Archive for the 1990 Category

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Pitch Black – Suspiria/Renee 12”

Posted in 1990, Claude Raines, darkwave, ebm, New York, pitch black, synthpop, US on February 3, 2023 by Frankie Teardrop

Can’t stop/won’t stop!

Keeping with the theme of the last post, this single is a perfect compliment, featuring a series of dancefloor-friendly remixes of darkwave tracks, also released in 1990. Our friend Goutroy turned me on to this one some weeks ago, tipping me off that this NY-based trio consisted of three members of Red Violet Red, who, which you may recall, also shared a key member with Eleven Pond. The remaining members, bassist Jerry Dellapietra, guitarist Lyle Wells (RIP), and vocalist/synth player/programmer Cedric Herrera (who also formed this project after recording with Claude Raines) and recorded two killer darkwave songs that at their core, sound similar to their previous project, but run through a very dance culture filter. There’s quite a bit of acid/new beat influence, as well as nods to hip-hop, freestyle, and house music, but the vocals and songs themselves cut deep with dark energy that make this single a true hybrid success.

A quick note that there’s a hidden remix of “Suspiria” buried on the “Renee” side of the 12”, which is unlisted on the record itself. I’ve labeled it simply with the name of the track, but if anyone knows the title of this mix, feel free to leave a comment!

Otherwise, hope you enjoy!

Pitch Black – Suspiria/Renee 12”
1. Suspiria (College Radio Edit)
2. Suspiria (12″ Mix)
3. Suspiria (Hip Hop Remix)
4. Renee (College Radio Edit)
5. Renee (Acid Dance Remix)
6. Suspiria*
7. Renee (Stringapella)

*download it here*

2 Comments »

Tanz Waffen – Big Strong Man 12”

Posted in 1990, austin, darkwave, synth, synthpop, tanz waffen, US, zyx on February 3, 2023 by Frankie Teardrop

Happy belated new year, folks! I’ve been struggling to find time to keep this thing going, but I still have a huge backlog of things I’ve been digitizing in my spare time, so it’s time I kick back into gear here, I suppose. Let’s see if I can get two posts done today!

The first: a big big synth pop single from 1990 on ZYX Records. The project: Tanz Waffen, which translates to Dance Weapons. Despite their German name, the band hailed from Austin, Texas, and consisted of Jeff Campbell of The Secret Six and vocalist Nanz Campbell. After releasing this one single, the duo would join forces with like-minded Austin EBM project Mark of Kane to form Voodoo Dali, who released one cassette in 1991.

As for this single, the clear dance floor filler here is “Big Strong Man,” which appears in extended and 7” form. However, the third track, “Memories of Voices,” is a moodier, more esoteric track that showcases Nanz Campbell’s vocals and features some darkwave guitar throughout. The A-side certainly has Celebrate the Nun-esque vibes, while the flip reminds me a bit of Six Sed Red or Soma Holiday. Either way, the single is an absolute banger, and as with most of the ZYX catalog, is worth picking up!

Tanz Waffen – Big Strong Man 12”
1. Big Strong Man (Wild Boys Remix)
2. Big Strong Man (Wild Boys 7” Remix)
3. Memories of Voices

*download it here*

1 Comment »

An April March- Memory Gardens & Scarlett Bliss K7s

Posted in 1990, 1990s, 1991, an april march, canadian, dreampop, shoegaze on April 4, 2017 by Frankie Teardrop

I remember the first time hearing Canadian dreampop band An April March. I was deep in my shoegaze phase in my freshman year of college, overdosing on Slowdive for the most part, posting on forums everywhere. I caught wind of this band and remember seeking out a lone mp3 of “Lava,” one of the bands early singles, on Audiogalaxy of all places… It was love at first listen. Just a few weeks later, I was digging in my college town’s record bins casually when I came across a gorgeous looking gothic cover. Sure enough, it was the Lava single, a red colored slab of perfection sitting there for a dollar, discarded among a bunch of sleeveless pop singles. I believe I posted the single in the very first year of this blog, as the obsession still ran deep.

