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Archive for the 1981 Category

Taugadeildin- Taugadeildin 7” & Live Recordings

Posted in 1980s, 1981, icelandic, post-punk, q4u on January 24, 2012 by Frankie Teardrop

This post was brought to my attention by Josh of Dark Entries (if you don’t know the label yet, what the hell are you doing, man? Get over there and get shopping!). Thanks for the info and the head’s up, man!

Some amazingly catchy and dark Icelandic post-punk offered here. The band was apparently slated to appear in the infamous Rokk í Reykjavík documentary, but split prematurely. After the band split, Kommi joined an early incarnation of Q4U and soon brought Árni Daníel Júlíusson into the mix, who switched from bass to synth. The remaining lineup of Taugadeildin included Óskar Þórinsson and Egill Larússon on vocals, Þorsteinn Hallgrímsson on synth and Ódinn Guðbrandsson on guitar.

If you’ve got three grand or so lying around, you can get your very own copy of their self-titled 7”. Otherwise, the band has been kind enough to upload a rip to their site, at 128kpbs. You can find these tracks here as well, along with five live recordings!

Taugadeildin– Taugadeildin 7”
1. Her Longing
2. Taugadeildin
3. Guðir Hins Nýja Tíma
4. Hvítar Grafir

Live Recordings
1. Vetur
2. Sveitó
3. Space Queen
4. Íslandi allt
5. Stóð í glugga

*download it here*

You can also get a higher bitrate copy of “Her Longing” from Pheonix Hairpins post on The Northern Lights Playhouse LP, which featured the track as well.

Otherwise, stay tuned for some rather exciting Dark Entries releases to follow this year. Next up is Sic- Thought Noises and Buzz- See You Sioux, but you can also expect a Q4U release to appear on vinyl in the near future! For those who want more, there’s a new Q4U best of compilation out on Wave Records. Click here for more info!

2 Comments »

Sport of Kings- Every Night 7”

Posted in 1980s, 1981, darkwave, post-punk, sport of kings, US on August 8, 2011 by Frankie Teardrop

At long last, here’s the debut 7” from Sport of Kings, self-released by the band in 1981. I happened to stumble across it in a bin alongside the likes of Last Man In Europe, Razor Penguins, and Lung Overcoat. Needless to say, it was a good day.

This should complete the Sport of Kings discography. In case you missed them previously, you can grab the rest of their output here, here, and here. Special thanks to Fade 2 Grey for originally uploading the A-side! Otherwise, without any further ado…

Sport of Kings- Every Night 7”
1. Every Night
2. The Same Breath

*download it here*

5 Comments »

Berlin- The Metro 7”

Posted in 1980s, 1981, berlin, LA, los angeles, minimal, minimal synth, new wave, synthpop, US on May 3, 2011 by Frankie Teardrop

Stick with me on this one folks. Any fan of new wave should already be familiar with Berlin, the Los Angeles based band led by Terri Nun and John Crawford. If you are unfamiliar with the band, please direct your attention here. While it’s their later ballads and more commercial wave tracks that seem to be remembered, it’s prudent to note that the band’s first few releases were fantastic and rare entries to the US minimal synth scene. Information, the band’s first LP, was the closest thing to Ultravox in the west coast scene, while songs like “The Metro” and “Sex (I’m A)” from 1982’s Pleasure Victim were fast paced, sexually driven synth tracks that still remain classics to date. It’s the kind of sound also explored on the SSQ LP, another personal favorite female-led new wave smash. Fun fact: Both Berlin and Q/SSQ shared labels throughout their tenure, and Jon St. James of the latter outfit is credited as an engineer for Berlin’s Pleasure Victim LP. Incestuous!

I had originally purchased this 1981 issue of The Metro to DJ, not just for the foxy picture of Terri Nun on the back, but also figuring it’s far easier to pack a 7” than a 12”. When it comes to wax, real estate is key, so it just made sense to purchase, spatially. Just yesterday, I needed a fix for “Tell Me Why” and went for Youtube, only to be presented with a much more raw and driving mix than I remembered. Lo and behold, it’s the same version on this 7”, released a year before the EP cut! A little bit of research quickly told me that this Berlin single I purchased ages ago was actually quite the rarity in their catalog, as both tracks appear in an earlier form. The differences are most notable in “Tell Me Why,” though “The Metro” also features a different intro and what seems to be a different drum track. Either way, I’m happy to include this single here, and hope you kids enjoy it!

