Archive for the new york city Category

Nebraska- The House of Strangeness LP

Posted in 1989, goth, goth-rock, New York, new york city, post-punk, US on December 31, 2019 by Frankie Teardrop

Happy New Year, everyone! Been a minute again, and with that in mind, here’s an extremely rare post-punk/goth LP from a NY-based four-piece band curiously named…Nebraska, released in 1989. I’ve been on the hunt for this one for some time now and just now picked up a copy for myself, but deep thanks to Ilya for lending his copy for ripping it some time ago.

According to a comment left on the Discogs entry, this LP was recorded in Staten Island, and the cover photo is of an old abandoned hospital nearby the studio. Very curious to hear these kind of sounds coming from Staten Island, but always nice to hear a local gem.

As for touchstones, this LP sits nicely alongside some of the more anthemic, yet darker guitar driven records – think along the lines of Into Paradise, Blue In Heaven, Beg For Eden, etc. A little more primitive and razor sharp as far as the production is concerned, but a lot of top notch post-punk churning to be found. Hope y’all enjoy, and see you in 2020!

Nebraska- The House of Strangeness LP
1. Georgia
2. Whipping Wind
3. Love Is Hate
4. It’s A Beautiful Day In The Neighborhood
5. So This Is The Real World
6. Twilight Zone
7. A Thought Of Your Own
8. She Could Be A Bride

*download it here*

Superdude- Face the Music 7”

Posted in 1980s, minimal, minimal synth, new wave, New York, new york city, superdude, synthpop, US on August 7, 2017 by Frankie Teardrop

Apologies in advance for being sparse this summer and completely missing my official ten year anniversary! With that in mind, I’d love to offer up a few posts today, starting with an excellent slice of minimal synthpop- extremely rare and incredibly catchy- just the way you all love it.

Superdude was a pseudonym for NYC-based musician John Pergamo, who wrote the track with his brother Anthony. It was released in 1983 on Ace Records, which looks to be Pergamo’s own imprint, judging from the various latter-day Superdude releases that appeared. This is Superdude’s only release in the 80s, though it looks like he kept the synthpop feel for some of his later releases, though I haven’t heard them to confirm.

That said, please enjoy this little slice of electro-pop heaven, backed with an instrumental cut of the track!

Superdude- Face the Music 7”
1. Face the Music (Vocal)
2. Face the Music (Sound Track)

*download it here*

Twelfthnight- Masque 7” + Demo Cassettes

Posted in 1980s, 1983, bell hollow, deathrock, goth, goth-rock, Greg Fasolino, Joe Kasher, Joe Truck, New York, new york city, post-punk, Redex, Scarecrow, The Brain Eaters, US on December 19, 2013 by Frankie Teardrop

The holiday season is soon upon us, and I’m going to put the wrap on another excellent year with a gift from my bandmate, Greg Fasolino, who some of you may also be familiar with from Bell Hollow and The Naked and the Dead.

Anyone who knows Greg is aware of his vast archiving skills, complete with photos, setlists, friendships, and a collection that most of us would kill to own.  That said, the stories about this particular band date back to his time in the Naked and the Dead, a female fronted deathrock band from NYC who released one acclaimed demo before splitting.  The band reformed in the early 2000s with a different singer and have released archival material as well as sprinkled reissues of the demo across several compilations.  During his years as an underground musician, journalist, and all around music superfan, he befriended fellow musicians Joe Kasher (aka Joe Truck) and Andrew Cushen, who were both luminaries of the 1980s NYC underground as well.

It’s this musical partnership that is responsible for the tracks we’re posting today, but first a little backstory.  Cushen was originally involved in a band called Redex, who only released two demos in the early 1980s.  We’ll get to those another time, perhaps!  After Redex split, Cushen met Kasher and decided to form a new project, heavily influenced by the UK post-punk bands that were gaining momentum at the time.  They recorded two demos as well, one before releasing this 7” on Gash for Cash records in 1983, and one shortly afterwards.   As I understand it, Kasher and Cushen played every instrument you hear on these recordings, but recruited members to perform a few live shows.

The band quickly dissolved but the partnership continued as Cushen and Kasher drafted drummer Ronaldo Gonzalez (later of Swans) and Beth Balousek on vocals to form Scarecrow.  This band performed several shows under this name, and recorded one three song demo with a few live tracks, but as fate would have it, the band would also split as quick as they formed.  Kasher and Cushen then formed Chop Shop with Rebecca Korbet (later of Pussy Galore, King Missle) and Steve DiBenedetto, who also released a demo and recorded an unreleased album in 1985.  Meanwhile, Kasher and Cushen lent their expertise to Fasolino, co-producing the Naked and the Dead demo.  Greg also tells me that Cushen played e-bow on “Cassandra,” teaching him a skill that has become one of Greg’s signature sounds since.  Kasher also released a 7” with his next project, the Brain Eaters, in 1986.  Before Brain Eaters, Kasher and Fasolino played together briefly in a band called Burning Rome, who never recorded anything.  Everything’s incestuous!

