Here’s the lone LP by French synthsters Candidate, released in 1987. There’s very little to be found about this two piece (though they have a website). There are a few other releases of theirs kicking around, including a split K7 and a split 7” with Gangrène. Would love to hear them, should anyone out there have a copy kicking around!
Otherwise, you can expect some killer minimal synth grooves, with a little bit of edgy guitar thrown in for good measure. a nice mix of tension and melody here, best for fans of Pink Industry, Kas Product, Strawberry Switchblade, etc. Here’s the info:
Candidate- Side By Side LP
1. Strange Girl
2. Starway
3. On The Ice
4. Subterrateen
5. On//Off
6. Last Day
7. The Wound
Here’s one of two posts lined up to get you through the weekend. First, we have what I believe to be the complete discography of Italian band Chrisma, a synthpunk outfit active in the late 1970s. The band combined a Marlene Dietrich kind of vibe with krautrock, Chrome-esque guitar lines, disco rhythms, and primitive synthesizers for a futuristic and incredibly eclectic sound. Very ahead of their time, as far as I’m concerned, especially when you hear the drastic jump in styles between the first 7” and the debut LP.
The band takes its name from combining the first names of members Christina Moser and Maurizio Arcieri. Their earliest recordings were made in Vangelis’ home studio, which more than likely explains their futuristic sound. There’s even a rumor kicking around that Vangelis himself performed on Chinese Restaurant, but he is not listed in the album credits.
While the band was formed in Italy, they sang the majority of their songs in English, which helped earn the band a few fans stateside. You can still hear “Black Silk Stockings” (IMO, the band’s best track) in various clubs to date. In 1980, the band changed their name to Krisma and took a more synthpop turn, releasing five LPs and a slew of singles. Perhaps I’ll cover them someday in the future, but otherwise, here’s the full Chrisma output- two LPs and two 7” records. I didn’t include a few of the other 7”s, as the band would double up on album cuts for b-sides. Here’s the rundown:
Chrisma- Amore 7” (1976)
1. Amore
2. Sweet Baby Sue
Chrisma- Chinese Restaurant LP (1977)
1. Thank You
2. Black Silk Stocking
3. Lola
4. C-Rock
5. What For
6. Wanderlust
7. Lycee
8. Mandoia
9. Thank You
Chrisma- U 12” (1977)
1. U Part I
2. U Part II
Chrisma- Hibernation LP (1979)
1. Calling
2. Aurora B.
3. Rush ’79
4. Hibernated Nazi
5. Gott Gott Electron
6. We R.
7. So You Don’t
8. Lover
9. Vera Platz
In case you’re not sold on downloading this discography, peep a performance of “Black Silk Stocking/Lola” here, complete with a latter day interview with the band, for those fluent in Italian. Awesome.
If you dig on these records, feel free to purchase the excellent reissues from Medical Records!
Hey kids, I’m back! Got a few treats lined up over the next few days, but first we have the entire discography from UK band Home Service.
There’s an unfortunate discrepancy in the band’s discogs bio, which claims they have roots in the UK folk rock scene, but I believe there may have been more than one band masquerading with that name. However, a little digging has revealed that this particular project consists of only two members, David Motion and David Fraser. Many may be more familiar with David Motion’s work as both a film/jingle composer and the producer for Strawberry Switchblade from 1984-1991. Behind the scenes, he was responsible for some of the band’s best tracks, including “Since Yesterday” and “Little River.”
That said, Home Service’s own music was a bit of a curious anomaly in the new wave spectrum. The band mostly toys with a more quirky sound, seen more famously in bands like Units, Tone Set, Silicon Teens, and Devo. Their first two singles were released on Motion’s own Crystal Groove records, while their final 12” was picked up by Situation Two/Beggar’s Banquet. There’s a definite progression in style between the three singles (starting with more guitars and changing over to a mostly synth-based sound), all unified by the band’s unique voice. My favorite tracks across the three are “Wake-Up!,” “The New Age Elite Corps” and “O.M.F.I.L.,” respectively!
Here’s a 12” by one of my favorite artists. Walking a fine line between glossy synthpop and early EBM (this 12” is on Play it Again Sam), Parade Ground issued six killer singles and one full length record, all pretty much essential for fans of the genre. The main lineup consists of brothers Jean-Marc and Pierre Pauly, who originally collaborated with Front 242. The brothers occasionally lent a hand to some of Front 242’s middle period recordings, maintaining a close personal relationship with Daniel B. The band has also collaborated with Colin Newman of Wire, who produced several of the band’s releases.
While the band split soon after releasing their full length in 1988, Parade Ground would issue two CDs in 2007. One consists of live tracks, while the other features brand new material.
