Quick and dirty post for your Friday enjoyment… Here’s another single from Swiss label Winterschatten (also home to The Silence Cries), released in 1984. This is the five piece (or four piece with a different bassist on each track) band’s only single which comes housed in an oversized picture sleeve. The songs are sung in a mix of English and French and are equally gloomy and catchy, definitely a great single for fans of Look Back In Anger, Cry of the Innocent, Send No Flowers etc.
Enjoy!
Les Fleurs D’Hiver- Fleurs D’Hiver
1. Fleurs D’Hiver
2. Association in White
A quick and dirty post today – the lone 7” from UK post-punk/new wave flavored band Eye Do It, who seem to have had a penchant for hieroglyphics judging from the record sleeve. This 7” was released in 1984 via N.R.O. Records, who also released a compilation titled A Night at the Flicks which features the third and final Eye Do It track (which I do not own and have not heard, but would love to if anyone has a copy of this compilation, which also features indie pop band Mighty Mighty).
Touchstones for this single include bands like Ex Post Facto, Repetition, Last Man In Europe, Pink Military, I’m So Hollow etc. I really dig both tracks here, and hope you do as well!
Eye Do It – I Lost My Mind 7”
1. I Lost My Mind
2. Hold Back
Quick housekeeping note – I’ve been receiving a few comments lately, some nice and others unnecessarily hostile (cut the crap), regarding downloads not working. They do, still, for every post that has a download link. If clicking the link does not work to download directly, try the classic right click – save link as trick. Thanks!
Here’s a French single from 1984 by Beatrain, who previously went under the name The Grave. Both tracks are sung in English, presumably to catch the ears and eyes of the UK scene. This is their only release, though the single caused enough of a splash to secure the band a spot on French 3 program “Avenue Du Rock.”
As for the sounds, both tracks are stellar bouncy post-punk tracks with a slightly rickety post-punk or early indie rock edge, a sweet spot for me that I think you will all enjoy as well. The A-side is strictly female vox, but there is some vocal interplay on the equally excellent B-side. You can check out the pantomimed performances of the tracks here and here respectively (lower quality, sadly).
Enjoy!
Beatrain- Change the World 7”
1. Change the World
2. Two Worlds “Time To Meet You”
Hope everyone is keeping safe and well out there. Here’s a little slice of 7” synth pop bliss that should keep you cool on these hot summer nights (or vice versa if you’re in the Southern Hemisphere).
This 7” was released in 1984 and features vocalist Lisa Lee, a US-based singer. Both tracks were co-written by Lee and her band. According to Discogs, Lee released a separate 12” in 1990, produced by Ronald Burrell and featuring a more house/electro style, but I’m not at all convinced that this is the same Lisa Lee, based on a comparison of both tracks. Perhaps someone can shed a little light on this one (or update the dang Discogs entry, accordingly).
As for this single, both tracks hit the same sweet spot as early Berlin or SSQ/Stacey Q recordings – fast, high energy synths and catchy hooks galore. Not much more I can tell you about this one, so we’ll keep it brief – hope you all enjoy!
Lisa Lee- I’mTaken By You 7”
1. Taken By You
2. Goner
Got an email request for the early material of A Primary Industry, an incredibly underrated UK band who walked a fine line between the avant ghetto of SPK, 23 Skidoo, and A Certain Ratio and the ethereal textures of Cocteau Twins and Operating Theatre. While their lone LP Ultramarine was released in 1986, there are quite a few tracks that point heavily towards the shoegaze genre that was barely a glimmer across a pedalboard at the time.
That all said, A Primary Industry released most of their material on Sweatbox, an excellent label also responsible for the like-minded In the Nursery during their earlier and more experimental phase. The label also released a handful of Meat Beat Manifesto records, so you get an idea of some of the wildly oscillating moods and textures that can be found across all three bands. Otherwise, once A Primary Industry ran its course, the band morphed into Ultramarine (sharing the name with API’s lone LP), who released a series of more electronic/downtempo records in the 90s, and one in 2013. While Ian Cooper and Paul Hammond stayed on board for both projects, vocalist Jemma Mellerio left after Ultramarine’s first LP, Folk.
A Primary Industry’s work has been shared before, but at low bitrates that have since been scrubbed from the internet blogosphere. As their work is some of my very favorite, it was due time to dust off my copies of these records and share them across the board. Thanks also to Jeffo! for supplying a great rip of the band’s first 7”. I’ve uploaded the band’s four main singles and excellent LP from fresh rips, but have also included a handful of compilation tracks. I can’t take credit in any way for the lower bitrate comp rips, with the exception of the exclusive track from Bark, an excellent compilation from the Sweatbox label that also features The Anti Group, Perennial Divide, Meat Beat Manifesto, and In the Nursery. Just wanted to include the other comp tracks (minus Life at the Top, as the version of “Perversion” is identical to the 7” b-side, as is the mix of “Heart of Glass” from Bark) to complete the discography, more or less.
