Archive for the industrial Category

Sleep Chamber- Musik For Mannequins K7

Posted in 1980s, 1984, 1990s, boston, experimental, industrial, musique concrete on June 2, 2008 by Frankie Teardrop

Sleep Chamber are an early 80s industrial collective consisting solely of John Zewizz and an otherwise revolving door lineup. The outfit formed in 1980 in Boston and was experimental in nature, yet as time passed the outfit shifted in styles several times over.

The late 80s saw a more EBM/synthpop direction, while Sleep Chamber began creating dark ambient music into the nineties, shifting between those two styles for the remainder of the decade. The band dropped from most radars in the new millennium as Zewiss’ personal troubles caused the project to self destruct, and it’s unclear whether Zewiss plans to record after a hiatus. However, a few collections of unreleased material has appeared and rumors hint at new material in 2008.

I’ve uploaded what seems to be Sleep Chamber’s third cassette release, entitled Musik For Mannequins, a more experimental/musique concrete release from 1984. Without any further ado, here’s the information:

Sleep Chamber- Musik For Mannequins K7
1. Victmm
2. Jungle Disease
3. The Lantern
4. A Distant Cry
5. Conversations In Between Walls
6. Left Side Of The Tomb
7. Twenty Three
8. The Last Fantasy
9. Rite To Death

*download it here*

This fan-run myspace page comes complete with a brief interview with John Zewiss, an interesting read for more information about the band’s whereabouts and future plans. Click below to take a peek:

Sleep Chamber on myspace

Various Artists- The Elephant Table Album: A Compilation of Difficult Music

Posted in 1980s, 1983, ambient, compilations, drone, experimental, industrial, uk on May 16, 2008 by Frankie Teardrop

Today’s the day where I’m supposed to be receiving treats, but all the same, I’ve got a whopper of an upload in store today, in compilation form. Today’s post features The Elephant Table Album: A Compilation of Difficult Music, a 2 vinyl collection comprising the best in budding experimental/industrial music. It was originally released on record in 1983, but lost a few tracks when it was re-released on disc in 1989. However, I’ve collected all the missing tracks and have included them in their proper placement. Most of these acts are UK-based, but here’s the breakdown with a brief blurb on each band and a website link (if one exists):

Disc 1:
1. Portion Control- Chew You To Bits
2. Chris And Cosey- Tears Of Blood
3. Metamorphosis- Muzak From Hawthorne Court
4. Coil- S Is For Sleep
5. Nurse With Wound- Nana Or A Thing Of Uncertain Nonsense
6. 400 Blows- Beat The Devil
7. Konstruktivits- Andropov ’84
8. Lustmørd- The Boning Of Men
9. Muslimgauze- Melena Jesenska
10. David Jackman- Edge Of Nothing

Disc 2:
1. SPK- Despair
2. MFH- Vox Humana
3. Nocturnal Emissions- Suffering Stinks
4. Attrition- Dream Sleep
5. Legendary Pink Dots- Suprise Suprise
6. Paul Kelday- Birth Of Planetesimals (Extract)
7. Bourbonese Qualk- Under The City
8. Sirius B- Build Your Children
9. New 7th Music- New Humanity Switchboard (Extract)
10. We Be Echo- Alleycat
11. Bushido- Modelwerk

~Portion Control: a British experimental outfit formed in 1979, active to this day. Name checked graciously by the likes of Skinny Puppy and Depeche Mode.
~Chris + Cosey: Throbbing Gristle offshoot of members Cosey Fanni Tutti and Chris Carter. A little more electro/palatable compared to their previous work.
~Metamorphosis: Short lived experimental group from the UK.
~Coil: Another post-Throbbing Gristle outlet featuring Peter Chrisopherson and John Balance. Ended in 2004 with John Balance’s accidental death.
~Nurse With Wound: Currently active and extremely prolific British experimental act, brainchild of Steven Stapleton.
~400 Blows: A more funk oriented industrial project formed in 1981.
~Konstruktivits: Kraut-rock inspired industrial, formed in 1982 and reactivated in 2006.
~Lustmord: Drone/dark ambient artist, got his start working with like minded-industrial outfit SPK. (see below). Recorded throughout the 1980s.
~Muslimgauze: Politically driven Manchester-based drone/noise artist. Still active + very prolific.
~David Jackman: Elusive visual artist and otherwise soundscape composer.