Berlin- The Metro 7”
1. The Metro
2. Tell Me Why

*download it here* (re-ripped 5.30.13)

Also, for those who want to try to own this obscurity, there are currently a few copies for sale via discogs. Buyer beware, wink wink!

15 Comments »

Ahab- Party Girl 7”

Posted in 1980s, 1981, chicken jazz, minimal, minimal synth, uk on April 11, 2011 by Frankie Teardrop

Here’s a 7” from the UK that I can’t seem to get enough of lately. Virtually no info to be had out there on the web, but I do know this record dropped in 1981 via Chicken Jazz, who released several records by The Waterboys. The cover looks a little reminiscent of A-ha’s “Take On Me” video, but the styles are quite different. Here we have what seems to be two one-man minimal synth tracks. The a-side has a bit of a Felt/Eyeless in Gaza-esque vibe to it (a sound I very much enjoy), and features lyrics I’m sure everyone can relate to. The second track (a cover of a classic 70s ballad) is a bit more driving, but still has a bit of sadness behind the uptempo melody. All in all, an excellent obscurity to kick off your week!

Ahab- Party Girl 7”
1. Party Girl
2. Don’t Give Up On Us

*download it here* (RE-RIPPED 6.4.13)

11 Comments »

Thierry Meyer- Paradoxe 7”

Posted in 1980s, 1981, french, instrumental, minimal synth, synth, synthpop on February 9, 2011 by Frankie Teardrop

For those not as jazzed about the previous guitar-driven posts, here’s something that should whet your appetite and offset the darkness a bit, courtesy of BX. I posted the a-side to this magnificent French minimal synth 7” on the first Systems of Romance compilation, and suffice to say, the b-side is of similarly high quality. Also an instrumental, but some great grooves here.

This 1981 single is Theirry Meyer’s only release, so not much more to tell about this one. Enjoy!

Thierry Meyer- Paradoxe 7”
1. Paradoxe
2. Trip

*download it here*

3 Comments »

Glamatron!- Only The Heart Beats…….Inside The Silence 12”

Posted in 1980s, 1981, canadian, glamatron, minimal synth, new wave, niagara, post-punk on January 10, 2011 by Frankie Teardrop

Thanks to the Museum of Canadian Music (www.mocm.ca) for the information and rip on this one, here’s the incredibly scarce 12” from Glamatron, released in 1981. Some excellent minimal synth tracks combined with organic touches, sometimes reminiscent of John Foxx-era Ultravox. Either way, a true gem. Kurt Laporte, credited as a songwriter on this release, went on to join Vis-A-Vis, who released THIS great record. Here’s the info for this killer 12”. Enjoy!

Glamatron!- Only The Heart Beats…….Inside The Silence
1. Passport
2. Facial Saviour
3. Factor 2-2-2
4. The Word (Death In September)
5. Continentals
6. Porcelain Doll

*DOWNLOAD LINK REMOVED* — a reissue of this LP is now available, with extra tracks! Pick it up!

8 Comments »

B-Movie- Early Singles

Posted in 1980, 1980s, 1981, 1982, b-movie, new wave, paul statham, post-punk, some bizzare, synthpop, uk on November 23, 2010 by Frankie Teardrop

When I think of the best UK bands, few spring to mind quicker than B-Movie. I’ve covered them twice here before, once with their 1985 LP Forever Running and then a few years later with their unstoppable Nowhere Girl 12”. I’ve been meaning to upload their earlier singles for some time now, probably years, but it just slipped through the cracks. I hope you’ll forgive me, folks.

