Archive for the 1984 Category

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La Valse- Winter 7”

Posted in 1980s, 1984, coldwave, Dutch, la valse, netherlands on April 22, 2013 by Frankie Teardrop

Incredibly rare 7” from the Netherlands here that I’ve seen on several wantlists over the years.  Due time for this gem to be heard!  No year attached to this one, and despite the label (No Records), it may be a private pressing.  If I had to guess, it has an early 80s feel to it- perhaps 1981-4 due to the prominent use of the TR606 (EDIT: according to a magazine listing, this was released in 1984).  The band were from Breda and this is their only release, perfect for fans of that cold guitar sound with both male and female vocals on the a-side.  Minimal synth fans should also enjoy this one, as the flip features some trademark synth and drum machine work.  You can also find “Sorrow” on one of the None Night of Flexipop compilations…

Either way, both tracks here are great, gloomy affairs that should feel at home for fans of The Names/Factory Records.

Thanks to Stéphane for clueing me into and sending me the original rip of this lost classic!

La Valse- Winter 7”
1. Winter
2. Sorrow

*download it here* (RE-RIPPED at 320 kbps 5.5.13)

10 Comments »

Gulf Klub- What’s Cooking 7”

Posted in 1980s, 1984, australia, australian, gulf klub, minimal, minimal synth, post-punk on April 19, 2013 by Frankie Teardrop

Just realised it’s been a while since my last post.  Sorry, guys!  I have quite a few things on the plate, including a rare French coldwave 7” and a few more Italian goodies that I’ve been meaning to get to, but here’s something I’ve had uploaded for a while to whet your appetite until I can get that stuff all organized properly for you.

This is a one-off 7” from Australia, released in 1984 via Vi-Nil Records. Despite being distributed by EMI, this one didn’t get a lot of attention when it came out. Not much about them on the net, but Geoffrey Stapleton was also involved with The Aliens, GANGgajang, and more.

Personally I don’t care much for the a-side (but of course, that’s just my own taste), but the flip is a great piece of Middle Eastern inspired minimal synth. While the geography is all wrong here, the sound still feels right at home for fans of Minimal Compact, Beograd, Max & Intro, etc. A short little piece of synth perfection that I hope you all enjoy!

Gulf Klub- What’s Cooking 7”
1. What’s Cooking
2. India

*download it here*

More soon, stay tuned!

 

3 Comments »

Harumi Shimada- Yakō Shōnen 7”

Posted in 1980s, 1984, after the sludge, harumi shimada, japan, japanese, masahiro sugawara, minimal, minimal synth, new wave on March 27, 2013 by Frankie Teardrop

Another quick and dirty post here, an excellent 7” from Japan, released in 1984 via Forecast Records. According to the discogs entry, this 7” was written by Masahiro Sugawara, who was also involved in After the Sludge.  Harumi was just one of six people who performed on this 7”, which features an excellent mid-tempo minimal synth track.  The B-side appears to be a bizarre dub version of the track which weaves in and out of coherence and descends into chaos over the course of 5 minutes.  Safe to assume that the B-side is the English translation of Yakō Shōnen.

I have plenty of excellent coldwave on the back burner, but it’s been a long time since we’ve had a bona fide minimal synth rarity, so have at it!

Harumi Shimada- Yakō Shōnen 7”
1. Yakō Shōnen
2. Midnight Boy

*download it here*

4 Comments »

A Love Sound- I Need 12”

Posted in 1980s, 1984, a love sound, Contempo Records, italian, minimal, minimal synth, synth on February 12, 2013 by Frankie Teardrop

Incredible Italian minimal synth from 1984, released on the always excellent Contempo Records (Death In Venice, Venus In Furs, Diaframma, Voices, as well as various 4AD distro in Italy).

Tracks 1 and 3 are the standouts for me here, the first being a club friendly slice of synth perfection, and “The Kind” being the epic masterpiece on this 12”, complete with an arpeggiated 808 solo, the first I’ve heard in this style for sure.  The other two tracks toss in some acoustic guitar with the electronics, and while they’re not as strong overall, they do a fine job of rounding out this excellent 12”.  While it’s not a musical touchstone, the singer reminds me a bit of Peter Murphy at times- less so the deep croon and more snide and biting. Seems like the band was very into the synth scene at the time, and listed all the gear used to make the record on the back sleeve.  Some very iconic gear there!

A Love Sound- I Need 12”
1. I Need
2. Sickness
3. The Kind
4. Pale Jade Eyes

*download it here*

If you dug this one, stay tuned for a few Italian donations over the next few weeks!