That said, if anyone has the elusive Real Time 6 compilation (or the exclusive track “Under Western Eyes”) I’d love to hear it, as that’s all we’re really missing here… Otherwise, enjoy!
A Primary Industry- At Gunpoint 7” (1984)
1. At Gunpoint
2. Perversion
Various Artists- Heures Sans Soleil LP (1985)
11. From This Prospect
A Primary Industry- 7 Hertz 12” (1986)
1. Cicatrice
2. Obeah
3. Biting Back
4. Bled Dry
A Primary Industry- Ultramarine (1986)
1. Body Blow
2. Beacon Hill
3. Shear
4. Sans Orange
5. Cicatrice
6. Watchword Weal
7. Gush
8. Raw Umber
9. Silesia
10. Rose Madder
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Various Artists- Suck (A Soundtrack For Everyday Living) LP (1986)
5. Rose Madder (Edit)
When’s the last time we had a video here?! With that in mind, there’s a video for “Cicatrice” (the first track of theirs I heard, and the winner among winners). Enjoy!
Here’s an incredible (and rare) one-off 7” from the Netherlands, released in 1984. The four-piece band formed in 1981, and apparently remained together until 1995, even though they don’t seem to have released anything else. Most famously, however, the band were asked to perform a U2 tribute set in 1995, which led to them changing their name to U2PIA. They appear to still be active to date.
As for this single, there are definitely heavy traces of Unforgettable Fire/War-era U2 on display here (amusing as the former record was also released in 1984). The A-side is a driving slice of fast-paced post-punk bliss. The flip is no less essential, but a bit moodier and bass-driven, with an excellent whistle breakdown at the halfway mark. Both tracks are stellar, and it’s a shame that this appears to be their only official release…
Relèvement ’82- Red Hair 7”
1. Red Hair
2. Glad Song
Many, many thanks to Thomas for fulfilling one of my all-time top must-hear compilations. I’ve been obsessed with The Enter’s “The Contract” for many years now, working the song into early esoteric DJ sets. I’ve been dying to hear more from the project, and while sadly no other tracks seem to exist (please correct me if I am wrong), I’ll settle for hearing the rest of the compilation this minimal synth dirge hails from. This compilation was released in 1984 in the UK on Peninsula Records, who only released a handful of 7” singles, a prog rock LP, and another similarly themed (but less rare/expensive) compilation, if Discogs is to be believed…
Normally, synth gems like “The Contract” are often the only listenable track on a compilation, but I’m beyond ecstatic to find that this compilation is hit after hit after hit, with only a handful of lesser moments that even still, are enjoyable. Other favorites include the arpeggiated post-punk rave-up “Dance Feat,” the early Berlin-esque “Neon Nightlife,” the jangly/power-pop “Passion Call,” and the excellent post-punk track “Warrior.” With the exception of Hurt, these are the only known tracks by each of these bands. One and done, so they say…
Hope y’all enjoy, and thanks again to Thomas for providing this rip!
Various Artists- Young Blood LP
1. Passion Call- Colourtime
2. Warrior- If
3. Dance Feat- Gettysburg Address
4. Spring Comes Early- Oh! For 1821
5. In the Glade- Hurt
6. L’Espirit D’Avignon
7. Neon Nightlife- Urutu
8. The Contract- The Enter
9. It’s a Different Kind of Heaven- Vincent Vevil Vald
10. Soldier Sailor- John Brown
11. Catch the Wind- Turbo Chariot
12. Look Through a Window- Chris & Diane Jones
I originally picked this up a while ago at the urging of a friend, but kept it on the shelf for many years. Not sure why, but I reckon some of you can relate. I recently dropped the needle and was surprised by a rather catchy pop record from 1982 that especially calls early Talk Talk to mind, with plenty of guitars for good measure. There’s a few other touchstones here, perhaps some bigger and more stadium-oriented Gene Loves Jezebel singles, mid-era Modern English, the pop perfection of The Outfield (hush, they’re great), and there’s even one track that kind of hints at a Modern Eon/Opposition sort of melancholy in the verses (#4), but it’s not terribly obvious. The final track in particular is a stunner, but I dig everything on this record from start to finish, so long as you guys can hang with something a little bigger and brighter than some of the other gems featured here.