~SPK: Industrial project formed in Sydney, Australia in the late seventies. Experimented with both industrial soundscapes and synthpop. Member Graeme Revell is now involved in film scoring.
~MFH: Short-lived 2 piece industrial collective, changed name to Pump in the late eighties. Check out a post on Phoenix Hairpins to nab a Pump record.
~Nocturnal Emissions: Guerilla style sound/art project still active to this date.
~Attrition: English industrial/dance act, formed in the early 80s. Still active to this date under Projekt Records.
~Legendary Pink Dots: Influential experimental/psychedelic art project still sporadically active. Edward Ka-Spel is also involved in the Tear Garden with Skinny Puppy member cEvin Key.
~Paul Kelday: Brother of Phil Kelday, member of New 7th Music (see below).
~Bourbonese Qualk: Formed in 1979, split in 2002, this British industrial act was infamous for vandalism in their earlier days.
~Sirius B: Short-lived British outfit. Several bands share this name to this date, which makes tracking down proper information a bit tricky.
~New 7th Music: Spontaneous collective keen on improvisation. Most of its members weren’t musicians at all.
~We Be Echo: One man experimental project with only one release in 1983. Born out of equally short lived project Third Door From the Left.
~Bushido: Formed and folded in the mid-eighties. One man project. Took their name from a Japanese code of honor. Sole member Gary Levermore is head of the Nettwerk UK label to this day.

*get both discs here*

The Neon Judgement- Mafu Cage LP

Posted in 1980s, 1986, 1990s, 2000s, Belgian, industrial, synth, the neon judgement on May 12, 2008 by Frankie Teardrop

I’ve already done a brief overlook on the Neon Judgement, a Belgian based wave act, but since their seminal 1986 record Mafu Cage seems to be out of print, I’ve uploaded it for your listening pleasure. Otherwise, I’ll cut and paste what I said about them last October:

The Neon Judgement formed in a town outside of Brussels in 1981, and since then the duo of TB Frank and Dirk Da Davo have been creating synth driven music with a dash of electronic violence and a sprinkle of rock and roll ideology. Neon Judgement would release several records and remixes before briefly disbanding in 1998. However, as the two reunited in 2004 to promote an upcoming remix collection in Europe, the band was also reactivated as a creative unit. In 2005, the band also released The Box, a 2cd set comprising live tracks and rarities alongside classic cuts.

On the side, member Dirk Da Davo also spearheads the Neon Electronics side project, composing new material and reworking old tracks.

The Neon Judgement- Mafu Cage LP
1. Awfull Day
2. The Man
3. He’s Gonna Drop
4. Be Nice To Me
5. Rise (I Hope One Day)
6. 1958
7. Voodoo Nipplefield
8. Dead Friends Body
9. Tomorrow In the Papers*
10. Antoine*
11. Tv Treated*
12. The Man (Remix)*

*cd release bonus tracks

*download it here*

For all other info on the Neon Judgement, please click below:
Neon Judgement homepage

Clock DVA- Advantage LP

Posted in 1983, british, clock dva, industrial on May 9, 2008 by Frankie Teardrop

Today’s rain-soaked upload features seminal industrial/electronic act Clock DVA’s most solid record, 1983’s Advantage.

The band originated in England in the late 70s, taking inspiration for their name from Anthony Burgess’ dystopian nightmare novel A Clockwork Orange. Clock DVA originally consisted of two members, Adi Newton and Steven Turner, who worked with both Cabaret Voltaire and early members of the Human League before forming the band. Their first recordings were released on Throbbing Gristle’s own Industrial Music label, and quickly, Clock DVA grew to prominence in the budding industrial scene with their experimental tape loop and synthesizer treatments. However, by the time the band recorded their follow up records, they had lost and gained members and shifted to a more structurally sound lineup, blending their experimental electronic techniques with some more conventional rock instruments.