Which brings us to today.  Kasher is still involved in the underground scene, and is currently playing as The Burning Ritual, who released their debut EP and are currently playing in the New York City area.  Kasher also collected several of these underground New York projects, including the Naked and the Dead, Scarecrow, The Children’s Zoo (featuring bassist Chris Bollman also of N&tD and Bell Hollow), and others for a compilation called Dark New York (Gotham City’s Post-Punk, Goth, and Deathrock Bands 1983-1988) Vol. 1, one of my favorite releases from last year.  We can only hope a volume 2 is in store in 2014!

Anyway, back to Twelfthnight.  I have here for you both demos (minus the 7” tracks, which I’ve been told are identical to the 7” pressings), and a fresh rip of the 7” from Greg’s collection.  You MAY recall seeing the flip-side to this on an early SOR compilation, erroneously credited to Twelfth Night (sorry!).  I’ve been curious to hear more about this band ever since, and while I’ve known Greg for ages, I had no idea that the missing pieces of this puzzle lay this close to home.

With that in mind, I’m very pleased to bring things full circle after all these years!  Thanks to Greg, Joe, and Andrew for their efforts both here and elsewhere!   Happy holidays and see you guys in 2014!

Twelfthnight- Masque 7”
1. Masque
2. Tree Soldiers

Twelfthnight- Demo #1
1. Silent Spring
2. It Must Have Been Minutes

Twelfthnight- Demo #2
1. All Soul’s Day
2. Sanctuary
3. Premonition

1. Visions of These (Rehearsal 1983 – 17th Street, New York, NY)

*download all three here*

Jarvon Jol- The Dustcollector 12”

Posted in 1980s, 1984, darkwave, new wave, New York, new york city, synth, synthpop, US on April 17, 2012 by Frankie Teardrop

You may have seen this one over at Vinyl Obscurity in the past, but I’ve been playing this one out at the Wierd party for several years now with extremely positive results, so here’s a fresh rip from my own copy.  Speaking of which- for those who live nearby, be sure to check in at Home Sweet Home tomorrow night (4.18) for the US debut of UV Pop!  I’ll be on the decks with Caleb of Sacred Bones & Alessandro from Mannequin—-surely a night to remember!

An incredibly affordable synth/wave 12” from 1984, recorded and released here in New York.  The clear winner here is the title track, a dark and fast paced synth number with short stabs of guitar, a sinister refrain, and several references to London town.  The British references also carry over to the album cover, which depicts a photo of Shaftesbury Ave., the heart of London’s theatre district.  Perhaps the dustcollector is a player on the stage?

The flip is a more care-free pop tune with some shamelessly soulful female vocals in the background.  Not really my cup of tea but your mileage may vary.  However, the A-side more than does the trick for me, as this 12” never leaves my record bag.

Jarvon Jol- The Dustcollector 12”
1. The Dustcollector
2. It’s Time

*download it here* (RE-RIPPED 1.27.18)

Hawaiian Pups- Split Second Precision 12” & Spook Opera 7”

Posted in 1980s, 1983, new wave, new york city, synthpop, US on June 29, 2011 by Frankie Teardrop

Here’s another record from Greg’s personal stash. Some unexpectedly excellent new wave to be found on this 12”. Playful and strange melodies to be found left and right, with a slightly dark edge and plenty of pop veneer to keep things grounded. My favorite track here is the sultry and moody “Trash” though “Baby Judy” attracted a fair amount of college radio attention in its heyday. It appears here in two forms, as a single mix and extended mix. That particular track kind of reminds me of Berlin Express’ “The Russians are Coming” with a little bit of Devo mixed in for good measure.

The three piece band was from New York City (hometown represent). This 1983 single (which can still be had at a reasonable price, for all aspiring collectors) was preceded by a scarce promo-only 7”, released on Halloween in 1982. I’ve included that track below as an added bonus.

Hawaiian Pups- Split Second Precision 12”
1. Infinite Roads
2. Trash
3. Young Boys
4. Baby Judy
5. Baby Judy (Extended Version)
6. Overture To Young Boys*

Hawaiian Pups- Spook Opera 7”
1. Spook Opera

*download both here*

*Tracks 5 & 6 bleed into each other, so I’ve ripped them as one long track.

DADA- 12” Discography

Posted in 1980s, 1987, 1988, a viable commercial, DADA, goutroy, minimal synth, new wave, new york city, synthpop, US on January 25, 2011 by Frankie Teardrop

Here’s the full 12” discography of DADA, another new wave band from New York City. Contained within are both of their releases, both which walk a fine line between catchy minimal synth and bouncy synthpop.

