I recently had the pleasure of meeting with Gérald Page, rhythm guitarist of French post-punk/coldwave band Ultime Possibilité during a brief birthday visit to NYC. He was kind enough to pass along a copy of the band’s first cassette, self-released in 1986, two years before their excellent 7”. I also have his blessing to share the recording here with you all. You can expect the same powerful, yet-catchy sounds throughout this tape, including an earlier version of b-side “No More Lies.” The rest of the tracks are unheard, exclusive to this release, and as incredible as the single that follows.
As a bonus, I’m also including two additional tracks the band recorded, both released on cassette compilations in 1987 and 1988 respectively.
Hope y’all enjoy!
Ultime Possibilité- Ultime Possibilité K7
1. Would You Smile
2. Sea of Faces
3. No More Lies
4. La Chambre Vide
5. Gardian Angel
6. Pensees Nocturnes
Compilation tracks:
1. Coute Que Coute (from The Unknown 4 – 1987)
1. What Was Your Mission (from The Unknown 4 – 1987)
2. Coute Que Coute (alternate recording, from Orcades Machinales Volume 1 – 1988)
Trying to stay more active these days, for my sanity as well as for your ears’ sake. Up on the slab are 5 (FIVE) 12”s by late 80s dream pop/indie pop band The Heart Throbs. This band has been a forever favorite since I first saw the video for “Dreamtime” back in the early 2000s. That song kills me in every which way. But before that blissful melody was recorded and the band got traction via One Little Indian, the band cut their teeth on a slew of successful 12” singles, each one as good as the last. Some of the tracks were remixed for inclusion on their underrated debut record, Cleopatra Grip, which came out in 1990.
I reckon a lot of folks are already familiar with this band, but if not, best touchstones are bands like Kitchens of Distinction, Darling Buds, Lush, The Primitives, early Throwing Muses, The Sundays, and so on. Rough Trade ahoy!
The Heart Throbs- Toy 12” (1987)
1. Toy
2. I, the Jury
3. Make My Day
The Heart Throbs- Bang 12” (1987)
1. Bang
2. Sick At Heart
3. Naked Bang
The Heart Throbs- Too Many Shadows 12” (1988)
1. Too Many Shadows
2. I See Danger
3. Things That Linger
The Heart Throbs- Here I Hide 12” (1988)
1. Here I Hide (Extended Version)
2. Pale Fire
3. Come (First Version)
The Heart Throbs- Blood From a Stone 12” (1988)
1. Blood From a Stone
2. Cry Hard Cry Fast
3. Smothered
This record might tick boxes for fans of late 80s alternative. The band is The Nevermen, a four piece from Canada. This is their lone LP, which was released on Amok Records (Courage of Lassie, Psyche, Preison’s Shade) in 1988. While all the late 80s goth touchstones are here – the reverb drenched drum machines, the thick bass grooves, and the gloomy guitar, I sometimes find the vocal melodies to be somewhat close to Alice in Chains or bands from that era – even though naturally this record predates the band for a few years. Producer Michael Wojewoda provides backing vocals, which complement the main vocals with a similar kind of dual attack. I also get some early Faith No More vibes throughout with the soaring synths and bass tones.
Now don’t get me wrong folks, there are still plenty of familiar sounds here to keep all us 80s lovers interested – I also hear traces of Simple Minds, Midnight Oil, Big Country throughout this LP, if these bands ditched their stadium sounds and leaned darker overall. This record would definitely have picked up some 120 Minutes airplay if they made a video. Maybe they did?
Either way, if I haven’t scared you away with all this rawk talk, here’s the details for this LP:
The Nevermen- Monitor LP 1. Real Life
2. Across The Room
3. The Waltz
4. Waiting For Rain
5. Living In The Past
6. She’s Got Me
7. Burning
8. Cacophony And Dance (Silver Crown Cement Mix)
A few posts back, I alluded to this stunning LP on Angel Records, the Italian label owned and operated by Fotoscura. This lone LP by Selena Moor was released in 1988 on the label, and is truly gorgeous in every which way. Despite the name on the sleeve, this is not a solo artist, but instead a four piece band that formed in the wake of Still Life, a more proper post-punk project with some crossover sounds. This LP continues in their footsteps, but adds a heavy ethereal atmosphere that should be perfect for those ready to slip into Autumn. Obvious touchstones here include Dead Can Dance, mid-period Cocteau Twins, but also Black Tape for a Blue Girl. While there are some very delicate passages on this LP, there’s also plenty of driving force throughout, just enough to keep things grounded.
After this LP, Giulia Lippolis went on to sing with Engel Der Vernichtung, who continue on unraveling the ethereal/darkwave/neoclassical threads here.
Without any further ado, the details:
Selena Moor- Medio Eva LP
1. Oasi Mandarina
2. Oniria Nel Quadro
3. Mahijora
4. Islanda
5. Orizzonte
6 Agueira #1
7. Aurore
8. Agueira #2
PS- for those hip to “the social media,” I’ve started an Instagram account for the blog, which you can find over here (systemsofromanceblog). Follow if you like, and see you soon enough!
I’ve always enjoyed this dreamy Italian post-punk record from 1988, and I thought y’all might, too. This is the lone LP from Fotoscura, a five-piece who were from Rome. The sounds are a mix of ethereal, melodic passages and melancholy post-punk, definitely recommended for fans of The Cure, The Essence, Lowlife and so on. I love every track on this record, some of my favorite kinds of sounds this side of the spectrum. Angel Records, the band’s label, also released a handful of neoclassical recordings as well as some Edge of the Water material. I’m also quite fond of the Selena Moor record, but I’m also a sucker for a good ethereal sound…Maybe I’ll post that one in the near future.
As for Fotoscura, there’s also a demo tape that fetches quite a pretty penny, but I haven’t heard it, sadly. Rumor has it there will be a reissue of some sorts coming, so stay tuned here (or better yet, over at the band’s Facebook page) for more details.
Fotoscura- Fotoscura LP
1. Guerra Senza Nome
2. …Nel Buio
3. Fotoscura
4. Cavaliere Del Nulla
5. 1991
6. Volo
Happy New Year, y’all! A bit of a new post here, and a bit of an update to an old post at the same time. If you visit this previous post on the incredible Italian post-punk band Fru Aut, you’ll find information about their 1988 self-titled LP, a masterpiece of the Italian post-punk scene and a perfect listen for fans of dreamier post-punk, in the vein of things like Sad Lovers & Giants, Film Noir, Modern Eon, Xmal, Nico + Faction, etc. In the same post, there’s also an allusion to a previous 12”/cassette release from a long defunct (but wonderful) blog. So with that in mind, I thought I’d kick the year off lightly with an update of both of these releases.
If you aren’t already familiar with Fru Aut, the band was a five piece from northern Italy, more specifically Bassano del Grappa. They self-released this cassette in 1985, with a more limited 12” version appearing the same year. The LP appeared in 1988, also self-released. There was also a CD that came out in 1994, but sadly I haven’t heard it and I have an inkling it might veer more into rock territory, but if anyone could confirm or deny that, I’d gladly give it a listen! Lastly, there’s another cassette out there from the same era as these two releases I’m guessing, with very little info, no year or tracklisting to confirm if it’s exclusive material, or similar to what’s already released elsewhere… Any info on that one is even more welcome…
Even though I’ve updated the previous post, I’ll include both the LP and the cassette here to make things a little neater. With that in mind, here’s the info for both of these excellent releases:
Fru Aut- Fru Aut LP (1988)
1. Prova D’Orckestra
2. La TV Sensuale
3. Kabul
4. Bla Bla – Discorso Alla Finestra
5. Tesò
6. Indastria
7. Berber
8. Segnali
9. Freiherz
10. Superglu
Keep forgetting about this record, which I originally borrowed from Goutroy for a rip and then picked up my own copy shortly thereafter. Thanks to Saul for the request/reminder in my last post!
Here we have an excellent slice of 1988 goth from the UK, right from the era of Red Lorry Yellow Lorry and March Violets. It’s actually a pretty fair blend of the two bands, in simplest form – the churn and energy of early Lorries (by way of pounding drum patterns and guitar textures of “Beating My Head” or “Monkeys on Juice”) vs the dual male/female vocals of the Violets. Either way, this EP features four excellent tracks of UK goth, a welcome addition for any fans of the genre.
The band is a three peace, and as far as wax is concerned, this is their only release. They were likely from Birmingham, as their label, Sonic Death Records, was stationed there. There apparently is a demo tape floating around in the ether somewhere, though I can’t seem to find any information about it online outside of a mere mention on their discogs entry. It appears as if the band were planning on a US tour in 1989, though not sure if that ever came to pass before the band called it quits. Aside from the regular lyric/iinfo insert, here’s also apparently an extra 16 page insert with more info and color photographs, but my copy did not come with it, so I can’t offer much else for y’all, other than the download.
With that in mind, here’s the rundown:
The Smoking Mirror- EP 12”
1. Siren Girl
2. Dead Man’s Shirt
3. Prostitute
4. Acid Filth
Just spotted a photo of one of these LPs come up in a recent memories post, as I picked up a copy of this based on the cover art alone during my last trip to Boston a year or so ago. Here we have both vinyl releases by Emerald Vein, aka the solo project of Boston-based musician Robert Young. Previous bands of Robert’s included alternative band Uzi and post-punk band A Scanner Darkly, whose 1988 LP This Is the Way serves as a solid Sisters of Mercy-esque guitar record.
As for Emerald Vein, Young took things in a more ethereal direction, mixing a few post-punk tracks in with neoclassical and dream pop influences. Kind of my sweet spot for when the air has a bit of a chill in it still. Both of these LPs are unique listens, calling the likes of In the Nursery, Into a Circle, Breathless, Mark Renner, Eden, Black Tape For a Blue Girl, and maybe even a little Gilmour-era Pink Floyd to mind here and there. Land of the Living has a track or two with some co-harmonies from Colleen Nichole Jacobucci, and has an overall more experimental touch but is still very much in the vein of the first LP. Terence Donahue, drummer of A Scanner Darkly, also performs on a handful of tracks across both releases. Donahue was also involved with IPR stalwarts Deception Bay.
Here’s the details for both LPs. Note: will be taking better quality album photos shortly, please stand by!
Emerald Vein- Existence LP (1989)
1. Worship
2. Existence
3. Completely Nothing
4. The Messiah
5. Promise
6. Out Of My Head
7. Take Hold
8. In His World
Emerald Vein- Land of the Living LP (1991)
1. Land Of The Living
2. The Difference
3. The Living End
4. Memory Inside My Head
5. Breath
6. Father Of Lies
7. Light
8. My Maker
9. Bury This Void
10. Colors
Robert has also made a digital download of his favorite cuts from both albums available here, if you’d like to upgrade some of the tracks from vinyl rips to crystal clear digital copies. Definitely worth grabbing the link above for the full discography, and even though Robert’s Bandcampo is pay-what-you-want, I deeply encourage purchasing the tracks and supporting Young’s work.
Got an email request for the early material of A Primary Industry, an incredibly underrated UK band who walked a fine line between the avant ghetto of SPK, 23 Skidoo, and A Certain Ratio and the ethereal textures of Cocteau Twins and Operating Theatre. While their lone LP Ultramarine was released in 1986, there are quite a few tracks that point heavily towards the shoegaze genre that was barely a glimmer across a pedalboard at the time.
That all said, A Primary Industry released most of their material on Sweatbox, an excellent label also responsible for the like-minded In the Nursery during their earlier and more experimental phase. The label also released a handful of Meat Beat Manifesto records, so you get an idea of some of the wildly oscillating moods and textures that can be found across all three bands. Otherwise, once A Primary Industry ran its course, the band morphed into Ultramarine (sharing the name with API’s lone LP), who released a series of more electronic/downtempo records in the 90s, and one in 2013. While Ian Cooper and Paul Hammond stayed on board for both projects, vocalist Jemma Mellerio left after Ultramarine’s first LP, Folk.
A Primary Industry’s work has been shared before, but at low bitrates that have since been scrubbed from the internet blogosphere. As their work is some of my very favorite, it was due time to dust off my copies of these records and share them across the board. Thanks also to Jeffo! for supplying a great rip of the band’s first 7”. I’ve uploaded the band’s four main singles and excellent LP from fresh rips, but have also included a handful of compilation tracks. I can’t take credit in any way for the lower bitrate comp rips, with the exception of the exclusive track from Bark, an excellent compilation from the Sweatbox label that also features The Anti Group, Perennial Divide, Meat Beat Manifesto, and In the Nursery. Just wanted to include the other comp tracks (minus Life at the Top, as the version of “Perversion” is identical to the 7” b-side, as is the mix of “Heart of Glass” from Bark) to complete the discography, more or less.
That said, if anyone has the elusive Real Time 6 compilation (or the exclusive track “Under Western Eyes”) I’d love to hear it, as that’s all we’re really missing here… Otherwise, enjoy!
A Primary Industry- At Gunpoint 7” (1984)
1. At Gunpoint
2. Perversion
Various Artists- Heures Sans Soleil LP (1985)
11. From This Prospect
A Primary Industry- 7 Hertz 12” (1986)
1. Cicatrice
2. Obeah
3. Biting Back
4. Bled Dry
A Primary Industry- Ultramarine (1986)
1. Body Blow
2. Beacon Hill
3. Shear
4. Sans Orange
5. Cicatrice
6. Watchword Weal
7. Gush
8. Raw Umber
9. Silesia
10. Rose Madder
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Various Artists- Suck (A Soundtrack For Everyday Living) LP (1986)
5. Rose Madder (Edit)
When’s the last time we had a video here?! With that in mind, there’s a video for “Cicatrice” (the first track of theirs I heard, and the winner among winners). Enjoy!
Quick and dirty- both this post and the sound of this record. Released on Beautiful Sounds and based in the Boston area, One Life put out but one 12” of raw, incisive post-punk in 1988, and were never heard from again. Definitely recommended for fans of the first Choir Invisible LP, The Blessing, and The Bolshoi. As for larger touchstones, some major Psychedelic Furs overtones- as if Richard Butler lived in LA in 1985 as far as the title track is concerned. Funny though, as the vocals are a bit less monotone on the other tracks.
Your mileage may vary with the extended remix that kicks off this 12”, but otherwise, I can’t recommend this one enough! Many thanks to Goutroy and Glenn for turning me on to this one.
One Life- The Crowning 12”
1. The Crowning (Extended Mix)
2. The Crowning
3. Never Sleep Again
4. Fate
5. Holy Grace
Systems of Romance was created in mid-2007 to serve as a dumping grounds for all great things coldwave, minimal synth, post-punk, synthpunk, industrial, synthpop, and various other combinations of these styles. Feel free to make requests, noodle around, and discuss all you like...
Otherwise, this blog is dedicated to showcasing material that has long since been out of print. If you are aware of any of these items being readily available from the artist or label, or take issue with these tracks being uploaded, please let me know so I can amend the post or remove the links.
