Archive for the canadian Category

Magic Dragon – Emotional Landscape / Courage of Lassie – The Temptation to Exist LPs

Posted in 1980s, 1981, 1986, canadian, courage of lassie, magic dragon, minimal, minimal synth, neo-folk, neoclassical on March 6, 2023 by Frankie Teardrop

Canada seems like an unlikely haven for a minimal synth/neofolk project with a very European-style sound, but that said, here are two of my favorite LPs from up north.

Magic Dragon formed from the wake of Private School, a punk band who released one single in 1979. Members Maddy Schenkel and Ron Nelson quickly formed Magic Dragon, enlisting bassist Rachel Melas to record their lone LP  Emotional Landscape, which was released in 1981 on Friends Records. The album combined the folky interplay of bands such as Steeleye Span and Mellow Candle with minimal electronics, skittering drum machines, and experimental passages, creating a singular sound that few bands, especially on the western hemisphere, were flirting with. Some other touchstones I can think in this vein are UV Pop, Mekanik Kommando, Solid Space, Les Joyaux De La Princesse, Collection D’arnell~Andrea, and Modern Art, all of which flirted with folkier and experimental influences over their tenure.

Magic Dragon soon evolved, adding violin player Rod Booth. The band changed their name in 1983 to Courage of Lassie (keeping the nostalgic/childhood magic and wonder alive in name), and self-released a cassette in 1984 that featured, amongst new material, the first track from the Magic Dragon LP. Their core folky/minimal synth hybrid sound remained intact, and the band soon recorded The Temptation to Exist, which consisted of a handful of songs from the cassette, a couple of new tracks, and a haunting cover of Pete Seger’s “Where Have All the Flowers Gone,” done in Marlene Deitrich’s German-vocal style. This LP was originally released in 1986 via Amok Records, but has been re-released in 1987 and 1991, respectively. The band would release two more albums (1988’s Sing or Die and 1994’s This Side of Heaven) before calling it a day.

While folks may have heard both of these records before, I’m happy to provide newly digitized versions. Hope y’all enjoy!

Magic Dragon – Emotional Landscape (1981)
1. Objet Du Desire
2. Memories
3. Egyptian Radio
4. Once Upon a Time
5. (White Monkey) Under the Volcano

Courage of Lassie – The Temptation to Exist (1986)
1. All That I Know
2. Iron
3. Hiroshima
4. The Rose
5. Hopes & Fears
6. La Notte
7. Sag Mir Wo Die Blumen Sind
8. Air Du Temps

*download both LPs here*

Be sure to visit the band on Facebook.

The Nevermen- Monitor LP

Posted in 1980s, 1988, canadian, goth, goth-rock, goutroy, post-punk on April 3, 2022 by Frankie Teardrop

This record might tick boxes for fans of late 80s alternative. The band is The Nevermen, a four piece from Canada. This is their lone LP, which was released on Amok Records (Courage of Lassie, Psyche, Preison’s Shade) in 1988. While all the late 80s goth touchstones are here – the reverb drenched drum machines, the thick bass grooves, and the gloomy guitar, I sometimes find the vocal melodies to be somewhat close to Alice in Chains or bands from that era – even though naturally this record predates the band for a few years. Producer Michael Wojewoda provides backing vocals, which complement the main vocals with a similar kind of dual attack. I also get some early Faith No More vibes throughout with the soaring synths and bass tones.

Now don’t get me wrong folks, there are still plenty of familiar sounds here to keep all us 80s lovers interested – I also hear traces of Simple Minds, Midnight Oil, Big Country throughout this LP, if these bands ditched their stadium sounds and leaned darker overall. This record would definitely have picked up some 120 Minutes airplay if they made a video. Maybe they did?

Either way, if I haven’t scared you away with all this rawk talk, here’s the details for this LP:

The Nevermen- Monitor LP
1. Real Life
2. Across The Room
3. The Waltz
4. Waiting For Rain
5. Living In The Past
6. She’s Got Me
7. Burning
8. Cacophony And Dance (Silver Crown Cement Mix)

*download it here*

(thanks as always to Goutroy for ripping this one initially – keeping A Viable Commercial alive and well!)