The first 12” was discovered whilst record shopping with Goutroy, who recently relocated to NYC via San Francisco. I randomly ran into him at a lesser record store, after a rather unceremonious trip home. A little solo shopping therapy turned into an afternoon of bin-hopping around the village. Sometimes I shop with the intention of looking for things I know, love, and plan to DJ. Other times, an interesting cover or title catches my attention, which is how I find most of the records posted here. However, this record was plucked out by Goutroy at one of my favorite shops in the East Village, a place that keeps odd hours and specializes in new wave. After one brief listen (he had placed this record in the “maybe” pile), I quickly became obsessed (perhaps annoyingly so) with his purchase, and quickly hunted down a copy of my own, and we’ve both been spinning it regularly at the Wierd party since. Camaraderie at its finest! That’s not to say there wasn’t a bit of competitive edge between us that day, as there tends to be when two underground music collectors hunt in the same shop at the same time. I feel like I paid more attention to what he had in his stack as opposed to the bins in front of me. He found R.E.K.’s excellent 12” (found here at Crispy Nuggets) and I seethed with jealousy. That said, we both found each other some excellent gems, and both walked away with some hefty purchases that day. The rest, you can say, was nerd history.

I was able to snag the second 12” online for a relatively cheap price, and while I prefer the first release overall (especially the amazing a-side), the two sound very similar. Not surprising, given that they were released only one year apart. The band seemed to have a sense of humor, from their vocal delivery, lyrical content, and even the record label (presumably self-released under “A Major Recording Label,” whose only releases are these two records). The band members even all shared the same last name, though they may very well be brothers. Slight tongue-in-cheek humor aside, these tracks are perfectly suited for a dancefloor, and are some of my favorite obscure gems.

Speaking of that sense of collector camaraderie, you can also find this same post over at Goutroy’s awesome Viable Commercial blog, back up and running after a brief hiatus! Same rips, two blogs, at the SAME TIME for maximum listening pleasure! Here’s the info:

DADA- Age of Confusion 12” (1987)
1. Age of Confusion
2. Pursuits of Happiness

DADA- Right Men Tell Lies 12” (1988)
1. Discussing Missile Size
2. As the Sun Races By
3. Separate Ways****
4. The World They Left Behind

*download both here* (RE-RIPPED 2.7.17)

****NOT a Journey cover, I promise!

You can also peep the video for “Pursuits of Happiness” here:

Velveteen- After Hours 12”

Posted in 1983, new wave, new york city, synthpop, US, velveteen on January 24, 2011 by Frankie Teardrop

You may have seen this one over at Capa Nostra Syndicate, but not sure what’s up with the rip there, as it’s pretty unlistenable. What we have here is some pretty solid new wave from hometown NYC, with a slight commercial edge to some of the tracks. Some of the songs fall a little flat for me, but some are unexpected synthpop killers. I’ll let you all decide which tracks are which, but either way, this one’s definitely worth a listen or two.

Here’s the info for this 1983 release:

Velveteen- After Hours 12”
1. Nightline
2. Combo Boys
3. Nothing to Do
4. Wild Rain
5. Preoccupied
6. Get Wild

*download it here*

Noel- Noel LP

Posted in 1980s, 1987, cuban, freestyle, new wave, new york city, noel, synthpop on September 10, 2009 by Frankie Teardrop

Here’s a little classic and somewhat shameless synthpop record that’s been a fun-filled favorite of mine for some time. The record in question is the debut album from Noel (Noel Pagan), a Cuban-born New Yorker with a powerful voice and some street smart credibility. Debut single “Silent Running” was released in 1987, but it took almost a year for his self-titled debut to appear in more readily available form on 4th and Broadway Records.

On listening, the record recalls mid-period Depeche Mode and various New Beat one-offs, with a more New York freestyle vibe. Though Noel would release a handful of dance mix singles into the ’90s, his proper sophomore effort, Hearts on Fire failed to capture the same energy as the debut. He currently collaborates on recordings with the likes of Eddie Arroyo and Eddie Baez.

Without any further ado, here’s the details for Noel’s self-titled debut.

Noel- Noel LP
1. Silent Morning
2. Fire To Ice
3. To Be With You
4. Out Of Time
5. Change
6. Like A Child
7. Fallen Angel
8. City Streets
9. What I Feel For You

*download it here*

Also – here’s the official video for “Silent Morning.” Enjoy!

John Ruth- I Am a Model LP

Posted in 1981, john ruth, new york city, synth, synthpop, US on April 1, 2009 by Frankie Teardrop

There’s very little information to be found on this particular artist, one John Ruth from New York, whose lone 1981 release, I Am a Model sits comfortably with the likes of OMD and John Foxx-era Ultravox, with a little Talking Heads quirk thrown in for good measure. Without any further ado, here’s the information for this fantastic synth gem.

1. Goodbye
2. Stalk The Wild Animal
3. Kick Me In The Bed
4. Rhonda La Boo
5. I Am A Model
6. Summer Commuter
7. 50 Mile Radius
8. Ordinary Mood
9. Restaurant
10. Polyclimate Is Here

*download link removed. see comments for purchasing link*