This is the only LP from Hambi & the Dance, though a handful of singles were pulled from the record. Two singles followed, the former exclusive and the latter pulled from a second LP, which was released just as Hambi. There were quite a few big names involved in this project over the years, including ex-Adam & the Ants drummer Chris Hughes, second Frankie Goes to Hollywood vocalist Paul Rutherford, and even the Mission/Sisters of Mercy’s own Wayne Hussey (who must have been an early member, as there aren’t any credits I can find on their recorded output). Vocalist Hambi Haralambous previously worked with other members of this band in Tontrix, also notable for featuring a pre-Flock of Seagull’s Mike Score.
EDIT: Thanks to Jeffo! for sending over a rip of the exclusive 12” from 1984 as well! This one is a little more club-centric, but should also hit the spot. Without any further ado:
Hambi & the Dance- Heartache LP
1. Time After Time 4:01
2. Living In A Heartache 3:22
3. Madelaine 4:05
4. L’Image Craque 4:31
5. Spirits 4:31
6. The World 3:23
7. Dancing Inside You 4:08
8. Major Major 3:30
9. Too Late To Fly The Flag 3:30
10. Standing In The Rain
Hambi & the Dance- 25 Tears a Day 12”
1. 25 Tears a Day
2. 25 Tears a Day (Pink Version)
3. Taking My Life In Strides
Happy New Year, ladies and gents! Been trying to shake the dust off of 2016 to begin what will be the TENTH year for Systems of Romance. Having started this blog in summer of 2007, I never thought I’d be doing this as long as I have been, while many other blogs have come and gone and interests have waned. It’s true, there just isn’t *as much* undiscovered stuff left to reveal.
Even with that being the case, my interests still lie in collecting and restoring things that have been posted elsewhere in higher quality, and I’d like to start this year off with more of the same. I’m choosing this particular 12” in tribute to David Bowie as well, for this week marks both his birthday and deathday all in one, so what better homage? In this instance, Italian giants Litfiba tackle “Yassassin,” a high point from the last installment of David’s legendary Berlin trilogy. While the original, featured on 1979’s Lodger, is a moody, Middle Eastern flavored track with a reggae tinge, Litfiba take the track into the Italo-drenched stratosphere, translating the awkward rhythms into heavy kick blasts and synth stabs. It’s an inspired choice, one that helped bridge the gap between their earlier post-punk releases and embracing the big beat dance sound they would become famous for in their home country. Both versions of “Yassassin” (an extended dancefloor mix and a shorter radio mix) sandwich an original track, chock full of a similar middle eastern flair that sounds equally inspired by Lodger‘s wanderlust. In general, the band would adapt a very Mediterranean-informed vibe from here on out, all but tossing their UK influences out the door.
For more on Litfiba’s rich and storied history, feel free to brush up here. Otherwise, hope you all enjoy!
Here’s one I’m sure you’ve all heard before but is due for a fresh rip at 320 for all you audiophiles out there! After years of playing most of these tracks out at the Wierd Party alongside some of my fellow DJs, I finally shelled out for my very own copy of this rare minimal/synthpop masterpiece from 1984. For those who don’t know it already, every track here is an absolute winner, hard-hitting, sexually charged, slinky synthpop just the way I like it. Not that I need to sell you on this any further, but for those who are unfamiliar, think Soma Holiday, Hard Corps, Propaganda, Six Sed Red, Silvia, etc.
Lots of great hands on this one from across the ocean. Fronted by Jyl Porch (pronounced Jill, naturally) from the US, this project featured additional lyrical and vocal contributions from fellow synthpop oddball Angela Werner, as well as electronics by Angela’s husband Ingo. Rounded out by Christoph Haberer on electronic percussion, this record also features impeccably glossy production from the legendary Klaus Schulze of Tangerine Dream/Ash Ra Temple. Plenty of other folks lent guitar and backing vocal contributions to the LP, so check here for the full list.
Assuming you haven’t already skipped straight to the download link, here’s the rundown:
Jyl- Jyl LP
1. Mechanic Ballerina
2. Universe
3. Computer Love
4. Positions
5. Dance and Death
6. The Computer Generation
7. Animation
8. Silicon Valley
9. Electric Lady
10. I’m a Machine
*DOWNLOAD LINK REMOVED- pre-order a re-issue of this LP via Minimal Wave*
Can’t remember the last time we had a video up in here, so please enjoy this excellent (if but unembeddable) promo clip for “Mechanic Ballerina,” featuring lots of pectorals and body paint:
Systems of Romance was created in mid-2007 to serve as a dumping grounds for all great things coldwave, minimal synth, post-punk, synthpunk, industrial, synthpop, and various other combinations of these styles. Feel free to make requests, noodle around, and discuss all you like...
Otherwise, this blog is dedicated to showcasing material that has long since been out of print. If you are aware of any of these items being readily available from the artist or label, or take issue with these tracks being uploaded, please let me know so I can amend the post or remove the links.
