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Karen Marks- Cold Café 7”

Posted in 1980s, 1981, ash wednesday, australia, australian, karen marks, karen marx, minimal, minimal synth, modern jazz, new wave, the metronomes, thealonian music on February 10, 2014 by Frankie Teardrop

Winter is continuing to beat me down here in New York, so here’s something as frigid as the weather has been lately. We’ll just ignore the fact that this cold, minimal gem comes from down under, where the temperatures are as warm as the reefs are deadly. I’m also drinking a cup of cold coffee as I drink this, so seems like an apt time to post. Thanks especially to Bruce for ripping his copy of this incredibly scarce single, which I’m told recently sold for over 500 Australian dollars! That’s one expensive cup of coffee…

This particular Australian gem was released in 1981. The central character here, with a beautifully sad voice is Karen Marks, with The Metronomes/Modern Jazz/Thealonian Music’s Ash Wednesday appearing as a musical partner. He is credited as producer, but also co-wrote the b-side. As for Karen, there’s no information to be found about her, though she did sing backup on Ash’s equally scarce and equally cold but slightly more aggressive Love By Numbers 7” (occasionally credited as Karen Marx). Despite keeping a low profile, she still appears to be in league with Ash, appearing live in 2012 to perform “Love By Numbers” at the Crystal Bowlroom in St. Kilda. Check that out after the download link.

While “Won’t Wear It Too Long” features a more full arrangement and feels like more of an a-side, I go especially nuts for the title track, a melancholy love letter ripe with restrained desperation. That said, both song seem to tell a similar tale of lost love by the television, with a cup of coffee being the central metaphor. No matter which side you prefer, both tracks have that certain je ne sais quoi that makes these kind of singles so cherished, despite how off-the-grid they are.

As far as I understand, this single was issued without a picture sleeve, so all we have is a nondescript center label…

Karen Marks- Cold Café 7”
1. Cold Café
2. Won’t Wear It For Long

*download it here*

As promised, here’s a live performance of Ash Wednesday’s “Love By Numbers” from 2012, with Karen performing her trademark backing vocals:

11 Comments »

Inbase- Christine 12”/7”

Posted in 1980s, 1984, die toten hosen, german, inbase, minimal, minimal synth, new wave, synthpop on January 28, 2014 by Frankie Teardrop

Here’s another minimal synth classic that I believe has disappeared from the blogosphere, but also wasn’t ever shared in its complete form, as far as I can recall. You can still hear this track at various clubs across the globe, and it was certainly in regular rotation in my own sets over the years. It also begs the question- who the hell is Christine and why does she have so many songs written about her?

Inbase was a studio project between three German musicians, Andreas Von Holst, Stefan Telegdy, and Herbert Böhme. They recorded this classic single in 1984, chock full of stabby guitar liness, driving electronic drums, and synth hooks at every turn (fans of Xoris Perideraio’s “48 Siopes” or Cinema 90’s “In Ultra Violet” should love this one, too). The single did fairly well at the time, garnering a pantomimed appearance on a German television show (linked below), but I don’t believe the trio ever performed live or recorded any further material together. Böhme would go on to record under several different monikers into the 90s, while I believe Von Holst is still active in Die Toten Hosen (under the name Kuddel), a punk band he joined in 1983.

There are three versions of “Christine” spread across various formats. I’ve included both 12” versions as well as the 7” single mix. I don’t happen to have the 7” instrumental edit, but if I come across it, I’ll be sure to include it in an update. That begs the question however- does anyone truly crave instrumental b-sides? It’s generally an italo phenomenon but I’ve seen it a few other times. I generally don’t listen to them myself, but I’ve always been tempted to make minimal synth/italo karaoke files with the handful of straightforward instrumental mixes I’ve acquired over the years… Any New Yorkers up for this? Anyway, I digress. Here come the downloads:

Inbase- Christine 12”
1. Christine
2. Christine (Instrumental)

bonus- Christine (7” Mix)

*download it here*

As promised, here’s an edited TV appearance of the track:

5 Comments »

Sally Patience- The Triangle Man 7”

Posted in 1980s, 1984, electro, electronic, minimal, minimal synth, new wave, sally patience, synth, synthpop, uk on January 15, 2014 by Frankie Teardrop