Faded Films- Faded Years 7”

Posted in 1980s, 1986, canadian, new wave, post-punk on September 23, 2020 by Frankie Teardrop

Hi folks. Hope you’re all keeping safe and well out there. Here’s a rare and semi-pricy four-track 7” from a five-piece band from Canada, which was self-released in 1986. Apologies in advance for the audio quality on some of these tracks, each side clocks in around 7-8 minutes, which usually scrapes away some of the low end by design.

That said, each track here is a great post-punk/new wave hybrid (perhaps a touch of power pop influence as well, if that’s your cup of tea), with bouncy, yet gloomy rhythms. Lots of guitars and high synths on each track, and quite a few of the songs are incredibly catchy. Reminded a bit of mid-era B-Movie, Blue in Heaven, or even A Drop in the Gray.

Not much else to tell you about this one, so hope y’all enjoy!

Faded Films- Faded Years 7”
1 Faded Years
2 East of the Asylum
3. The Top
4. Jack in the Box

*download it here*

The Whittingtons- The Whittingtons K7

Posted in 1980s, 1989, an april march, canadian, dreampop, indie, jangle on July 5, 2018 by Frankie Teardrop

I’ve been meaning to share this one for some time, and it’s certainly the season for some dreamy, jangly guitars. Here we have the lone tape by The Whittingtons, a band from Canada who would become An April March, shared previously here. I’d like to thank Danella, vocalist of both bands, who sent over a copy of this tape a few months back.

This particular cassette was released in 1989 and features the original lineup of An April March (including original drummer Joe Walsh, who would play on a handful of tracks on Impatiens). The six songs here are all exclusives, and a few of them, such as opening track “Sylvian,” and closing track “When the Sky Falls” especially point to the lush dream pop sound that An April March would encapsulate just a few years later. Others, like “Beatrice” and “Craving Wakes” are more firmly rooted in the jangle/indie/C86 sound, with a little bit of the folk vibes of bands like The Innocence Mission.

However, we all know the lines can get a bit blurred between shoegaze, dream pop, and indie pop, so hopefully there’s plenty to enjoy here for everyone. With that in mind, here’s the details:

The Whittingtons- The Whittingtons K7
1. Sylvian
2. Antiguos Muros (Sylvian Part II)
3. Beatrice
4. Craving Wakes
5. When the Sky Falls

*download it here*

Bunny & The Lakers- Numbers LP

Posted in 1970s, 1979, bunny & the lakers, canadian, experimental, krautrock, minimal, minimal synth on October 12, 2017 by Frankie Teardrop

Here’s one I’ve seen shared in snippets across many different blogs, but I’m not sure if it’s ever been shared in full. Perhaps on some long, distant, since purged blog. I’ve had this kicking around on my shelves for a while now, rescued from a NYC shop otherwise known for techno, house, and hip hop (you never know!), but I was recently encouraged to take it down and re-rip it, and I’m glad I did, because it’s quickly jumped up the ranks as a autumnal favorite. Besides, the digital copy I DO have has the track names reversed, so this one is worth another look however you want to dice it.

Bunny & the Lakers performed only once, and self-released this album on LP and cassette in 1979. Only 500 records are known to exist, each of them hand-numbered. There are QUITE a few sounds explored over the course of this LP, including the krautrock dirges of Faust, pummeling experimental electronics a la Throbbing Gristle, icy piano and synth workouts  by way of Telekon, quirky synth punk sounds similarly explored by  Tone Set, and even a skittery no wave hybrid thrown in for good measure.

The album is wildly experimental and may not be to everyone’s cup of tea, but there’s definitely lots to love here. I especially love the bleak “Weekend Guests,” which features female vocals, primitive electronics, and more gorgeous stream-of consciousness piano ramblings. Closing track “Dolphin Bay” is gorgeous as well… Many of the tracks blend into each other, so I’ve tried my best to separate them. Side B is a bit more structured, but I’m a little unsure where one track ends and the next begins on side A.