Over the course of the 80s, the band split several times over, Adi Newton remaining the only consistent member with each reformation. The band shifted styles with each lineup change, eventually settling on a more EBM sound. Though the band never “officially” split, the last Clock DVA album was released in 1993…Meanwhile, the most current members have persued solo projects.

The 1983 LP uploaded below is the perfect hybrid of Clock DVA’s experimental and more conventional sound. I’ve attached a few bonus tracks from a CD reissue, but have left off the extended and alternate remixes that grace the end. Without any further ado, the details:

Clock DVA- Advantage LP
1. Tortured Heroine
2. Beautiful Losers
3. Resistance
4. Eternity In Paris
5. The Secret Life Of The Big Black Suit
6. Breakdown
7. Dark Encounter
8. Poem
9. Noises In Limbo
10. Black Angels Death Song


Click below to watch the full length video for ‘Resistance.’

Lastly, here’s what seems to be an official myspace page, with photos, discography, and more. Click click!

Clock DVA on myspace

Bene Gesserit- A High, Happy, Perverse, and Cynical Cry of Joy LP

Posted in 1980s, 1984, alain neffe, Belgian, bene gesserit, experimental, industrial, minimal, minimal synth on April 7, 2008 by Frankie Teardrop

This one’s an old favorite of mine. Today’s post features an experimental/minimal band from Belgium named Bene Gesserit and their first record A High, Happy, Perverse, and Cynical Cry of Joy, released in 1984.

Taking their name from a religious race of humans from Frank Herbert’s Dune series, Bene Gesserit was formed in 1981 by Alain Neffe, a pioneer in the Belgian industrial scene. Joined by Nadine Bal, the pair would record a series of live cassettes and three records under psuedonyms (B. Ghoula and Benedict G., respectively). Their sound combined both the experimental edge of industrial music and the slick synthesized sound of minimal synth, a curious and innovative hybrid that earned the band a decent following and cult status to this day.

Though the band split after releasing their third record, Alain would remain active in such outfits as Human Flesh, Cortex, I Scream, and Pseudo-Code. You can nab another one of their records from Mutant Sounds by clicking here. Otherwise, here’s the info for Bene Gesserit’s first release:

Bene Gesserit- A High, Happy, Perverse, and Cynical Cry of Joy LP
1. She Is Walking
2. Japanese Song
3. Enfants Des Rues
4. Pravda
5. Nuit Et Chuchotements
6. Strange Strangers (In The Night)
7. Clear Blue Smile
8. Walt’s Waltz
9. Tonight
10. Désirs-Délires
11. Kitchen Music (For Kitchen People)
12. Existentialisme
13. No Rule For A Dream : Bali
14. Tourdorizonmuzikal (C’est Ça)
15. La Brabançonne (Belgian National Anthem)

*DOWNLOAD LINK REMOVED* Official CD reissue coming March 2012 via EE Tapes.

The band has both an official site and a myspace page, but both are entirely in French. For anyone fluent or otherwise curious:

Official Page
Myspace Page

On a previous note, anyone who downloaded Absolute Body Control’s Numbers should check back again, for I originally only had the first side of the cassette uploaded. The new link should now consist of both tape sides…

The Neon Judgement

Posted in 1980s, 1990s, 2000s, Belgian, industrial, synth, the neon judgement, wave on October 24, 2007 by Frankie Teardrop

Today’s post features Belgian new wave act the Neon Judgement, a two piece outfit currently reactivated after a temporary hiatus.

Neon Judgement formed in a town outside of Brussels in 1981, and since then the duo of TB Frank and Dirk Da Davo have been creating synth driven music with a dash of electronic violence and a sprinkle of rock and roll ideology. Neon Judgement would release several records and remixes before briefly disbanding in 1998. However, as the two reunited in 2004 to promote an upcoming remix collection in Europe, the band was also reactivated as a creative unit. In 2005, the band also released The Box, a 2cd set comprising live tracks and rarities alongside classic cuts.

On the side, member Dirk Da Davo also spearheads the Neon Electronics side project, composing new material and reworking old tracks.

The first of two tracks I’ve uploaded is the top-off track from the 1986 record Mafu Cage. The second hails from 1989’s General Pain and Major Disease.

download The Neon Judgement- ‘Awful Day’
download The Neon Judgement- ‘Factory Walk’

For a live performance of ‘Miss Brown,’ click the video below:

…and for more on the Neon Judgement, including a link to pick up some cds and merchandise, here’s their homepage for your clicking pleasure:

The Neon Judgement homepage
Neon Electronics homepage

Chris + Cosey

Posted in 1980s, 1990s, ambient, chris + cosey, industrial, synth, uk, wave on October 22, 2007 by Frankie Teardrop

Today’s post features Chris + Cosey*, an eclectic and prolific duo formed in the wake of Throbbing Gristle’s initial demise.

In 1981, hot on the heels** of their previous outfit’s split, members Chris Carter and Cosey Fanni Tutti formed a duo to continue their musical experiments. Though their approach still featured some sonic similarities to Throbbing Gristle’s pioneering industrial work, Chris + Cosey would apply more song structure and pop sensibilities to some of their records, whilst others would meander just as dangerously.

Chris + Cosey would release over a dozen albums on several different labels, including their own Conspiracy International (aka CTI) label, and would record several collaborative works with the likes of Monte Cazzaza***, Coil, and the Eurythmics throughout their tenure. Though both members have explored solo ventures under CTI, the duo still collaborate together, these days as Carter Tutti, and the pair have also reactivated Throbbing Gristle with other original members Genesis P-Orridge and Peter Christopherson, and have released an EP and a full length under their original outfit.

Though my favorite Chris + Cosey track remains ‘Haunted Heroes,’ a brief haunting ambient piece, I’ve uploaded three of their more synth/wave tracks for your listening pleasure. The first opens their 1985 record Techno Primitiv, the second hails from 1989’s Trust, and the third is featured on 1991’s Pagan Tango.

download Chris + Cosey- ‘Hazey Daze’
download Chris + Cosey- ‘Percusex’
download Chris + Cosey- ‘Cords of Love’

and for your eyes, the video for 1984 track ‘The Final Calling:’

For a full discography and tons of information on Chris + Cosey, including links to purchase more choice CTI recordings, please visit the following link:

Chris + Cosey homepage

*normally, there’s an ampersand in their name instead of a plus sign, but blogger won’t let me use one.
**see what i did there?
***who may appear shortly in these pages.

Alexander Von Borsig

Posted in alexander von borsig, Einstürzende Neubauten, experimental, industrial, NDW, p1/e on October 17, 2007 by Frankie Teardrop

Though I’ve posted material featuring today’s artist’s contributions, I’ve yet to post his own material, so without any further adieu, today’s post features German jack-of-all-trades, Alexander Von Borsig.

Known best for his contributions to Einstürzende Neubauten, P1/E, Crime + the City Solution, and most recently the Tiger Lillies, Alexander Von Borsig (currently active as Alexander Hacke) began making music at the tender age of 13. Under several monikers, he released homemade cassette tape and single recordings of his own material, as well as work with Christiane F. in Sentimentale Jugend. Soon after these tapes were released, he would join as guitarist of experimental act Einstürzende Neubauten (at age 15), and he remains with the band to this day, switching to bass guitar most recently.

I’ve uploaded three tracks for you folks today, the first a single A-side for the song ‘Hiroshima,’ and the second, the entire ‘Japanisch’ single. Enjoy!

download Alexander Von Borsig- ‘Hiroshima’
download Alexander Von Borsig- ‘Japanisch’
download Alexander Von Borsig- ‘Truncheon Rei’

Though there are several clips of Alexander Hacke performing with his other outfits, I can’t seem to find anything on his earlier material for web viewing- though Einstürzende Neubauten’s Liebeslieder dvd features a live piano performance of ‘Hiroshima,’ and is available on netflix for any curious parties.

For more on Alexander Von Borsig/Hacke, visit this cleverly designed site:
Hacke dot org


Posted in 1970s, 1980s, chrome, experimental, industrial, noise, san francisco, synth on August 29, 2007 by Frankie Teardrop

Today’s band was so truly innovative that most of their output sounds futuristic and ahead of its time even today…

Formed in San Francisco under the pretenses of making ‘scary, funny music,’ Chrome was created by a drummer/synth player and a lone guitarist in 1976. Though the band would start as a straightforward synth-driven psychedelic project, their music would quickly take a turn for the more experimental and strange as the band shifted lineups after their debut. Over the course of four years, the band, (mainly) consisting of Helios Creed and Damon Edge, would release a slew of albums, their development accelerated by their extremely prolific nature. Their songs were part science fiction epics, part pre-punk fury, and mostly deconstructed experimentation.

This short incarnation of the band would serve as a blueprint for the upcoming post-punk and industrial movements, Chrome joining the ranks of early innovators Suicide, Silver Apples, and Throbbing Gristle. When the band split in 1983, Damon Edge relocated to Europe and continued on under the same name, releasing records consistently until 1995, when he died of heart failure in Los Angeles. Upon Damon’s death, Helios reformed the band out of tribute, carrying on sporadically with new and original collaborators both live and in the studio.

Here’s two tracks I’ve uploaded from the original incarnation of the band. The first is a more rare but solid track, released in a more widespread form via recent compilations of the band’s earlier material, and the second is the lead-off track from their 1977 record Alien Soundtracks.

download Chrome- ‘In a Dream’
download Chrome- ‘Chromosome Damage’

and for your futuristic, acid-loving viewing pleasure, click below to watch the (very A Clockwork Orange-esque) video for the 1980 single ‘New Age.’

Most of their recorded output is extremely difficult to get a hold of, outside of anthologies and used bins. However, according to their official site, three early records have been re-released and remastered. For more information on all of this as well as more on the band, please click below:

Official Chrome site
Chrome 1979-1983 Anthology on Amazon

Einstürzende Neubauten- Thirsty Animal 12”

Posted in alexander von borsig, american, collaboration, Einstürzende Neubauten, german, industrial, no-wave on August 22, 2007 by Frankie Teardrop

Today’s writeup will feature a two track single, an exciting and stellar collaboration by two great experimental artists, both of which need no introduction to most.

Einstürzende Neubauten (translation: collapsing new buildings) formed in 1980 in West Berlin, the brainchild of several local avant-garde musicians. Since then, the band has deconstructed the face of popular music, remaining an active, prolific, and powerful force in industrial and experimental music.

Lydia Lunch is an American musician and poet. She was the former frontwoman of influential NYC no-wave act Teenage Jesus & the Jerks until the band disbanded in 1979. She then persued a solo career, offering up several classic records and collaborations, and has since explored film, poetry, and other creative disciplines.

In 1982, as the two were gaining steam and exploring the boundaries of music with their own respective acts, Einstürzende Neubauten would record but two tracks with Lydia Lunch, also featuring contributions from Birthday Party/Crime & the City Solution guitarist Rowland S. Howard. What resulted is a true masterpiece of experimental work, a frightening two track 12” single entitled Thirsty Animal. Combining the subtleties and talents of both units, these two pieces are among the most powerful and harrowing tracks that either would record.

…and here they are, for your listening ‘pleasure:’

Einstürzende Neubauten Neubauten- Thirsty Animal 12”
1. Thirsty Animal
2. Durstiges Tier

*download it here*

and for more information on each band’s respective discography, some links for you folks:

Einstürzende Neubauten
Lydia Lunch