Before we get started on new posts for 2014, may I please direct your attention to the following re-rips and reuploads:

B-Movie- Singles (new rips of Nowhere Girl, Remembrance Day, Marilyn Dreams, & the addition of A Letter From Afar 12”)
Signal Aout 42- Pleasure and Crime (new rip)
U-Bahn X- Young Hearts of Europe (new rip, new 7”’ rip, + digitally inserting Jabba the Hutt on side B)

Otherwise, sorry for slacking! I have a bunch of new, unheard posts in the works, a new various artists compilation, as well as a few re-rips of classics from my own personal collection to keep us busy for the first part of the year. So with that in mind, let’s kick the year off with a minimal synth classic that I believe was posted before by the great BX, but has disappeared since. I came across a cheap, sleeveless copy of this one in a dollar bin here in NYC, played it once or twice at WIERD, and promptly forgot that I had it until recently, when reorganizing and digitizing my 7”’ collection. This one is a tried and true killer, a bizarre electronic romp from 1984 with thick synth bass, disco strings, and eerie female vocals. The best analogy I can think of is dystopian disco- the kind of dance music that you’d dance to in Blade Runner or Logan’s Run, for example… The chorus is especially killer, and pays off in spades (human is so humorless- love that line). Fans of JYL/Angela Werner should also love this one. The b-side is equally stunning, a more unsettling synth track with a flamenco flair and backwards masked vocal samples.

This is the only single Sally Patience released, and no one knows what happened to her afterwards… Just a brief moment, as some of the best gems tend to be.

Sally Patience- The Triangle Man 7”
1. The Triangle Man
2. Buried In My Boots

*download it here*

7 Comments »

Various Artists- Dreams and Desires K7

Posted in 1980s, 1984, 4ad, coldwave, compilations, goth, goth-rock, minimal synth, pleasantly surprised, post-punk on June 12, 2013 by Frankie Teardrop

Have a few tapes here to share over the next few weeks… Some more rare Italian demos, a 2xK7 French compilation, and much more, but here’s an old classic as donated by Jeffo and re-ripped at VBR for maximum enjoyment. You may have heard this over at Return of the East back in the day, an old favorite blog of all things dark that’s since purged from Blogger. PS- You should all take a listen to The Anxiety of Love if you want to hear more from the excellent chap who ran that blog, here’s to more great sounds from them to come.

This tape, released in 1984, essentially reads like a who’s who of the classic 4AD roster, with some other amazing contributions from favorites such as Pink Industry (and a track by Ambrose working on her own), Vazz, Clair Obscur, In the Nursery, Band of Holy Joy, etc. Many of the tracks that appear here are in demo form, some of which (like the sketch of Cocteau Twins’ sublime “Pearly Dewdrops Drops” and Dead Can Dance’s excellent demo of “The Arcane”) haven’t been compiled in even the most thorough retrospectives.

Pleasantly Surprised, the Scottish label run by Robert H. King, eventually became Cathexis Recordings (Vazz and Clair Obscur vinyl releases), which then turned into Total, a music magazine, by the 1990s. Pleasantly Surprised were notorious for these compilations, as well as for releasing a rare Dif Juz tape and providing reissues/alternate distribution methods for an early Clair Obscur release, just to name a few standout credits. I haven’t heard many of the other VA compilations so I can’t be sure if the versions on those cassettes are demos as they are here, or if they’re studio versions compiled for cassette. If anyone can confirm or deny, please feel free to leave a comment.

Various Artists- Dreams and Desires K7
1. Side A Intro
2. Richard Killing- Nervous Choir
3. Tag Fur Tag (Demo)- Xmal Deutschland
4. Diamonds In the Mine (Live)- Artery
5. Silver- Vazz
6. Sex Gun (Demo)- Colourbox
7. Ecstasy (Instrumental*)- The Wolfgang Press
8. Pain of Pride- Pink Industry
9. A Glorious Morning In Orton Street- The Band of Holy Joy
10. Side A Outro
11. Side B Intro
12. The Pilgrim’s Progress (Instrumental)- Clair Obscur
13. The Arcane (Demo)- Dead Can Dance
14. Can’t Get Used to Losing You- David J
15. In One Move- Illegitimate Sons of Christ
16. Pearly Dewdrop’s Drops (Demo)- Cocteau Twins
17. Iskra- In the Nursery
18. Free At Last- Ambrose
19. Illustrated- Andrew Grey
20. Tree Top Club (Demo)- Virginia Astley
21. Smile- Patrik Fitzgerald
22. Side B Outro

*download it here*

*not really an instrumental at all. But we all know the Rema-Rema gag, right?