Bunny & The Lakers- Numbers LP
1. Inhalation / Ventalation
2. Cops On Parade
3. Yalps From The Alps/Shrieks From The Peeks
4. Maid In Sweeden/Batlore
5. In Terms Of Germs
6. TB Farm (Kiss Me Now)
7. S.O.S.
8. Weekend Guests
9. Sandy
10. Dolphin Bay

*download it here*

An April March- Memory Gardens & Scarlett Bliss K7s

Posted in 1990, 1990s, 1991, an april march, canadian, dreampop, shoegaze on April 4, 2017 by Frankie Teardrop

I remember the first time hearing Canadian dreampop band An April March. I was deep in my shoegaze phase in my freshman year of college, overdosing on Slowdive for the most part, posting on forums everywhere. I caught wind of this band and remember seeking out a lone mp3 of “Lava,” one of the bands early singles, on Audiogalaxy of all places… It was love at first listen. Just a few weeks later, I was digging in my college town’s record bins casually when I came across a gorgeous looking gothic cover. Sure enough, it was the Lava single, a red colored slab of perfection sitting there for a dollar, discarded among a bunch of sleeveless pop singles. I believe I posted the single in the very first year of this blog, as the obsession still ran deep.

Since then I’ve obtained all of their discography in various forms, with the exception of the elusive Scarlett Bliss demo tape from 1991, which I’ve always had my eye on. However, a kind collector by the name of Paul Evans offered to rip it for me, and included a bonus- a never before logged demo tape from 1990 called Memory Gardens, the band’s first official release. Funny enough, this is the real treat here, as the Scarlett Bliss tape features very similar (if not the same) recordings of these three tracks that would appear on 1993’s Impatiens, the band’s debut album.

However, the songs on Memory Gardens showcase a band just getting their feet wet, though the band’s trademark dark dreampop sound is still in full effect. Mostly I’m pleasantly surprised by the ample use of saxophone on this tape, a sound they abandoned after release, apparently. Saxophone player Ian would go on to play with The Dervishes, who I haven’t heard but sound like a more soul/funk band according to their discogs page.

Anywho, four of the six tracks on this cassette are exclusives, while “Gates Within Us” and “Of Leaves And Sweetness” are early versions that have since changed drastically in subsequent recordings.

Thanks again to Paul for ripping these! Hope you all enjoy them as much as I do:

An April March- Memory Gardens K7 (1990)
1. Justine
2. Misunderstanding
3. Of Leaves and Sweetness
4. Memory Gardens
5. Gates Within Us
6. Hollow House

An April March- Scarlett Bliss K7 (1991)
1. Scarlett Bliss
2. This Silence
3. Stains

*download both here*

The Lucy Show- Extended Play 12”

Posted in 12'', 1980s, 1984, canadian, new wave, post-punk, the lucy show on August 26, 2016 by Frankie Teardrop

I’ve covered The Lucy Show here a few times before, and even after all these years, they remain an absolute favorite of the era, a band whose records I cherish deeply and would never leave home without. They’ve never been the rarest band on these pages, with most of their releases in mass production and easily found in used bins across the states, but it’s never really about the rareness, is it? Note for note, The Lucy Show deliver, and this EP is of no exception, featuring three exclusive tracks and what appears to be a slightly different and darker version of the “Resistance,” one of many highlights from their debut album Undone.

It’s hard to tell without exact release dates, but this EP appears to predate both the Electric Dreams 7” as well as their first LP, which might explain the more club-friendly sound from Leonardo Da Vinci still intact here. The lead-off track is a forever favorite, and appears in nearly all my post-punk focused DJ sets these days, though it’s always hard to pick just one from this band.

The Lucy Show- Extended Play 12”
1. The Price of Love
2. Resistance
3. See It Goes
4. Is It

*download it here*

Various Artists- Unexpected Silenzio 12”

Posted in 12'', 1980s, 1986, ambient, canadian, compilations, dark ambient, moonlight society, odds, post-punk, silent sound on August 8, 2016 by Frankie Teardrop

I picked up this particular 12” on a more recent carpet bombing of a NYC shop, and I’ve been meaning to share it for some time. Released in Canada on Bad Zoo Records in 1986, this collection features three vastly different bands and two styles that don’t seem to go together on paper, but make for a very enjoyable compilation EP.

