Archive for the new wave Category

Various Artists- Systems of Romance Vol. 7 & 8

Posted in 1980s, coldwave, compilations, Intro, mélopée, New deutsche welle, new wave, post-punk, synth, synthpop, systems of romance, uk, various artists, Vibø, wave on September 1, 2015 by Frankie Teardrop

I’ve been talking a big game about this Various Artists compilation series for a long time. So many allusions to the next installment of loose tracks have been made over the past few years, always saying the same thing. Stay tuned, etc. Well, it just occurred to me that it’s been THREE (3) years since the last installment, which is just pathetic on my part. That said, in order to atone for these missed opportunities and empty promises, I’ve assembled not ONE, but TWO compilations, just like the old days. Some of these tracks were passed on by friends and allies of the blog, others by band members themselves, and as always, quite a few come from the record shelves. Little writeups to follow below, but for now, let’s get to the tracklisting, shall we?


Various Artists- Systems of Romance Vol. 7
1. Blood Brothers- Beyond The Nightmare
2. Unfamiliar Skies- Loveland
3. I Wish- The Name
4. 4711- New Holland
5. Glass Lady- Glass Lady
6. Lovers- Siam
7. Forever Till Never- When Kids Are Alone
8. Dancing On Your Own- Martin & Martin
9. Loss- Camouflage
10. Saison Fleurie- Cello
11. The Haunting Moon- Lyon in Winter
12. ふり返った男- Imitation Brain
13. Epics- Moravagine
14. Deutschland Brennt- D.U.R.
15. GG Man- Underjordiska Lyxorkestern
16. Pathetical Twat- Weaveworld
17. Ansassa- Tiistai
18. Symétrie (Live)- Pro Memoria
19. Zondagsplicht- Vibø
20. Pour Everyone- Irrelevant


Various Artists- Systems of Romance Vol. 8
1. The Tribute- Christophe Grelier
2. Sisters- Carter Burwell
3. Dancing to Kill- Almost Alone
4. Curtain of Love- Ce Soir
5. Ultraviolet- Fade to Black
6. L’Arbre- Mélopée
7. Frozen (Demo)- Yvonne
8. Uomini di Vetro- Sirtaki
9. Darkness- A Distant Echo
10. Clever Dancers- Paul Piacentini
11. Grey Day- Nick Haward
12. Nuclear Car- Chapter 13
13. Tornado- The Blue Law
14. In Your Window- Indians Fall In Love
15. Korea- European Toys
16. Grind- October Game
17. Stormy Weather- Systems of Romance
18. Apynee- Laughing Out Loud
19. Disunion- Baby Hotel Hunger
20. Is This the End?- Avo-8

*download both compilations here*

Vol. 7 credits:
1. French band, released in the mid 90s, early 2000s. Also known as Beyond the Nightmare About Claudia.
2. Rare compilation appearance from these US-based synthpop greats, responsible for this trashy 12”. This track was released in 1993 on the American Independence- The New York Underground compilation. They were never heard from again.
3. Another track with virtually no information to be found out in the ether. Welcoming any tips on this one!
4. Incredible post-punk with cold synths from the Netherlands. They have a wealth of unreleased material, all available on Youtube.
5. Sleazy italo disco vibes from the UK, This is their lone single, the flip being an instrumental dub version.
6. Not related to the Israeli band of the same name, but instead the second project from Jacqui Brookes, aka Shox and Intro, respectively. This is the b-side of their Catrix 7”, a much better song than the intended single.
7. The a-side from a killer post-punk/wave 7” from the US, released in 1985.
8. An old Wierd party favorite, donated by a friend some time ago. Has seen many a play on the NYC dancefloors, but I’ll be damned if I can tell you anything about this otherwise italo/synthpop smash.
9. Not related to the German synthpop titans, but instead the centerpiece of this Swedish wave band’s second record, released in 1986.
10. Neoclassical darkwave vibes from Portugal, released the mid-90s. This track hails from their third record.
11. Gloomy new wave track from a lone US 12”, released in 1986.
12. Japanese a-side, also from 1986.
13. Early Martial Canterel demo, recorded under the Moravagine alias and released on a 6 track cd-r of similarly early demos.
14. The A-side from a 1982 NDW single, released on Zenzor.
15. The standout track from this Swedish band’s lone LP from 1982. The rest of the album is a mixed bag of new wave/prog tracks, but this one is a cold gem.
16. Four piece UK band featuring frequent members and collaborators of The Chameleons, The Sun & The Moon, Black Swan Lane, etc. Features the same trademark sound as all three of these bands. Also appears in demo form under the name Music For Aborigines.
17. Standout track from this Finnish band’s debut LP, released in 1987.
18. Unreleased live track from this otherwise amazing French coldwave project, with heavy similarities to Cocteau Twins. Get their first demo tape here.
19. Unreleased demo track from these Belgian darkwave greats, whose 12” appears on these back pages as well.
20. Unreleased demo from Philippe Planchon’s post-Asylum Party project.