Since then I’ve obtained all of their discography in various forms, with the exception of the elusive Scarlett Bliss demo tape from 1991, which I’ve always had my eye on. However, a kind collector by the name of Paul Evans offered to rip it for me, and included a bonus- a never before logged demo tape from 1990 called Memory Gardens, the band’s first official release. Funny enough, this is the real treat here, as the Scarlett Bliss tape features very similar (if not the same) recordings of these three tracks that would appear on 1993’s Impatiens, the band’s debut album.

However, the songs on Memory Gardens showcase a band just getting their feet wet, though the band’s trademark dark dreampop sound is still in full effect. Mostly I’m pleasantly surprised by the ample use of saxophone on this tape, a sound they abandoned after release, apparently. Saxophone player Ian would go on to play with The Dervishes, who I haven’t heard but sound like a more soul/funk band according to their discogs page.

Anywho, four of the six tracks on this cassette are exclusives, while “Gates Within Us” and “Of Leaves And Sweetness” are early versions that have since changed drastically in subsequent recordings.

Thanks again to Paul for ripping these! Hope you all enjoy them as much as I do:

An April March- Memory Gardens K7 (1990)
1. Justine
2. Misunderstanding
3. Of Leaves and Sweetness
4. Memory Gardens
5. Gates Within Us
6. Hollow House

An April March- Scarlett Bliss K7 (1991)
1. Scarlett Bliss
2. This Silence
3. Stains

*download both here*

12 Comments »

The Severance- Dreams Of Youth 12”

Posted in 12'', 1990, 1990s, ebm, synth, synthpop, the severance on June 24, 2015 by Frankie Teardrop

Sometimes I forget just how much I love synthpop. We’re talking giant beats, huge hooks, almost shameless use of electronics and a tremendous command of melody. Mostly I just love stuff that sounds like classic-era Depeche Mode. Meanwhile, I picked this one up in a cheap-o bin in the bowels of NYC, and with just one glance to both the front & back covers, I knew exactly what to expect and knew it would hit that sweet spot…

This particular German 12” kicks off with a killer four-on-the-floor track. This track could have fit nicely in a set with “Strangelove,” Cetu Javu, Few Boys, Secession, Celebrate the Nun, and so on and so forth. While hearing three tracks of solid synthpop without any variation would have suited the works just fine, there’s a bit more to this record than meets the eye. While “Dreams Of Youth” will satisfy even the most thirsty of palates, the second track is the clear winner in my book, a more aggressive track with a little EBM flavor. Fans of The Arch, Aimless Device, and A Split Second should adore this one. The third track falls back to the synthpop sound, but is just as catchy as the A-side, with a slower tempo and a chirpy arpeggiator running throughout.

This is the first of three releases from The Severance, released in 1990 (arguably the peak of this sound), and I haven’t heard their 1994 LP to see how the band evolved over the years. Two members would reconvene as Winterkälte in the mid 90s, with a harsher, more industrial/ebm sound.

That all said, hope you enjoy!

The Severance- Dreams Of Youth 12”
1. Dreams of Youth
2. Electrocult
3. Crying Child

*download it here*

In other news, I just returned from San Francisco, which after a few days of record digging with Goutroy, I found some more gems to share, as well as a few to re-rip in higher quality. Stay tuned over the next few weeks for some West Coast goodies and some other surprises!

6 Comments »

Mélopée- Mélopée & Lyelle K7s

Posted in 1980s, 1990, 1990s, coldwave, france, french, goth, goth-rock, k7, mélopée, post-punk on March 9, 2015 by Frankie Teardrop

Two fantastic, rare, and undersung cassettes up on the slab today from Mélopée (translation- threnody), a coldwave band from France. Very little to be found on the net about this band, as both tapes were self-released in very limited numbers. One of the tapes (Lyellle) dates back to 1990, while the self-titled cassette doesn’t have a year attached to it, but is likely around the same time period, give or take a year in either direction. Outside of a handful of compilation appearances, the band also released a CD in 1995, but I haven’t heard it aside from the track that appears on the excellent Beaucoup, compilation alongside Lucie Cries, Ellysgarden, Résistance, Babel 17, and more, to say the least…

Fans of all the aforementioned bands (as well as the slew of Mémoires D’automne tapes from a few years back) will find lots and lots to love here!