7 Comments »

Luxus- Smiling Daughters 7”

Posted in 1980s, 1982, luxus, minimal, minimal synth, new wave, ohio, synth, US with tags luxus on May 21, 2013 by Frankie Teardrop

Here’s a 7” recommended highly by a few collectors out there. This one hails from 1982 and features a dirgey, drum heavy minimal synth sound very similar to Pink Industry (with vocals that sound like a pitched down/drugged out Bowie or John Foxx) on the a-side. The B-side is a little more new wave-y by definition, but still a great listen. Fans of Fallout Club may like this one as well.

This is the band’s second single on Stork Records. I only have the A-side of that at 128, but if someone has this one and can rip both sides, feel free to chime in! EDIT: Soul brotha Nick over at Crispy Nuggets just exhumed the first 7”, so head on over there to grab it.

Chuck from the band chimed in recently and had this to say about this excellent slice of synth goodness:

Recorded in a basement on a Dokordor Open Reel 4 track on the east side of Cleveland, Ohio. I know this because I played bass, some keys, and audio manipulations. Smiling Daughters took months to record, I’m So Confused(I’m A Mess) took a weekend.

You heard it from the source, kids!

Luxus- Bent to Scale 7”
1. Smiling Daughters
2. I’m So Confused (I’m In A Mess)

*download it here*

7 Comments »

Language From Memory- Fortune 7”

Posted in 1980s, 1981, language from memory, minimal synth, nick head, post-punk, uk on May 3, 2013 by Frankie Teardrop

England was ripe with excellent DIY post-punk and minimal synth gems, bands inspired by Factory Records, early Cure singles, etc. Some of my favorite 7”s (Obscure By Degrees, Persons Unknown etc.) were birthed from this era with the same aesthetic. So with that in mind, here’s another obscure gem from Towerbell Records, released in 1981. This is the one and only single from Language From Memory, who disappeared into the ether soon after recording this 7”. It’s a shame, as the a-side here truly kicks ass, one of the best undiscovered gems I’ve stumbled upon in recent times. Incisive guitars, Sad Lovers and Giants-esque string synths, and catchy, fist-pumping hooks abound. Power pop lovers will also enjoy the flip.

The band were from northern London, and played out quite often in the early 80s. As for their disappearance, I believe they changed names and continued on together. A fan who knew the band back then states that Nick Head played rhythm guitar on this single. The name may be familiar to some, as he also acted as producer/engineer for KMFDM and Exit 13.

This single is also proof that not all obscurities are out of budget, as there are tons of copies out there to be had for relatively cheap, even by discogs standards. Towerbell seemed to have some backing behind it, and a decently stacked roster, which was formed out of the disco era and included Shirley Bassey and Justin Hayward (Moody Blues) as well as a series of popular TV series compilations. I haven’t heard of much else from the label, so perhaps this single is an anomaly, but either way, aspiring collectors should have no problem finding a copy for themselves…

Language From Memory- Fortune 7”
1. Fortune
2. The Coat

*download it here*

3 Comments »

Gulf Klub- What’s Cooking 7”

Posted in 1980s, 1984, australia, australian, gulf klub, minimal, minimal synth, post-punk on April 19, 2013 by Frankie Teardrop

Just realised it’s been a while since my last post. Sorry, guys! I have quite a few things on the plate, including a rare French coldwave 7” and a few more Italian goodies that I’ve been meaning to get to, but here’s something I’ve had uploaded for a while to whet your appetite until I can get that stuff all organized properly for you.