5 Comments »

The Wild Flowers- The Joy of It All LP & Blue Hollow- Stealing a Whisper LP

Posted in 1980s, 1984, 1986, blue hollow, coldwave, dreampop, new wave, post-punk, the wild flowers, uk, US on January 28, 2013 by Frankie Teardrop

Hope you’ll all indulge me for a little two-for-one post here.  While these two records are generally unrelated, they sound incredibly complementary and it’s no stretch that if you love one, you’ll probably love the other.  Also, both LPs have been posted by other blogs in the past.  I only double dip today to offer fresh rips and hopefully to turn you guys on to two excellent, if but vastly under-appreciated post-punk masterpieces from the mid-80s.

First up is the debut LP from The Wild Flowers, which you may have heard via Curious Guy’s excellent post from 2006.  There, he mentions that the band was the original outlet of guitarist David Newton, who left soon after to form the also excellent Mighty Lemon Drops.   I’m on my second copy of this LP, between DJing and home listening, so that should speak highly of this particular record, which calls the lush majesty of bands like The Chameleons, Icicle Works, The Lucy Show, Breathless, The Sound, and of course, Echo & the Bunnymen’s Heaven Up Here to mind.  You can grab their first two 7”s here.  I do have the third LP, 1988’s Sometime Soon.  It’s been a while since I’ve heard it so I don’t remember how it stacks up, but I’m very interested in hearing 1987’s Dust.

The second LP is the one and only release by Blue Hollow, who rose from the ashes of Gluons, a darker and more dissonant band from Massachusetts.  Stealing a Whisper, which was released three years later, would shed much of the cacophony and offer up a record that sits comfortably alongside The Wild Flowers on sheer strength of songwriting.  Equally lush and romantic songs and catchy hooks, clearly pulling from the same set of influences and delivering a similarly striking album…

It’s a shame that neither of these records are more well known, even in these circles, so hopefully this post brings them to a wider audience.  Enjoy!

The Wild Flowers- The Joy of it All (1984)
1. Melt Like Ice
2. Beggar Man
3. The Promised Land
4. After All These Years
5. Dark Times
6. The Joy of it All
7. Bamboo
8. Hold the Torch
9. Things Have Changed
10. From the Sky

*download it here*

 

Blue Hollow- Stealing a Whisper (1986)
1. Color of Night
2. Inhale
3. Running Down
4. Blue Hollow
5. We Fall
6. Hearts Hang Souls
7. Wildskin
8. Stranger

*download it here*

Thanks for indulging me here today… For those who are looking for something new and unheard, hang tight- as the next few posts will feature very rare cassettes, demos, and more!  Thanks to all who have sent things over in the past few weeks- it’s always appreciated!

11 Comments »

Ania- Ma’king Love 7”

Posted in 1980s, 1984, ania, minimal, minimal synth, swedish, synthpop on November 26, 2012 by Frankie Teardrop

Been a long time since we’ve had something on the minimal synth side of the spectrum, so after another excellent Thanksgiving break I offer up this little Swedish nugget from 1984.  A simple two track 7” of very murky origin, on a label with no other releases credited via discogs, a slice of synth perfection with female vocals that is guaranteed to get your goose, or rather, turkey leftovers cooking… The A-side is best enjoyed by those who like sleazy, funky disco in the vein of Nancy Nova.  The B-side is the real treat here, a must for minimal die-hards and worth the price of admission alone, if you’ve got the chowder to purchase your own copy.  After downloading, mister Vanilla Face of Crispy Nuggets drew accurate comparisons to Rive Gauche & Carol releases.  A perfect comparison, if I do say so myself!

Ania- Ma’king Love 7”
1. Ma’king Love
2. …On the Telephone

*download it here*

 

Taking a quick glance at the queue, we’ll be getting back to rare tapes over the next few weeks, with an exception here or there.  A few hints about some upcoming posts: LC, PM, OD, SI, & LD.  Stay tuned for more over the next few weeks!

1 Comment »

Six Sed Red- Shake It Right 12”

Posted in 1980s, 1984, b-movie, cabaret voltaire, electro, Marc and the Mambas, soft cell, synth, synthpop on November 13, 2012 by Frankie Teardrop

This one goes out to Tamaryn, who’s currently touring behind Tender New Signs, my favorite record of 2012.  It’s been a while since we had anything club-friendly here, so here’s a fresh rip of one of my favorite WIERD DJ staples.  You may have seen this circulating around as bx-59cppw’s debut post, and there he sheds some light on this mysterious 12” from 1984.   Released on Sire, this single was produced by Cabaret Voltaire and features two tracks by the duo of Cindy Ecstasy (Soft Cell/Marc and the Mambas) and Rick Holliday (early B-Movie lineup).  It’s as good as it gets for club-ready, sex-dripping electro, and sounds to me like Prince and the girls from Strawberry Switchblade decided to record a cover of “Sensoria.”

