{"id":6197,"date":"2025-01-24T03:26:55","date_gmt":"2025-01-24T03:26:55","guid":{"rendered":"https:\/\/www.systemsofromance.com\/blog\/?p=6197"},"modified":"2025-01-24T03:32:00","modified_gmt":"2025-01-24T03:32:00","slug":"a-popular-history-of-signs-justice-not-vengeance-7-crowds-7-comrades-lp","status":"publish","type":"post","link":"https:\/\/www.systemsofromance.com\/blog\/2025\/01\/a-popular-history-of-signs-justice-not-vengeance-7-crowds-7-comrades-lp\/","title":{"rendered":"A Popular History of Signs – Justice Not Vengeance 7” \/ Crowds 7” \/ Comrades LP"},"content":{"rendered":"

\"\"<\/a><\/p>\n

Kicking off 2025 here with a bit of a nostalgic post, compiling the first two 7”s and debut LP from A Popular History of Signs, who I first covered back in 2008<\/a>, in the first year or so of the blog (ahh, memories). I’m sure most folks into this music have heard these releases by now, but the rips of this material I’ve heard before haven’t been great, so figured I’d give it a quick pass for posterity’s sake…<\/p>\n

A recap of the band is certainly in order, especially for those who might be unfamiliar with them. A Popular History of Signs formed in London in 1979. Their sound mixed minimal synth and new wave textures with nervous post-punk vigor and busy percussion, at times sounding like the British answer to Talking Heads (or perhaps a more restless and aggressive Blue Nile). I’m incredibly partial to the track “Crowds” in both forms – the early 7”s mix is a minimal synth gem while the re-recorded LP version retains much of the tension of the track but trades in the skittish energy for a more synth pop sheen. The band changed lineups a handful of times throughout the 1980s, and caught the attention of Ministry’s Al Jourgensen, who remixed two of the band’s tracks for a fledgling Wax Trax label in 1985. The band released eight singles, one full-length LP, and called it a day soon after the release of 1988’s England in the Rain<\/em> Mini-LP.<\/p>\n

As for band members, drummer John Luccibello also recorded with This Parade<\/a> and The Tempest<\/a>, two excellent obscure post-punk\/goth bands. Singer Andrew Jarman was involved with psychedelic project Strange Fruit and more recently, Southern Arts Society . Christine Isherwood, who sang on Comrades<\/em>, recorded with Salt Doll and The Jealous Lovers.<\/p>\n

Here’s the info for these two releases – hope y’all enjoy:<\/p>\n

\"\"<\/a><\/p>\n

A Popular History of Signs –\u00a0Justice Not Vengeance\u00a0<\/em>7” (1980)
\n1. Justice Not Vengeance
\n2. Possession<\/p>\n

\"\"<\/a><\/p>\n

A Popular History of Signs –\u00a0Crowds<\/em> 7” (1981)
\n1. Crowds
\n2. Crossing the Border<\/p>\n

\"\"<\/a><\/p>\n

A Popular History of Signs –\u00a0Comrades<\/em> LP (1984)
\n1. Body And Soul
\n2. Crowds
\n3. Tidy
\n4. Halcyon Days
\n5. Lenin
\n6. October Already
\n7. Father And Son
\n8. Five Towns
\n9. Land Of The Free
\n10. Comrades<\/p>\n

*download all three releases here<\/a>*<\/p>\n","protected":false},"excerpt":{"rendered":"

Kicking off 2025 here with a bit of a nostalgic post, compiling the first two 7”s and debut LP from A Popular History of Signs, who I first covered back in 2008, in the first year or so of the blog (ahh, memories). I’m sure most folks into this music have heard these releases by […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[22,5,108,37,279,978,17,167,183,19],"tags":[],"class_list":["post-6197","post","type-post","status-publish","format-standard","hentry","category-22","category-1980s","category-108","category-37","category-a-popular-history-of-signs","category-london","category-minimal","category-minimal-synth","category-new-wave","category-post-punk"],"_links":{"self":[{"href":"https:\/\/www.systemsofromance.com\/blog\/wp-json\/wp\/v2\/posts\/6197","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.systemsofromance.com\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.systemsofromance.com\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.systemsofromance.com\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.systemsofromance.com\/blog\/wp-json\/wp\/v2\/comments?post=6197"}],"version-history":[{"count":7,"href":"https:\/\/www.systemsofromance.com\/blog\/wp-json\/wp\/v2\/posts\/6197\/revisions"}],"predecessor-version":[{"id":6208,"href":"https:\/\/www.systemsofromance.com\/blog\/wp-json\/wp\/v2\/posts\/6197\/revisions\/6208"}],"wp:attachment":[{"href":"https:\/\/www.systemsofromance.com\/blog\/wp-json\/wp\/v2\/media?parent=6197"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.systemsofromance.com\/blog\/wp-json\/wp\/v2\/categories?post=6197"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.systemsofromance.com\/blog\/wp-json\/wp\/v2\/tags?post=6197"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}