the Dead, a female fronted deathrock band from NYC who released one acclaimed demo before splitting.  The band reformed in the early 2000s with a different singer and have released archival material as well as sprinkled reissues of the demo across several compilations.  During his years as an underground musician, journalist, and all around music superfan, he befriended fellow musicians Joe Kasher (aka Joe Truck) and Andrew Cushen, who were both luminaries of the 1980s NYC underground as well.

It’s this musical partnership that is responsible for the tracks we’re posting today, but first a little backstory.  Cushen was originally involved in a band called Redex, who only released two demos in the early 1980s.  We’ll get to those another time, perhaps!  After Redex split, Cushen met Kasher and decided to form a new project, heavily influenced by the UK post-punk bands that were gaining momentum at the time.  They recorded two demos as well, one before releasing this 7” on Gash for Cash records in 1983, and one shortly afterwards.   As I understand it, Kasher and Cushen played every instrument you hear on these recordings, but recruited members to perform a few live shows.

The band quickly dissolved but the partnership continued as Cushen and Kasher drafted drummer Ronaldo Gonzalez (later of Swans) and Beth Balousek on vocals to form Scarecrow.  This band performed several shows under this name, and recorded one three song demo with a few live tracks, but as fate would have it, the band would also split as quick as they formed.  Kasher and Cushen then formed Chop Shop with Rebecca Korbet (later of Pussy Galore, King Missle) and Steve DiBenedetto, who also released a demo and recorded an unreleased album in 1985.  Meanwhile, Kasher and Cushen lent their expertise to Fasolino, co-producing the Naked and the Dead demo.  Greg also tells me that Cushen played e-bow on “Cassandra,” teaching him a skill that has become one of Greg’s signature sounds since.  Kasher also released a 7” with his next project, the Brain Eaters, in 1986.  Before Brain Eaters, Kasher and Fasolino played together briefly in a band called Burning Rome, who never recorded anything.  Everything’s incestuous!

Which brings us to today.  Kasher is still involved in the underground scene, and is currently playing as The Burning Ritual, who released their debut EP and are currently playing in the New York City area.  Kasher also collected several of these underground New York projects, including the Naked and the Dead, Scarecrow, The Children’s Zoo (featuring bassist Chris Bollman also of N&tD and Bell Hollow), and others for a compilation called Dark New York (Gotham City’s Post-Punk, Goth, and Deathrock Bands 1983-1988) Vol. 1, one of my favorite releases from last year.  We can only hope a volume 2 is in store in 2014!

Anyway, back to Twelfthnight.  I have here for you both demos (minus the 7” tracks, which I’ve been told are identical to the 7” pressings), and a fresh rip of the 7” from Greg’s collection.  You MAY recall seeing the flip-side to this on an early SOR compilation, erroneously credited to Twelfth Night (sorry!).  I’ve been curious to hear more about this band ever since, and while I’ve known Greg for ages, I had no idea that the missing pieces of this puzzle lay this close to home.

With that in mind, I’m very pleased to bring things full circle after all these years!  Thanks to Greg, Joe, and Andrew for their efforts both here and elsewhere!   Happy holidays and see you guys in 2014!


Twelfthnight- Masque 7”
1. Masque
2. Tree Soldiers

Twelfthnight- Demo #1
1. Silent Spring
2. It Must Have Been Minutes

Twelfthnight- Demo #2
1. All Soul’s Day
2. Sanctuary
3. Premonition

1. Visions of These (Rehearsal 1983 – 17th Street, New York, NY)

*download all three here*

Quite Simple- Victims 7” & Unknown Stranger LP

Posted in 1980s, 1987, 1989, darkwave, Dutch, goth, goth-rock, post-punk on November 18, 2013 by Frankie Teardrop

I have two posts today, both request from friends so I thought I’d drop both on you in one day.  This first post fulfills a request by Xerfrank for the official discography of post-punk/goth band Quite Simple, from Holland.  I’ve seen these two records go for moderate prices over the years, so they certainly warrant some more attention for those unaware of the band.

Fans of hook-driven Leeds bands such as March Violets and the Lorries should love this one, straight down to the male/female vocal dynamics and big, shameless production.   For a private pressing, the production on the LP is especially impressive, and sometimes it sounds like the LP is only a major label away from being Floodland II.

Unknown Stranger was released in 1989, while the 7” (which I prefer by a small margin) was released in 1987.  There’s also another track released on the Made In Brabant compilation in 1987, and since that collection pre-dates the LP as well, I’m assuming the recording of “Visions” from the compilation is different than what would appear two years later.  If anyone has this compilation, feel free to drop a line!   Otherwise, enjoy!

quite simple

Quite Simple- Victims 7” (1987)
1. Victims
2. Light In the Dark

Quite Simple- Unknown Stranger LP (1989)
1. Unknown Stranger
2. Mistery of the Night
3. Visions
4. Age of Miracles
5. China Town
6. Curious Eyes
7. Nightmare
8. Out of the Spirit World

*download both here*