Archive for the new wave Category

Again & Again & Again – Dreams Are Never Enough / Forever 7”s

Posted in 1980s, 1982, 1983, new jersey, new wave, post-punk, US on October 20, 2021 by Frankie Teardrop

I’m going to attempt a DOUBLE post today, so bear with me, folks. Here we have two obscure 7”s from New Jersey-based post-punk band Again & Again & Again. Just you try and Google that name, I triple dog dare you…

This four piece released these two singles in 1982 and 1983 respectively. The first single has a bit of a power pop vibe for the first track, which may be appealing to some of y’all. I vastly prefer the b-side of this one overall, though your mileage may vary. The second single is my preferred offering from this band, as both tracks have that early, rickety post-punk sound I tend to go wild for in general.

Both singles were released on Public Records, who were based out of Pittsburgh, PA. In general, it’s always great to hear new US-based bands with this style/sound. With that in mind, here’s the download/rundown:

Again & Again & Again- Dreams Are Never Enough 7” (1982)
1. Dreams Are Never Enough
2. Hello Angel

Again & Again & Again- Forever 7” (1983)
1. Forever
2. A Cold Place

*download both here*

Beatrain- Change the World 7”

Posted in 1980s, 1984, france, french, indie, new wave, post-punk on July 13, 2021 by Frankie Teardrop

Here’s a French single from 1984 by Beatrain, who previously went under the name The Grave. Both tracks are sung in English, presumably to catch the ears and eyes of the UK scene. This is their only release, though the single caused enough of a splash to secure the band a spot on French 3 program “Avenue Du Rock.”

As for the sounds, both tracks are stellar bouncy post-punk tracks with a slightly rickety post-punk or early indie rock edge, a sweet spot for me that I think you will all enjoy as well. The A-side is strictly female vox, but there is some vocal interplay on the equally excellent B-side. You can check out the pantomimed performances of the tracks here and here respectively (lower quality, sadly).

Enjoy!

Beatrain- Change the World 7”
1. Change the World
2. Two Worlds “Time To Meet You”

*download it here*

Nikola Eugene- Longest Revolution 7”

Posted in 1980s, 1983, new romantic, new wave, synth, synthpop on February 18, 2021 by Frankie Teardrop

Here’s a more romantic/synth pop flavored single from the UK, released in 1988. Thanks to Goutroy for the rip on this one! Really couldn’t tell you too much about Nikola Eugene or the label America First Records, but here’s two tracks that should be welcome for fans of things like Anna Domino, Toyah, ‘Til Tuesday and things in that vein with plenty of dreamy new wave hooks but a fair amount of cold guitar mixed in for good measure. All in all an excellent little slice of obscure wave. Hope y’all enjoy!

Nikola Eugene- Longest Revolution 7”
1. Longest Revolution
2. More Than a Prayer

*download it here*

Jinx- Too Late 7”

Posted in 1980s, 1987, coldwave, france, french, minimal, minimal synth, new wave on December 28, 2020 by Frankie Teardrop

Hi friends. Hope everyone had a lovely holiday season. This will likely be my last post of the year at this rate, a final sweet synth sayonara to 2020 in hopes we all find better tidings in the new year. Here’s a single that I’ve both loved and forgotten in recent months. I can’t remember where I first heard this one a few years back, but a friend reminded me of it a few weeks ago, and I fell in love with it all over again, as if I were hearing it for the first time, but knew deep down this was a deeper obsession. The band, a French new wave act named Jinx (erroneously spelled Jynx on the inner label). This is their lone recording from 1987, and both tracks are pure wistful, romantic synth bliss. I’m reminded a bit of Ivy’s Day, Coldreams, Jane’s haunting “It’s a Fine Day,” and Rive Gauche across the span of both tracks. I can’t really choose a favorite, and even though it’s the b-side that might appeal more to most folks with it’s dual male/female vox, moody atmosphere, and beautiful high synth leads, the a-side is no slouch either once you get past the intro, which appears at first glance to be a bit more reggae/dub-inspired before it settles into a similarly great groove.

For those eager to find a copy of this single and don’t want to wait for it to pop up online, the b-side has been lovingly remastered and reissued by the excellent Camisole records, appearing on a split with the also stellar Madame Bovary (another single where I can’t choose my favorite track, but lean slightly towards the a-side). Anyway, I’m sure you’ve all skipped right to the download link for this one, with good reason. Let’s cut to the chase and get to the details:

Jinx- Too Late 7”
1. Too Late
2. Rêve Inconscient

*download it here*

Otherwise, hope you all have a lovely new year, and hope to see many of you in the digital space in 2021!