Vol. 8 credits:
1. Neoclassical track from the mid-90s, released on the Cantara I compilation. Christophe was mostly active in No Words.
2. Plucked from the Psycho 3 soundtrack and featuring Stanton Miranda, yet another killer collaboration between the pair that brought you Thick Pigeon and the killer Wheels Over Indian Trails 12” on Factory Benelux. This is Carter’s first soundtrack work, a world where he is still active today.
3. Unreleased demo from this UK synthpop duo.
4. Flip side from a Scandanavian synthpop single from 1983. This is the first of three singles by Ce Soir. The A-side is nice, but this is the real standout of the two.
5. Lone compilation appearance from these US goth greats. It’s by far my favorite track of theirs, with a menacing edge and a slightly questionable organ line. Released on an otherwise mixed bag compilation. Miller High Life wave?
6. Centerpiece of this French coldwave band’s CD release from 1995. Get their earlier material here.
7. Demo track from mid-90s Sweden.
8. I couldn’t tell you a thing about this one!
9. The only released track from this Belgian synth band, released on the Blitz Pop 2 compilation in 1983.
10. Standout from the 1985 Out of the Box LP, recorded in one continuous take. Another Wierd party favorite.
11. The a-side from an extremely rare UK minimal synth single, released in 1983.
12. The b-side from a US-based 7” from 1982.
13. Gloomy, standout new wave track from a lone US 12”, released in 1988. If I recall, this is the only track that sounds anything like this.
14. Unreleased track from this UK-based post-punk/goth band, originally featured on the band’s Myspace page. This one goes out to Michael B. Wood from Return of the East, who passed away recently, but not before sharing this obscure band with the world.
15. Title track from this rickety UK post-punk band’s second release from 1984.
16. Probably the most well-known band on here, if only because it features a young, pre-Nettwerk Sarah McLachlan on vocals. Originally released in 1986 on the Out of the Fog (The Halifax Underground 1986) compilation.
17. US-based 12”, named after this blog just kidding, but still a nice slice of excellent new wave from 1983.
18. Another one I know virtually nothing about, and welcome any further information!
19. AKA Hotel Hunger, a Danish post-punk band. This track hails from their first 12”, released in 1986.
20. UK-based indie-rock/pop in the style of Shop Assistants, Flying Nun records, etc. This is the title track from their 1987 12” of the same name. Thanks to Goutroy for passing on an extra copy!

Colour Scream- 12” Discography

Posted in 1980s, 1988, 1989, new wave, synthpop, US on July 6, 2015 by Frankie Teardrop

I’ve been kinda loving this band for some time, and finding a few cheap copies of their discography has solidified it over the past few weeks. Colour Scream were a US based new wave band from southern California that flirted with a variety of styles across one mini-LP and remix 12”, released in 1988 and 1989 respectively via Whet Reign Records.

I’d recommend starting with the Dance No More 12”, which features several similar remixes of the title cut, a synthpop SMASH that hits hard where it counts. Equally nasty as it is catchy, it’s definitely ripe for the dance floor. There are two additional tracks on this 12” (one that’s exclusive) that are more indicative of their overall style, a hybrid of Flock of Seagulls-esque wave with college rock leanings. Closest comparison I can come up with is the underrated Vigil LP from 1987.

If you dig the additional tracks from the 12”, there’s more to be found on the mini-LP. But even still, no track is the same, and while some are pure wave goodness, the acoustic dirge “So Long” is a standout for me, almost like a precursor to Radiohead’s “Exit Music (For a Film)” as far as mood is concerned. The version of “Dance No More” from the mini-LP is very different, more dramatic and a bit darker than the remix version, almost beatbox-esque. Kinda took me surprise after playing the hell out of the remix!