That said, contained within this zip file is the majority of B-Movie’s early works, starting from their first 12”s in 1980 and spanning until 1984. Quite a prolific period for the band, with most of their best songs being issued in this two year time period. Here’s the rundown:

B-Movie- Take Three 7” (1980)
1. The Soldier Stood Alone
2. Drowning Man
3. Soundtrack

B-Movie- Nowhere Girl (1980)
1. Nowhere Girl
2. This Still Life
3. Institution Walls
4. Airplanes & Mountains
5. Left Out In The Cold
6. Remembrance Day

B-Movie- Remembrance Day 12” (1981)
1. Remembrance Day
2. Institution Walls (Remix)

B-Movie- Marilyn Dreams 7” (1981)
1. Marilyn Dreams
2. Film Music Part 1

B-Movie- Marilyn Dreams 12” (1981)
1. Marilyn Dreams

B-Movie- Nowhere Girl 7” (1982)
1. Nowhere Girl (Version)
2. Scare Some Life Into Me

B-Movie- Nowhere Girl 12”
1. Nowhere Girl (Version)
2. Remembrance Day
3. Nowhere Girl (Short Version)

B-Movie- A Letter From Afar (1984)
1. A Letter From Afar (Big Mix)
2. A Letter From Afar (Instrumental Mix)
3. A Letter From Afar (Small Mix)

*download it all here*

Again, in case you missed them the first time- here’s the full Nowhere Girl 12” (including the 12” extended mix) and their 1985 LP, Forever Running.

11 Comments »

The Electronic Circus- Direct Lines 7”

Posted in 1980s, 1981, dramatis, electronic circus, minimal, minimal synth, new wave, synthpop, the electronic circus, visage on November 19, 2010 by Frankie Teardrop

Here’s a real quick post before I sneak off for the weekened. Uploaded here, by generous donation, we have one of the best minimal synth singles out there, at least in my opinion. The a-side is an absolute romantic synth classic, while the b-side here is a more atmospheric, piano-driven affair, an interesting but pleasant counterpoint to the sheer pop perfection on the flip.

Fun fact about this one. Main contributor Chris Payne was also in both Visage and the Dramatis (who had a solid hit with Gary Numan on vox). Easy to see why there’s such great mastery on this one! Here’s the info:

The Electronic Circus- Direct Lines 7”
1. Direct Lines
2. Le Chorale

*download link removed* – this 7” was reissued in 2017 by Animated Records in Chicago, and again in 2021 by Iron Lung Records. Support these labels and the artists and pick up a reissue copy if you can!

12 Comments »

Celibates- A Shameless Fashion LP

Posted in 1980s, 1981, celibates, minimal, minimal synth, post-punk on November 15, 2010 by Frankie Teardrop

Some of you may have seen this one kicking around previously over at Capa Nostra Syndicate, but I believe there may be a skip or two on that particular upload. So apologies for the repetition, but here’s a freshly ripped version of this quirky minimal synth/post-punk hybrid from 1981.

This particular LP actually serves as a nice companion to the VHF lp. Quirky synths, minimal beats, and a strange connection to bands like Devo, Voice Farm, and Futurisk. Of course, there’s a few duds along the way, but I especially am fond the first track. Minimal synth fans should recognize David Kane, one of the album’s main contributors. Better known as Quintronic, he’s the man responsible for the Trek w/ Quintronic LPs, which you can get over at Mutant Sounds. Kane was responsible for the electronic elements of the LP, while Kent Weber (of the Fems), played all guitars and effects. Terry Sullivan, the vocalist, has no other releases as far as I can tell.

Celibates- A Shameless Fashion
1. Coming Alone
2. Keeping The Count
3. Making Moves At Random
4. Girls With Headphones
5. Rap City (In Blue)
6. She’s The One
7. Reflex
8. Whipped Cream Girls

*download it here* (RE-RIPPED 8.17.17)

(press photo courtesy of Greg)

14 Comments »

Bendall’s Box- Nightmares 7”

Posted in 1980s, 1981, Bendall's Box, minimal, minimal synth, post-punk, uk on October 18, 2010 by Frankie Teardrop

Ok, I promise I’m done for today. Last, but not least, we have the highly coveted 7” from Bendall’s Box, from 1981. The band hailed from the UK and this is their only release, two tracks of quirky minimal synth. Jerky bass rhythms, but classic drum machine/synth tracks.

I’ve had this one kicking around for some time, but the b-side has always circulated at poor quality, with plenty of digital skips. Most unfortunate, as it’s the true standout on this release. I’d like to thank Iker of Morning Magazine for originally sending me a cleaned up version of the b-side, and also supreme thanks to Oystein for ripping the track from his own personal collection! A+, gentlemen! Here’s the details: