Sorry for the onslaught of posts, folks! Got ants in the pants, I guess- lots of cool things I’m excited about posting in the new year. This one was just sent to me this morning by Mr. BX, and since I’ve been dying to hear it for some time, I figured some of you might be anxious to hear it as well.
Contained within we have the first LP from French musician Alan Shearer, released in 1985. I included the final track on this LP in the recent Systems of Romance compilation post, so some of you may already be familiar with this album’s general vibe. You can expect more of the same instrumental synth grooves here, some more melodic and ambient than others. Reminds me of a cross between Tangerine Dream and some of John Carpenter’s more dancefloor electronic tracks. Definitely an interesting listen!
Alan Shearer- Dark Is the Color LP
1. The Heart Patrol
2. Dark Is The Color
3. Generation V
4. Chronomaster
5. Nocturnal March
6. The Flea Age
7. Tropical Terminal
8. Only For One Girl
9. Blackstone
10. Down Town
11. Sons Of The Snake
Hot on the heels of this morning’s post, here’s a very nearly complete discography of French synthpop band Goûts De Luxe. Some of you may already be familiar with the band, as a few of their a-sides were prominent, though now obscure, new wave hits- some of the best of the era. I also included one of the band’s finest moments (the killer minimal synth-esque b-side “Last Train”) on the most recent installments of the Systems of Romance loose tracks compilations. Since I haven’t seen their work shared out there, I figured it was due time to organize it and sort it all out for everyone’s enjoyment.
The band’s origins date back to the mid 1980s in Brest, a city in northwestern France. The band’s lineup changed a handful of times throughout their short time together. After recording (or, in actuality, NOT recording) on the first single, original guitarist Jean-Éric Montfort left the band and was replaced by Marianna Kliska, wife of vocalist Jacques le Honsec. They released two more singles before calling it a day.
With the exception of the instrumental version of “Les Yeux de Laura,” and the promo mixes of the track, this zip file ocntains all the tracks recorded by Goûts De Luxe during their time together, including all three singles and respective b-sides. I hope you all don’t mind missing out on the instrumental mix, as I’ve never found them to be very necessary, but I should be able to track it down (in time) if needed. However, as a consolation, I have included a different extended mix of “Omaha Beach” that I can’t quite place on either single, with a different running time and everything! If anyone knows where it belongs, do chime in! Otherwise, let’s get to the details:
Goûts De Luxe- Les Yeux de Laura 7” (1986)
1. Les Yeux de Laura
Goûts De Luxe- Les Yeux de Laura 12” (1986)
1. Les Yeux de Laura (Extended Mix)
Since the band enjoyed some relative success throughout Europe, there are a few promo videos floating around. Here’s a clip for “Omaha Beach.”
Also, if your French is fluent, you can read more about the band (including lyrics, I believe) on their official website. There are also a slew of photos, and a demo recording hidden in the site, so be sure to explore:
I have one more thing to post today, so might as well drop it now, while the iron is hot. Here’s a classic 12” by The Bridge, a DJ favorite of mine for some time now, recently acquired on vinyl. I believe this synthpop outfit acted as a three piece, releasing several singles in the mid 1980s. This particular record was produced by Paul Bell, who then went on to form Zerra One.
There’s a bit of discrepency between their first two singles, so let me try my best to explain. As listed online, there’s both a 12” for Love Dance (today’s post) as well as a single release entitled Industrial Love Dance, but both feature the same tracklisting, more or less, with slightly tweaked titles. Maybe the label (Second Vision) thought it was best to steer clear of the ‘industrial’ tag? If anyone can shed some light on this situation, I would be most appreciative!
The versions on this 12” also appear on the Industrial Love Dance single, alongside a shorter, more radio-friendly version of side A, which I’ve uploaded seperately for good measure. So with this post, you get all three versions of “Love Dance,” an edgy synthpop track with excellent hooks and solid vocals. What more can you ask for?
The Bridge- Love Dance 12”
1. Love Dance (Love Mix)
2. Love Dance (Industrial Mix)
Here’s a classic disco cut for fans of the genre. Belgian disco with italo leanings, released in 1985. Naturally, several versions of the a-side track exist. The 7” edit is present here, alongside an exclusive b-side not on any of the other singles. For those who can’t get enough of this jam, you can get the 12” extended mix (special club version) by clicking here. Beware the downtuned synth lines! Definitely a killer track in any incarnation.
Mad Matrix- Men Alone 7”
1. Men Alone
2. We Are Mad Matrix
Here’s a killer German synthpop single, shameless and high energy as anything from the era. This 7” dates back to 1984, and features an infectious instrumental on side A. For those looking for vocals, there are plenty to be had on the darker and moodier flip-side. A pretty well balanced single, if you ask me.