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Mélopée- Mélopée
1. Le Vide D’Un Cœur Solitaire
2. A L’Aube De La Vie
3. Les Tempes Blanchies
4. Mémorial
5. Ignaledre

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Mélopée- Lyellle
1. Petite Vieilles Fanées
2. L’Arbre
3. Lyellle
4. Vision
5. Niomée
6. Procession
7. Inwradness

*download both tapes here*

8 Comments »

THX- Luv ‘N’ Trust 12”

Posted in 1980s, 1990, 1990s, ebm, german, new beat, thx, voyou on December 1, 2014 by Frankie Teardrop

A few weeks ago, I posted an excellent New Beat 7” from Iconoclass, an obscure, but solid genre classic. You guys wanted some more of that sound, so I’m happy to deliver! Thanks to Andi, fellow DJ and co-author of the excellent Some Wear Leather, Some Wear Lace book for originally turning me on to this one, which has been an obsession ever since.

THX were a German New Beat/EBM duo consisting of Andy Düx and Peter Schmidt. Düx gets credit here as a member of Jack U Rebels, a techno collective, but I know him best as a member of Voyou, who released one of the best tracks in the genre just a few years prior. This particular 12” was released in 1990 and features three mixes of tracks otherwise available on the band’s full length LP. While the full length is available on CD (and is generally easier to find), the mixes here are exclusive to this 12”. The real winner is the title track, a 7-minute romp chock full of thundering EBM beats, haunting synth melodies, and gritty, almost whispered male vocals with just the right mix of sensuality and distortion (see also: Tricky, though the comparison only extends to the vocal effects). It definitely never fails to get the blood going, and I hope you guys dig it as much as I do!

THX- Luv ‘N’ Trust 12”
1. Luv ‘N’ Trust (Trustworthy Mix)
2. Luv ‘N’ Trust (Devon Mix)
3. Sedation (Call 3-4-8…) (Euthanasia Mix)

*download it here*

6 Comments »

Crux Ansata- I Feel the Atmosphere 12”

Posted in 1980s, 1990, crux ansata, darkwave, endraum, german, goth, goth-rock, neutral project, post-punk on May 22, 2014 by Frankie Teardrop

Happy world goth day, everyone!  Figured I’d chime in and celebrate with an updated version of one of my favorite darkwave/goth classics, the lone 12” from Germany’s Crux Ansata.  You may have seen this one on Dreams and Voices in the past, but here’s a fresh rip I made of the record early last year.  The opening epic, “Remembrances” is one of my favorite cold, gloomy tracks, perfect for this rainy, foggy day in NYC and beyond.

This record was released in 1989, and while it’s their only release, both members were active in other bands.  Both Hovi Miskovics and Roman Rütten continued in Endraum after this 12”, and also released one song as A Foamy Project In Neutral Days, a supergroup of sorts with Neutral Project.  You can find the one track they recorded together on the infamous Supercherie compilation from 1991.

Crux Ansata- I Feel the Atmosphere 12”
1. Remembrance
2. No Time For Lies
3. Imprinted In My Mind
4. This Night of Memories

*download it here*

Stay tuned over the next few weeks for some more dancefloor-ready 12”s, some unheard discoveries, even more new and improved rips of old classics, and one of these days, a new VA comp. coming down the pipeline!

5 Comments »

The Unknown- Fall LP

Posted in 1980s, 1990, 1990s, baltimore, post-punk on August 2, 2013 by Frankie Teardrop

Here’s another joint post with A Viable Commercial- this time bringing you the full discography of Baltimore post-punk/indie band The Unknown.  Their first album is an excellent hybrid of Unforgettable Fire-era U2, early For Against, and Grapes of Wrath, with some slight Bolshoi vibes here and there.  They also remind me quite a bit of 86, an Atlanta band with similar influences.  Goutroy turned me on to the first record, especially the final song “Songinsee” and I was hooked instantly.  Seriously one of the best songs I’ve heard in a while, tested successfully at a night I just recently DJed at. Nothing like trying a new, obscure obsession out for the first time and receiving a positive response- the crowd kept dancing for all six minutes of the song.