Here’s the deets:


Colour Scream- Living and Dying (1988)
1. Will My Fear
2. Across the Sky
3. Jasmines Faith
4. Walls In the Way
5. So Long
6. Dance No More


Colour Scream- Dance No More 12” (1989)
1. Dance No More (Radio Mix)
2. Across the Sky
3. The Monster and I
4. Dance No More (Sir Arthur Mix)
5. Dance No More (Tiananmen Square Mix)

*download both here*

Bangah- Bangah 12”

Posted in 1980s, 1984, baltimore, indie, new wave, US on June 4, 2015 by Frankie Teardrop

Here’s an excellent four song 12” from US band Bangah, released in 1984. The band, like most US bands featured here, were from Baltimore, which was apparently THE town for underground wave music in the States, so it seems… As for sound, Bangah employ a great mix of new wave and indie/jangle pop, with a slight Factory Records influence thrown in for good measure. My favorite here is “It Means Very Little” which reminds me of a mid-period Wake song with a more vibrant singer (think Ultravox) and excellent, icy synths. In general, the band remind me quite a bit of underrated UK bands The Icicle Works and Wild Swans.

Vocalist Eric Snyder was also active in the Ultra Violets, whose record I’ve seen in a few bins over the years but haven’t checked out yet…


Bangah- Bangah 12”
1. Every Wave
2. Trapped/Hide & Seek
3. It Means Very Little
4. Pale Fire

*download it here*

The band also appeared on Baltimore dance program Shakedown, performing an unreleased song. The audio isn’t great here, but definitely a decent look at the band in their prime:

Inox- Segni Dal Fiume 12”

Posted in 1980s, 1985, inox, italian, new wave, post-punk on August 12, 2014 by Frankie Teardrop

I feel like I’ve had this 12” on my hard drive for ages, but for some reason it never really clicked with me until today.  A shame, as it’s an excellent, catchy piece of Italian new wave that’s well worth hearing.   The opening notes of “Waiting For You” immediately set the tone for a great listen, chock full of heavy drum pads, big guitars, sparkling synth arpeggios, female vocal melodies with just the right blend of joy and sadness, and even a little saxophone to drive the wave home.  They almost come across like Italy’s answer to The Passions, Missing Persons, and Berlin, mixing both post-punk and wave influences seamlessly.

The band hailed from Turin, Italy and self-released this 12” in 1985, following it up with a full length LP in 1986 before disappearing into the ether.  I’d love to hear that one if anyone happens to have a copy…  Otherwise, hope you all enjoy this nice little slice of Italian new wave!


Inox- Segni Dal Fiume 12”
1. Waiting For You
2. Chance
3. Shanghai
4. Energia In Bianco
5. Sexy Play
6. Shanghai Reprise

*download it here*

Landscape of Sound- Live Forever 7”

Posted in 1980s, 1983, abecedarians, drowning pool, LA, landscape of sound, los angeles, new wave, post-punk on July 23, 2014 by Frankie Teardrop

Here’s a rather obscure new wave/post-punk tinged single from the West Coast.  Los Angeles to be exact.  While this is the only known release by Landscape of Sound (released in 1983), the band has direct ties to like-minded post-punk band Drowning Pool, who formed soon after this 7” was released.  Before the band would become Drowning Pool (who put out some rather excellent and delightfully easy to find LPs in the mid-80s), this single served as a respectable point of entry for Brett Smith and Adam Elesh.  The project evolved from a basic partnership to include other Los Angeles area musicians.  According to the Drowning Pool biography, the band came together while hanging out at Pier Records (managed by Chris Maneke of Abecedarians, covered here in the past).  Maneke would also produce several Drowning Pool recordings.

The real gem on this 7” is the b-side, a rickety, but excellent post-punk track with jangly chorus-heavy guitar and those synth strings we all know and love. Definitely a winner if I’ve ever heard one…  The a-side is a little more new wave, reminiscent of the UK synth scene, but with a more organic touch.  There’s still a similar vibe running through it, so it’s not a night and day sort of affair.  Either way, it’s an excellent single that deserves a listen or twenty, so without any further ado…


Landscape of Sound- Live Forever 7”
1. Live Forever
2. On the Edge

*download it here*

Karen Marks- Cold Café 7”

Posted in 1980s, 1981, ash wednesday, australia, australian, karen marks, karen marx, minimal, minimal synth, modern jazz, new wave, the metronomes, thealonian music on February 10, 2014 by Frankie Teardrop

Winter is continuing to beat me down here in New York, so here’s something as frigid as the weather has been lately. We’ll just ignore the fact that this cold, minimal gem comes from down under, where the temperatures are as warm as the reefs are deadly. I’m also drinking a cup of cold coffee as I drink this, so seems like an apt time to post. Thanks especially to Bruce for ripping his copy of this incredibly scarce single, which I’m told recently sold for over 500 Australian dollars! That’s one expensive cup of coffee…

This particular Australian gem was released in 1981.  The central character here, with a beautifully sad voice is Karen Marks, with The Metronomes/Modern Jazz/Thealonian Music’s Ash Wednesday appearing as a musical partner. He is credited as producer, but also co-wrote the b-side. As for Karen, there’s no information to be found about her, though she did sing backup on Ash’s equally scarce and equally cold but slightly more aggressive Love By Numbers 7” (occasionally credited as Karen Marx). Despite keeping a low profile, she still appears to be in league with Ash, appearing live in 2012 to perform “Love By Numbers” at the Crystal Bowlroom in St. Kilda. Check that out after the download link.