This is a one-off 7” from Australia, released in 1984 via Vi-Nil Records. Despite being distributed by EMI, this one didn’t get a lot of attention when it came out. Not much about them on the net, but Geoffrey Stapleton was also involved with The Aliens, GANGgajang, and more.

Personally I don’t care much for the a-side (but of course, that’s just my own taste), but the flip is a great piece of Middle Eastern inspired minimal synth. While the geography is all wrong here, the sound still feels right at home for fans of Minimal Compact, Beograd, Max & Intro, etc. A short little piece of synth perfection that I hope you all enjoy!

Gulf Klub- What’s Cooking 7”
1. What’s Cooking
2. India

*download it here*

More soon, stay tuned!

3 Comments »

Harumi Shimada- Yakō Shōnen 7”

Posted in 1980s, 1984, after the sludge, harumi shimada, japan, japanese, masahiro sugawara, minimal, minimal synth, new wave on March 27, 2013 by Frankie Teardrop

Another quick and dirty post here, an excellent 7” from Japan, released in 1984 via Forecast Records. According to the discogs entry, this 7” was written by Masahiro Sugawara, who was also involved in After the Sludge. Harumi was just one of six people who performed on this 7”, which features an excellent mid-tempo minimal synth track. The B-side appears to be a bizarre dub version of the track which weaves in and out of coherence and descends into chaos over the course of 5 minutes. Safe to assume that the B-side is the English translation of Yakō Shōnen.

I have plenty of excellent coldwave on the back burner, but it’s been a long time since we’ve had a bona fide minimal synth rarity, so have at it!

Harumi Shimada- Yakō Shōnen 7”
1. Yakō Shōnen
2. Midnight Boy

*download it here*

4 Comments »

Opera Multi Steel- Regret Qui S’Ecaille K7

Posted in 1980s, 1987, coldwave, french, minimal, minimal synth, opera multi steel on February 24, 2013 by Frankie Teardrop

While Opera Multi Steel are one of my favorite bands, I’ve never had the chance to feature them here, as most of their material has been reissued or posted elsewhere. However, I realized this particular cassette in 1987 hasn’t been ripped in the past, and aside from two tracks, does not appear on the otherwise excellent K7 Archives collection issued by Vinyl on Demand in 2008.

For those unfamiliar with Opera Multi Steel, the band was founded in 1983 in Bourges, France. Brothers Franck and Patrick Lopez joined Catherine Marie for their first 12” and debut LP, both essentials in the French coldwave/minimal synth scene. They were one of the more prolific bands of the genre, and have released top shelf music constantly without splitting up or reuniting. Two further members would join the band in 1987 and 1988 respectively, just after this tape was released. You can read a more detailed biography here.

Opera Multi Steel ‎– Regret Qui S’Ecaille K7
1. Regret Qui S’Ecaille
2. General Hospital
3. Désir Plaisir Après Tristesse
4. Lady Du Sentier De Loosy
5. Messager Monotone
6. Poisson D’Argent
7. Mon Permis De Conduire
8. Mawata

*download it here*

2 Comments »

A Love Sound- I Need 12”

Posted in 1980s, 1984, a love sound, Contempo Records, italian, minimal, minimal synth, synth on February 12, 2013 by Frankie Teardrop

Incredible Italian minimal synth from 1984, released on the always excellent Contempo Records (Death In Venice, Venus In Furs, Diaframma, Voices, as well as various 4AD distro in Italy).

Tracks 1 and 3 are the standouts for me here, the first being a club friendly slice of synth perfection, and “The Kind” being the epic masterpiece on this 12”, complete with an arpeggiated 808 solo, the first I’ve heard in this style for sure. The other two tracks toss in some acoustic guitar with the electronics, and while they’re not as strong overall, they do a fine job of rounding out this excellent 12”. While it’s not a musical touchstone, the singer reminds me a bit of Peter Murphy at times- less so the deep croon and more snide and biting. Seems like the band was very into the synth scene at the time, and listed all the gear used to make the record on the back sleeve. Some very iconic gear there!

A Love Sound- I Need 12”
1. I Need
2. Sickness
3. The Kind
4. Pale Jade Eyes

*download it here*

If you dug this one, stay tuned for a few Italian donations over the next few weeks!

5 Comments »

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