The band was tough to trace at first, as their name is not only difficult to Google in general, but virtually impossible to narrow down on discogs due to the 30+ other projects with that name. After some finesse, I was able to find both albums for a fair price, and ripped them both.  You can get their debut, self-titled record (even harder to Google) from 1987 HERE via A Viable Commercial, and I’ll be posting the second record, released three years later.  While 1990 was an otherwise dark and barren period for this sort of sound (and perhaps that’s exactly why these two LPs couldn’t find a bigger audience), their sophomore record holds up as a worthy successor to the first.   The general vibe is the same, though the band plays slightly heavier on this record, perhaps a reflection on the indie/alternative scene that was just starting to break at the time.  There’s nothing on this album that’s as perfect as “Songinsee” but it’s still a good listen from front to back.

This album was released on Merkin Records, a rather…curious name for a record label, especially with bands such as Meatjack, Monkeyspank, and Buttsteak filling up the roster…  Can’t comment on any of those bands, but if they aren’t in the Jesus Lizard/Meat Puppets sort of vein, I’d be surprised.

Anyway, The Unknown split after this second record, but reunited in 2012, playing some shows in hometown Baltimore, most infamously at The Ottobar, which I’ve actually played at as well.  Not sure what the future holds for The Unknown, but hopefully these posts help the band find a new audience!

The Unknown- Fall
1. Empty House Of Night
2. Reasons
3. Route 99
4. Handwriting
5. Green Room
6. As They Sleep (Rachael)
7. Fall

*download it here*

5 Comments »

Sombre Septembre- Une Lune Une Hiver 7”

Posted in 1980, 1990, 1990s, coldwave, france, french, sombre septembre on March 20, 2013 by Frankie Teardrop

Here’s another quick post for another French coldwave classic, re-ripped from the archives for those who have already heard this one.  This post is a sister post of sorts to Sorrow Vomit’s latest offering.  While that self-released CD-R contains most of the band’s discography, it curiously neglects the A-side to this 7” and includes a low quality rip of the b-side.  Maybe the band were disappointed with this single or couldn’t locate the tapes.  Just a theory.   The songs are quite long for a 7”, which explains some of the murkiness that you may hear here occasionally.

Anyway, this 7” saw the band experimenting with heavier, synthpop inspired drums, though obviously the songs are still very synth/guitar/bass driven, melancholy tones, etc.  If I recall correctly, these two tracks featured a different lineup than “Le Nez Rouge” so that may explain both the new sounds and the aforementioned omissions.

Sombre Septembre- Une Lune Une Hiver 7”
1. Une Lune Une Hiver
2. Passée La Nuit

*download it here*

Coming soon- more collaborations from an Italian collector as well as some never-before-heard rarities I’ve been meaning to post for a while now.  Hang tight!

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Mecanica Popular- ¿Que Sucede Con El Tiempo? LP

Posted in 1980s, 1984, 1990, experimental, industrial, kosmiche, mecanica popular, minimal, minimal synth, spain, spanish on April 4, 2012 by Frankie Teardrop

Still continuing to drop the posts I had lined up while figuring out what, if anything, to do about the past. Looks like Rapidshare is the way to go for now, but who knows how long they’ll be off-the-radar, as they’ve apparently slowed DL rates to discourage illegal content. Too much in flux to really pin down a proper solution.

That said, here’s a gift from Bx-59cppw that I’ve been meaning to post for some time. Here we have the debut album from Mecanica Popular, a Spanish industrial/experimental duo. Originally released in 1994, this LP also saw a repressing in 1990, while their second LP was originally released in 1987 and appeared again in 2010.

A must hear for fans of Factrix, Dome, Throbbing Gristle, The Elephant Table LP, and other things that go bump and scrape in the night. There’s some nice grooves here and there that should also be right at home for fans of minimal synth and kosmiche music.

Mecanica Popular- ¿Que Sucede Con El Tiempo? LP
1. Impresionistas I
2. La Edad del Bronce
3. Impresionistas II
4. Quiero Irme
5. Siempre Tu
6. Impresionistas III
7. Estado Sólido
8. Galilea: Centro de Datos
9. Daguerrotipo
10. Ambrotipo
11. Plenilunio
12. Máquinas y Procedimientos
13. Impresionistas IV

*download it here*

For those fluent in Spanish, you can read more about the band here.

6 Comments »

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