While “Won’t Wear It Too Long” features a more full arrangement and feels like more of an a-side, I go especially nuts for the title track, a melancholy love letter ripe with restrained desperation. That said, both song seem to tell a similar tale of lost love by the television, with a cup of coffee being the central metaphor. No matter which side you prefer, both tracks have that certain je ne sais quoi that makes these kind of singles so cherished, despite how off-the-grid they are.

As far as I understand, this single was issued without a picture sleeve, so all we have is a nondescript center label…

karen marks

Karen Marks- Cold Café 7”
1. Cold Café
2. Won’t Wear It For Long

*download it here*

As promised, here’s a live performance of Ash Wednesday’s “Love By Numbers” from 2012, with Karen performing her trademark backing vocals:

Inbase- Christine 12”/7”

Posted in 1980s, 1984, die toten hosen, german, inbase, minimal, minimal synth, new wave, synthpop on January 28, 2014 by Frankie Teardrop

Here’s another minimal synth classic that I believe has disappeared from the blogosphere, but also wasn’t ever shared in its complete form, as far as I can recall.  You can still hear this track at various clubs across the globe, and it was certainly in regular rotation in my own sets over the years. It also begs the question- who the hell is Christine and why does she have so many songs written about her?

Inbase was a studio project between three German musicians, Andreas Von Holst, Stefan Telegdy, and Herbert Böhme. They recorded this classic single in 1984, chock full of stabby guitar liness, driving electronic drums, and synth hooks at every turn (fans of Xoris Perideraio’s “48 Siopes” or Cinema 90′s “In Ultra Violet” should love this one, too). The single did fairly well at the time, garnering a pantomimed appearance on a German television show (linked below), but I don’t believe the trio ever performed live or recorded any further material together. Böhme would go on to record under several different monikers into the 90s, while I believe Von Holst is still active in Die Toten Hosen (under the name Kuddel), a punk band he joined in 1983.

There are three versions of “Christine” spread across various formats. I’ve included both 12” versions as well as the 7” single mix. I don’t happen to have the 7” instrumental edit, but if I come across it, I’ll be sure to include it in an update. That begs the question however- does anyone truly crave instrumental b-sides? It’s generally an italo phenomenon but I’ve seen it a few other times. I generally don’t listen to them myself, but I’ve always been tempted to make minimal synth/italo karaoke files with the handful of straightforward instrumental mixes I’ve acquired over the years… Any New Yorkers up for this? Anyway, I digress. Here come the downloads:


Inbase- Christine 12”
1. Christine
2. Christine (Instrumental)

bonus- Christine (7” Mix)

*download it here*

As promised, here’s an edited TV appearance of the track:

Sally Patience- The Triangle Man 7”

Posted in 1980s, 1984, electro, electronic, minimal, minimal synth, new wave, sally patience, synth, synthpop, uk on January 15, 2014 by Frankie Teardrop

Before we get started on new posts for 2014, may I please direct your attention to the following re-rips and reuploads:

B-Movie- Singles (new rips of Nowhere Girl, Remembrance Day, Marilyn Dreams, & the addition of A Letter From Afar 12”)
Signal Aout 42- Pleasure and Crime (new rip)
U-Bahn X- Young Hearts of Europe (new rip, new 7”’ rip, + digitally inserting Jabba the Hutt on side B)

Otherwise, sorry for slacking!  I have a bunch of new, unheard posts in the works, a new various artists compilation, as well as a few re-rips of classics from my own personal collection to keep us busy for the first part of the year.  So with that in mind, let’s kick the year off with a minimal synth classic that I believe was posted before by the great BX, but has disappeared since.  I came across a cheap, sleeveless copy of this one in a dollar bin here in NYC, played it once or twice at WIERD, and promptly forgot that I had it until recently, when reorganizing and digitizing my 7”’ collection.  This one is a tried and true killer, a bizarre electronic romp from 1984 with thick synth bass, disco strings, and eerie female vocals.  The best analogy I can think of is dystopian disco- the kind of dance music that you’d dance to in Blade Runner or Logan’s Run, for example…  The chorus is especially killer, and pays off in spades (human is so humorless- love that line).  Fans of JYL/Angela Werner should also love this one.  The b-side is equally stunning, a more unsettling synth track with a flamenco flair and backwards masked vocal samples.