The back of the sleeve claims that the band was primarily a two piece, but also features a handful of thank you credits for bass and programming work. Not much else to be found about these boys, so here’s the information:
Been meaning to post this one for some time- a recent purchase that’s lived in my DJ bag for some time now. Two track 12” from 1984, featuring members of Play Dead and Look Back in Anger. Also produced by John Fryer, notorious for his pioneering work with 4AD and various other post-punk bands. This is their only release, though more tracks were meant to be recorded.
The sound here sounds like a mixture of soulful vocals (a la Colourbox), post-punk bass grooves, all under the guise of a primitive EBM track. Lots to love here. Here’s the breakdown:
Just found this killer big-beat synthpop single – a playful two track 12” from Trash X, released in 1988. It’s the band’s only release, and was engineered by Ronny Schreinzer of The Twins.
It seems as if this particular release was a collaboration between several esteemed writers and producers, including David Heilmann (Wire, Depeche Mode) and H+N (Holger Flesch & Norbert Endlich). While it sounds of Russian origin, the single was actually recorded and released in Germany.
Not much more to be said about this one, so here’s the information:
This one, while potentially well known inside this circle, is a recent favorite of mine, and while the majority of their work appears elsewhere in the blogosphere, I haven’t seen this 12” around.
The Arms of Someone New (primarily a collaborative project between Mel Eberle and Steve Jones, also involved with Area) formed in Champaign, Illinois in 1983, releasing their first 7” the following year. At first, their sound had a biting, synth-driven edge to it, which eventually gave way to the growing ethereal scene into the late 1980s. I happen to dig the majority of their recordings in both spectrums, but this one falls more on the biting, danceable side of the band’s catalog. We have two remixes of the single here (both drastically different from the version that appeared on their 1984 12”), with two slower, but no less stellar tracks taking up the b-side. Here’s the breakdown:
The Arms of Someone New- Every Seventh Wave 12”
1. Every Seventh Wave (Intermix)
2. Every Seventh Wave (Album Mix)
3. The Sense of an Ending
4. Everything at Once
When I think of the best UK bands, few spring to mind quicker than B-Movie. I’ve covered them twice here before, once with their 1985 LP Forever Running and then a few years later with their unstoppable Nowhere Girl 12”. I’ve been meaning to upload their earlier singles for some time now, probably years, but it just slipped through the cracks. I hope you’ll forgive me, folks.
That said, contained within this zip file is the majority of B-Movie’s early works, starting from their first 12”s in 1980 and spanning until 1984. Quite a prolific period for the band, with most of their best songs being issued in this two year time period. Here’s the rundown:
B-Movie- Take Three 7” (1980)
1. The Soldier Stood Alone
2. Drowning Man
3. Soundtrack
B-Movie- Nowhere Girl (1980)
1. Nowhere Girl
2. This Still Life
3. Institution Walls
4. Airplanes & Mountains
5. Left Out In The Cold
6. Remembrance Day
B-Movie- Remembrance Day 12” (1981)
1. Remembrance Day
2. Institution Walls (Remix)
B-Movie- Marilyn Dreams 7” (1981)
1. Marilyn Dreams
2. Film Music Part 1
B-Movie- Marilyn Dreams 12” (1981)
1. Marilyn Dreams
B-Movie- Nowhere Girl 7” (1982)
1. Nowhere Girl (Version)
2. Scare Some Life Into Me
Here’s a real quick post before I sneak off for the weekened. Uploaded here, by generous donation, we have one of the best minimal synth singles out there, at least in my opinion. The a-side is an absolute romantic synth classic, while the b-side here is a more atmospheric, piano-driven affair, an interesting but pleasant counterpoint to the sheer pop perfection on the flip.
Fun fact about this one. Main contributor Chris Payne was also in both Visage and the Dramatis (who had a solid hit with Gary Numan on vox). Easy to see why there’s such great mastery on this one! Here’s the info:
The Electronic Circus- Direct Lines 7”
1. Direct Lines
2. Le Chorale
*download link removed* – this 7” was reissued in 2017 by Animated Records in Chicago, and again in 2021 by Iron Lung Records. Support these labels and the artists and pick up a reissue copy if you can!
Systems of Romance was created in mid-2007 to serve as a dumping grounds for all great things coldwave, minimal synth, post-punk, synthpunk, industrial, synthpop, and various other combinations of these styles. Feel free to make requests, noodle around, and discuss all you like...
Otherwise, this blog is dedicated to showcasing material that has long since been out of print. If you are aware of any of these items being readily available from the artist or label, or take issue with these tracks being uploaded, please let me know so I can amend the post or remove the links.