I’m particularly wild about the first track, “People Walk on By” from Moonlight Society, a band who dominates the a-side with their Chameleons-inspired post-punk. Lots of guitar interplay with some chirpy synths for good measure across both tracks. I really wish they had more songs out there, because I’m a sucker for this kind of sound, through and through. Meanwhile, the flip features two dark ambient tracks by two separate bands, both of which are sprawling in comparison to the a-side’s immediacy. Both are excellent, however, and like the flip, neither band was heard from again, though Silent Sound features a synth credit from David Kristian, who joined Psyche a few years later…

All in all, an excellent, if unknown little compilation that’s still rather cheap to pick up (for the time being, ha ha!). Hope you enjoy!

Various Artists- Unexpected Silenzio 12”
1. Moonlight Society- People Walk On By
2. Moonlight Society- I’ll Live
3. Silent Sound- Skin of Sorrow, Soul Without End
4. Odds- Hyaloide Hypercycle

*download it here*

Pop Stress- So Good To Be In Love 7”

Posted in 1980s, 1981, canadian, montreal, pop stress, post-punk on November 19, 2015 by Frankie Teardrop

Here’s an excellent two track 7” from Montreal’s Pop Stress, a generous gift from Megon at Only Death Is Fatal. This single, the only release by Pop Stress, was released in 1981 on Micatube Records. At first glance, the band seems heavily inspired by Magazine’s first two pioneering records. The A-side is a nervous pop song with bouncy organ synths and rock ‘n’ roll rhythms. It’s perfectly enjoyable in its own right, but the real gem here is the flip; a dark, tom-heavy, claustrophobic number that really gets under my skin. The song was allegedly inspired by Janov’s Primal Scream.

Pop Stress- So Good To Be In Love 7”.
1. So Good To Be In Love
2. Neurotic

*download it here*

It seems like I’m not the only one who prefers the b-side for this one, as a video for “Neurotic” was shot prior to the single’s release and premiered on a Canadian music program, with a short interview with the band’s vocalist at the end. Check it here:

The Floor- Discography

Posted in 2000s, 2003, 2005, canadian, edmonton, post-punk, synth, the floor on November 5, 2013 by Frankie Teardrop

The+Floor

A good friend of mine recently gave me some sage advice.  To paraphrase, he mentioned that it’s a crime to dig too much into the distant past, for fear of ignoring more recent bands who are making incredible music.  By doing this, it only dooms modern bands to the same fate as their forgotten predecessors.

I can’t agree more, and while I’m still on the hunt for forgotten 80s treasures (and have plenty more coming in the mail, mind you), there are quite a few bands from the turn of the century that have already fallen by the wayside in lieu of their more Pitchfork-centric peers.   While the post-punk resurgence of the mid-2000s wasn’t the true second coming we all hoped it would be, there are still several bands who managed to make some incredible music, overshadowed by bands like Interpol, The Strokes, The Rapture, etc., who dominated the scene.

I received a lot of great feedback about Branches, another band that Jason recommended and shared a rip of here, and with his advice in mind, I plan to share a handful of more recent bands that we’re both fond of.  First up is The Floor, a Canadian band who flirted with electronics, classic post-punk bass tones, and shoegaze textures, mixing those timelessly great techniques with big hooks, solid musicianship, and killer songs.  I discovered their only full length back in 2006, shortly after it was released, and it’s a seasonal favorite.  Over the years, I’ve clocked more plays on Personnel than I have any other album from that era, and know the whole record like the back of my hand.  However, I hadn’t heard anything else from them, and as like many bands from that era (including many of my own), I presume they broke up soon after.

However, Jason was able to provide a rip of the two EPs that preceded Personnel, completing the official discography.  The EPs are just as good, as one might suspect…  In general, fans of bands like The Chameleons, A Flock of Seagulls, and For Against’s December should LOVE these guys, and I hope you enjoy these records as much as I do…

The Floor- Doll (2003)
1. Catastrophe
2. Seconds Later
3. Feature 74
4. Doll
5. Warning Signs
6. Mistake to Make
7. Daffodil

The Floor- Autonomy Off/On (2003)
1. Drown Inside
2. Isolene, I
3. Automation
4. Impossible
5. Noncom
6. Blank Reaction
7. Cloud of Blinding Light

The Floor- Personnel (2005)
1. Fallout Forever
2. Someone Else
3. In the New World
4. The Guilt of Silence
5. Personnel
6. Glass Heart
7. Freeze/Frame
8. What Do You Know?
9. Occur
10. Never After
11. Alone On Your Own

*download all three here*