This is the only single Sally Patience released, and no one knows what happened to her afterwards…  Just a brief moment, as some of the best gems tend to be.


Sally Patience- The Triangle Man 7”
1. The Triangle Man
2. Buried In My Boots

*download it here*

Here Today- Whistle In the Yard 12”

Posted in 1980s, 1983, goth, here today, new wave, post-punk, vigil on November 13, 2013 by Frankie Teardrop

I’ve always had a soft spot for the self-titled Vigil record, which I first heard via Hi-Fi Hillary.  The album has made the blog circuits before, and is notorious for being the first rock album to have been recorded and mixed digitally.  It was released on Chrysalis records in 1987, and while a vinyl pressing of the LP and the I Am Waiting 12” can be easily found for a few bucks (I have bought/passed out several copies among friends and DJs in the scene), the CD is much more scarce, fetching between $40-60 bucks whenever it pops up.  The album is a hybrid of catchy new wave hooks and post-punk guitars, a bit of grit beneath the gloss.   I’ve always dug it.

However, before Vigil there was Here Today, who formed in Baltimore in 1983 (see also The Mission, Immortal, and The Unknown for more flagship acts of Baltimore’s fertile post-punk scene).  They recorded just one 3-track 12” in 1983, before courting major label interest from CBS.  Without swapping band members, they changed their name to Vigil and began work on their debut record in 1984.   However, the A&R rep who signed the band departed CBS, and the band agreed to a buyout in order to sign with Chrysalis records.  This entire process took three years, and the band were soon dropped after contributing a song to the Nightmare on Elm Street 4 soundtrack, but the title track of this 12” survived the test of time, with a re-recorded version appearing on the Vigil LP.   The Here Today version of the track is leaner, meaner, and darker, and the two b-sides are exclusive to this release.  While ‘Whistle’ is still the standout, the other tracks are enjoyable.  ”In the Maze” is a slow, bass driven dirge that picks up mid-way through, while “Del Centro 86/99″ is a futuristic themed track that sounds like a hybrid of Devo and Bauhaus’ more spastic tracks (“Kamikaze Dive”).

Meanwhile, Vigil recorded a second album after leaving Chrysalis, which was self-released on cassette in the late 1980s.   There are plans to reissue the first Vigil album in 2014, so perhaps the second album and other assorted rarities will see the light of day.  You can find Vigil here on Facebook for any future updates.

whistle in the yard

Here Today- Whistle In the Yard 12”
1. Whistle In the Yard
2. Del Centro 86/89
3. In the Maze

*download it here*

Jo Connor has also uploaded a bunch of live Vigil clips from 1986.  Click here to check out his youtube page.  I also remember seeing an official video for the re-recorded version of “Whistle in the Yard,” but it must have been removed.  I’ll link it here if I ever come across it again!

Toccata- We Are the Sub-Machines 7”

Posted in 1980s, 1987, british, new wave, synth, toccata, uk on October 8, 2013 by Frankie Teardrop

I first heard this one on a cassette while sitting in a car outside the Wierd party with Martial Canterel and Nick from Crispy Nuggets, and we all couldn’t get enough of it.  I’ve been trying to track the single down since with no luck, but many thanks to Klumpa for providing a rip of this one to share. We can expect a few more treats along these lines, including a handful of loose tracks just itching to be compiled and an Italo flavored 7” to come over the next few weeks.

Very little info to be found about this band (who shares the name with classical terminology, making it difficult to google), though the sleeve indicates that this was released in 1987 and featured the duo of Jan Sinclair and Pete Ward, with various guest musicans and backup singers contributing.  There are a few Pete/r Wards out there, some active around the same period, so I can’t really pinpoint which, if any, are responsible.  Believe me, I’ve tried!

However, here we have two excellent tracks, the a-side coming across like a Kissing the Pink/Eurythmics hybrid with a stomping, torch song rave-up, while the b-side has a very neofolk-esque frailty reminiscent of the Nature & Organisation record and other Rose Mcdowall contributions over the years…

Any more information on this one is welcome!


Toccata- We Are the Sub-Machines 7”
1. We Are the Sub-Machines
2. Gypsy Eyes

*download it here* (RE-RIPPED 11.21.15)