Seriously.  You guys are going to love this one.

Six Sed Red- Shake It Right 12”
1. Shake It Right
2. Bang ‘Em Right

*download it here*

7 Comments »

East Wall- Demo K7

Posted in 1980s, 1984, darkwave, demo, East Wall, italian, italo, italo disco, Kirlian Camera, minimal, minimal synth on October 22, 2012 by Frankie Teardrop

I’ve had this demo kicking around on my hard drive for a long time, but have yet to see it shared.  For those unfamilair, East Wall were an offshoot project of Kirlian Camera’s original keyboard player Fabrizio Chiari, who recorded the band’s debut 12” (for my money, “News” is still the band’s best track followed closely by the soaring “Blue Room”).  Teaming up with vocalist Wilma Notari, East Wall produced one LP and the excellent Eyes of Glass 12” (produced and aided by KC mainstay Angelo Bergamini), both which can be found here.  There’s also a CD from 1993 out there, but I have no idea how that stacks up against their previous material.

I know very little about this demo tape, except that it was released in 1984, a year before their debut 12”.  Most of the track titles are unknown, but the first track is clearly an early version of “Blue,” which was re-recorded for their 1991 LP Silence.  The rest of the tracks sound hauntingly familiar (perhaps they were reworked entirely for Silence), but outside of some vague similarity, they seem to be exclusive to this tape.   There’s some obvious cassette murkiness here, but it’s to be expected and the tape is still worth hearing for die hard fans of this excellent Italian duo as well as the primitive minimal synth of Tranquil Eyes & A Blaze Colour.

No artwork for the tape, sorry!

East Wall- Demo K7
1. Track 01 (Blue)
2. Track 02
3. Track 03
4. Track 04
5. Track 05

*download it here*

4 Comments »

Jarvon Jol- The Dustcollector 12”

Posted in 1980s, 1984, darkwave, new wave, New York, new york city, synth, synthpop, US on April 17, 2012 by Frankie Teardrop

You may have seen this one over at Vinyl Obscurity in the past, but I’ve been playing this one out at the Wierd party for several years now with extremely positive results, so here’s a fresh rip from my own copy.  Speaking of which- for those who live nearby, be sure to check in at Home Sweet Home tomorrow night (4.18) for the US debut of UV Pop!  I’ll be on the decks with Caleb of Sacred Bones & Alessandro from Mannequin—-surely a night to remember!

An incredibly affordable synth/wave 12” from 1984, recorded and released here in New York.  The clear winner here is the title track, a dark and fast paced synth number with short stabs of guitar, a sinister refrain, and several references to London town.  The British references also carry over to the album cover, which depicts a photo of Shaftesbury Ave., the heart of London’s theatre district.  Perhaps the dustcollector is a player on the stage?

The flip is a more care-free pop tune with some shamelessly soulful female vocals in the background.  Not really my cup of tea but your mileage may vary.  However, the A-side more than does the trick for me, as this 12” never leaves my record bag.

Jarvon Jol- The Dustcollector 12”
1. The Dustcollector
2. It’s Time

*download it here* (RE-RIPPED 1.27.18)

3 Comments »

Getting the Fear- Last Salute 12”/7”

Posted in 1980s, 1984, post-punk, synthpop, uk with tags , , on April 16, 2012 by Frankie Teardrop

Here’s a request for Getting the Fear’s lone single, 1984’s Last Salute. Many folks may already be familiar with these guys via Southern Death Cult, as the majority of members formed this band after Ian Astbury disbanded SDC in favor of Death Cult with Billy Duffy. This was the band’s lone release, and soon after, Bee (Paul Hampshire) and Barry Jepson formed Into a Circle, who should need no introduction. The title track of Into a Circle’s debut 12” was also written by Getting the Fear and appears on a collection of practice demos and rehearsal tapes, previously uploaded here and here. Otherwise, here’s the entirety of Getting the Fear’s official discography, including both the 12” and 7” mix of the title track, a true synth/post-punk smash…

Getting the Fear- Last Salute 12”
1. Last Salute (Extended Mix)
2. Last Salute (Instrumental)
3. We Struggle

Getting the Fear- Last Salute 7”
1. Last Salute
2. We Struggle*

*download it here*

*same as the 12” version, so spared the duplicate mp3.

6 Comments »

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