 

 

Quick note for those playing along at home: I even hate to end this post on this note, but it deserves to be said after a slew of interactions I’ve had recently that have left a poor taste in my mouth… I am not a lossless factory, and will not be publishing/replying to any further comments about providing lossless rips here or the demand for “free” music as such from punisher Discogs users out there. Please kindly keep those comments to yourself, as you will forever be whining into an abyss. I’m more than happy to share the music I am passionate about, but if you’re interested in making baseless demands please either have something to offer in exchange (I am *very* agreeable to digital trades) or feel free to press that Discogs button yourselves.

The Psalms- A Story I Was Told 7”

Posted in 1982, arizona, gin blossoms, jangle, new wave, post-punk, US on October 22, 2020 by Frankie Teardrop

First things first I’d like to thank Bret Helm of the excellent post-punk band Audra and from the Life on This Planet blog for clueing me into this one, as well as for providing the rip to share with you all. This particular 7” is one of those rare nuggets that only pops up once in a blue moon, and goes for an extraordinary amount, but in my opinion, is totally worth the asking price.

The Psalms were a new wave/post-punk band from Tempe, Arizona. The biggest touchstone here is guitarist/synth player Doug Hopkins and bassist Bill Leen, both who would form the Gin Blossoms a few years later. I could probably get into a big rant here about how the Gin Blossoms were REM in the time of Hootie, unfortunate timing for an otherwise solid jangle pop band. I’ll defend them to my dying day, but that all being said, this single is its own beast, and certainly should find lots of love around these parts. The A-side has an excellent airy synth lead and some power pop overtones, while the B-side has a little bit of a darker and harder edge. Both songs are incredibly catchy, and fans of bands like The Lucy Show, Weeping Messerschmitts, and Wild Flowers. More info about the band (including some lineup change info) can be found here.

This single was released in 1982 on Reilly Records and is the only piece of wax The Psalms released. The band put out a cassette in 1983, the single-sided No Great Cathedrals, with four more tracks. I’ve heard one of them on Youtube, but if anyone out there has the cassette (or a nice rip of it), please do get in touch! Otherwise, here’s the details for this 7”:

The Psalms- A Story I Was Told 7”
1. A Story I Was Told
2. Christmas Island

*download it here*

Faded Films- Faded Years 7”

Posted in 1980s, 1986, canadian, new wave, post-punk on September 23, 2020 by Frankie Teardrop

Hi folks. Hope you’re all keeping safe and well out there. Here’s a rare and semi-pricy four-track 7” from a five-piece band from Canada, which was self-released in 1986. Apologies in advance for the audio quality on some of these tracks, each side clocks in around 7-8 minutes, which usually scrapes away some of the low end by design.

That said, each track here is a great post-punk/new wave hybrid (perhaps a touch of power pop influence as well, if that’s your cup of tea), with bouncy, yet gloomy rhythms. Lots of guitars and high synths on each track, and quite a few of the songs are incredibly catchy. Reminded a bit of mid-era B-Movie, Blue in Heaven, or even A Drop in the Gray.

Not much else to tell you about this one, so hope y’all enjoy!

Faded Films- Faded Years 7”
1 Faded Years
2 East of the Asylum
3. The Top
4. Jack in the Box

*download it here*

Lyon in Winter- As Winter Falls LP

Posted in 1980s, 1986, new wave, post-punk, san francisco on January 13, 2020 by Frankie Teardrop

Ripped this one to upgrade a while back and thought I’d share it for those who are unfamiliar. Here we have the lone LP from Lyon in Winter. This LP is an excellent slice of smooth new wave with some excellent post-punk bass grooves.  I’m reminded often of things like The Lucy Show, The Hurting, Dole, and Fiat Lux. Lots of saxophone, if that’s your thing (hint: as long as there are icy synths, I’m down with sax, too).

“The Haunting Moon” is the clear standout for me here, often appearing in some lounge DJ sets here in NYC, but the whole album is a solid listen from front to back. The LP came out in 1986 and is still pretty attainable, for those who might want to grab a copy of their own…

Hope y’all enjoy this one.

EDIT: It appears the Discogs entry on this album is incorrect, as this is NOT an album from former Negativeland member Richard Lyons, but by another musician with the same name, who operated out of the Boston area. It DOES appear (unless that tag is incorrect as well and the sleeve is referencing another guy by the same name), that Merle Allin, the brother of G.G., played bass on this LP. With all of this in mind, if anyone has any further info about this record, I’d love to hear more!

Lyon in Winter- As Winter Falls LP
1. I Dream
2. Summer
3. The Haunting Moon
4. Push! Pound!
5. As Winter Falls
6. Please Don’t…
7. The Change

*download it here*

The Sophist- Subliminal Control LP

Posted in 1980s, 1987, minimal, minimal synth, new wave, US on February 6, 2019 by Frankie Teardrop

I’ve had this LP kicking around for ages, but never really thought much about it. One of my recent great purges had me reconsidering this record, and after careful consideration, I’m all in. Here we have a private press, gonzo minimal synth record from 1987, the lone album by an otherwise mysterious project from the NY/NJ area. There’s a tape edition of this album, as well as a single-sided flexi 7” of the title track, which in itself is worth the price of admission alone.

There are quite a few experimental pieces in play here, dark ambient passages mixed with short industrial landscapes, and a long, evolving piece that fills out side B. As mentioned though, minimal synth heads will love the title track, a furious 18-minute KR-55 workout that starts with gusto, begins to wear out its welcome, and by the time it finishes, comes back around again and commands the utmost respect. It’s one helluva ride.

With all that in mind, here’s the rundown:

The Sophist- Subliminal Control LP
1. Attention All People
2. Subliminal Control
3. Baby
4. Eternal Performance

*download it here*

The Enter- Whole New World 7”

Posted in 1980s, 1985, minimal, minimal synth, new wave, the enter on September 7, 2018 by Frankie Teardrop

Before we even get started, I’d like to thank Rich Benton for contacting me out of the blue on my Facebook page to send me these tracks. Rich was the synth player in The Enter, who you may recall had a one-off track on the excellent Young Blood compilation, the gloomy “The Contract.” While this single was never released, Rich informs me that these two tracks were recorded midway through their four year run and then subsequently pressed to a white label 7”, which never was released to the public. The tracks were recorded in 1985 at Slaughter House Studios in Driffield UK.

Rich also filled in a few more gaps about the band, otherwise a three-piece based around vocalist Paul Smith. Drummer Danny King (who has since passed away) also performed and helped with the programming, and as Rich claims, was “the only real musician in the band.” Of course, we all know that these things don’t matter much in the DIY-minimal synth world, as The Enter definitely tapped into something special. These two tracks aren’t as gloomy as “The Contract” but are definitely equally enjoyable – a bit more polished and poppy for all lovers of obscure new wave.

As you might have guessed – a white label single means no artwork, so you’ll have to use your imagination for this one. Otherwise, here are the tracks:

The Enter- Whole New World 7”
1. Whole New World
2. To Go (All the Way)

*download it here*

Thanks again Rich, and happy Friday, all!

Hambi & the Dance- Heartache LP + 25 Tears a Day 12”

Posted in 1980s, 1982, 1984, new romantic, new wave, uk on August 17, 2017 by Frankie Teardrop

Here’s one for the new romantics in the house!

I originally picked this up a while ago at the urging of a friend, but kept it on the shelf for many years. Not sure why, but I reckon some of you can relate. I recently dropped the needle and was surprised by a rather catchy pop record from 1982 that especially calls early Talk Talk to mind, with plenty of guitars for good measure. There’s a few other touchstones here, perhaps some bigger and more stadium-oriented Gene Loves Jezebel singles, mid-era Modern English, the pop perfection of The Outfield (hush, they’re great), and there’s even one track that kind of hints at a Modern Eon/Opposition sort of melancholy in the verses (#4), but it’s not terribly obvious. The final track in particular is a stunner, but I dig everything on this record from start to finish, so long as you guys can hang with something a little bigger and brighter than some of the other gems featured here.

This is the only LP from Hambi & the Dance, though a handful of singles were pulled from the record. Two singles followed, the former exclusive and the latter pulled from a second LP, which was released just as Hambi. There were quite a few big names involved in this project over the years, including ex-Adam & the Ants drummer Chris Hughes, second Frankie Goes to Hollywood vocalist Paul Rutherford, and even the Mission/Sisters of Mercy’s own Wayne Hussey (who must have been an early member, as there aren’t any credits I can find on their recorded output). Vocalist Hambi Haralambous previously worked with other members of this band in Tontrix, also notable for featuring a pre-Flock of Seagull’s Mike Score.

EDIT: Thanks to Jeffo! for sending over a rip of the exclusive 12” from 1984 as well! This one is a little more club-centric, but should also hit the spot. Without any further ado:

Hambi & the Dance- Heartache LP
1. Time After Time 4:01
2. Living In A Heartache 3:22
3. Madelaine 4:05
4. L’Image Craque 4:31
5. Spirits 4:31
6. The World 3:23
7. Dancing Inside You 4:08
8. Major Major 3:30
9. Too Late To Fly The Flag 3:30
10. Standing In The Rain

Hambi & the Dance- 25 Tears a Day 12”
1. 25 Tears a Day
2. 25 Tears a Day (Pink Version)
3. Taking My Life In Strides

*download both here*