Released in 1987, this 12” contains two high energy tracks, while the final track is a more atmospheric affair. Here’s the info.
Parade Ground- Strange World 12”
1. Strange World
2. Off Balance
3. The Chosen One
Here’s a classic early Richard Bone 12” for your listening pleasure. Born in 1952, Bone is considered an influential figure in the New York music scene in the early 1980s, a huge pioneer of electronic music. He began exploring the early art of the synthesizer, driven by the works of Brian Eno and Harold Budd, before moving into more poppier territory. He was also a member of experimental electronic band Shox Lumania in 1981.
A good portion of Richard’s early singles were on Survival Records, the same label that brought you Drinking Electricty, Faith Global, Hard Corps, and Play, to name a few.
Though he ceased to make pop records as of the 1990s, he still creates ambient music to this day. This particular 12” hails from 1984, just a few years into his solo career. Here’s the information.
Richard Bone- The Real Swing 12”
1. The Real Swing (Extended 12″ Re-Mix)
2. The Real Swing (7″ Edit)
3. Heartache History
Here’s a slice of classic EBM for all you heavy-beat nuts. Advanced Art were based in Finland, formed in 1985, and split in the mid-90s, when the early EBM sound shifted focus to heavy metal guitars. The majority of their releases (four singles and two full lengths) explore the classic electro-based sound, so fans of Front 242, A Split-Second, and Nitzer Ebb should definitely enjoy this one. This particular 12” dates back to 1991, and follows two early 7” releases. Here’s the breakdown:
Advanced Art- Scar 12”
1. From Nothing to Nothing
2. Wake Up
3. Tear Open These Scars
4. From Nothing to Nothing (Edit)
Here’s a pair of early releases by Philadelphia-based new wave band Pretty Poison. Many of you folks may remember this band from the freestyle hit “Catch Me I’m Falling,” but their earlier, less successful releases had a far darker edge, from the gloomy, yet danceable music to the stark black covers featuring gothic imagery. Though these tracks became minor college radio singles, it would take four years and a stylistic re-invention for the band to take off.
This pair of releases dropped in 1983. Dying to hear one of their first releases, a 1982 flexi cover of Tuxedomoon’s “No Tears.” If anyone has that one kicking around, please pass it our way! Otherwise, here’s the information for these two releases.
Pretty Poison- Laced 12”
1. Seal It With a Kiss
2. Let Freedom Ring
3. Expiration
4. Tempest Nightmare
Pretty Poison- Expiration 7”
1. Expiration
2. The Realm of Existence
For curious parties, the two versions of “Expiration” here are completely different. The band would go on to re-record “Let Freedom Ring” for their first full length record in 1987, with a far glossier edge.
Going to be stepping away from the blog for a week, so I plan to leave you all with not one, but TWO stellar releases of the dancier, club-oriented variety. First on the slab, I’ve uploaded several different issues of Nightmoves’ (a.k.a. Night Moves) classic “Transdance”- a killer darkwave dance track that many should recognize. Unfortunately, this song never received the credit it was due, but is easily one of the best tracks of the ’80s. I’ve attached several different versions of the track, one under the guise of the reissued 1984 12” Robot Rock release (including a handful of alternate tracks) and a remixes 12”, which might just be a fan-made collection of mixes. If you’re not completely sick of the song by the time you’re through listening, I’ve also included the significantly shorter edit of the song, plucked from the 7” and included on the None Night of Flexipop Vol. 4 comp.
The UK-based project formed in the wake of Gary Numan’s chart breakthrough in 1979, when vocalist Michael Guihen placed an ad in NME looking for synth players. The original three piece lineup (known then as Oblong Mauve) folded after a few practice sessions, leaving Michael to form a new band. He struck an interesting partnership in 1980, meeting and developing tracks with Denis Haines, Gary Numan’s keyboard player. In exchange for providing the backing track for Numan’ “Love Needs No Disguise,” Michael received help in developing “Transdance,” the standout track from the original lineup’s demos. It was recorded in 1981, and since then, has seen several different versions as lineups changed and technology improved. The infamous UK mix even featured backing vocals from Eve Goddard, Adam Ant’s wife. The band eventually called it a day in 1984, as public tastes shifted dramatically.
Of course, this is only part of the Nightmoves story. The rest is viewable (along with some amazing photos) on the band’s official Myspace page, so click for the full story and some additional visuals. Without any further ado, here’s the info for this zip.
Nightmoves- Transdance 12” (1984)
1. Transdance (UK Club Mix)
2. Transdance (New York Disco Mix)*
3. You Can Take My Love
4. Beat This
5. Nightdrive
Nightmoves- Transdance Mixes 12”
1. Transdance (Edit)
2. Transdance (NYC Mix)
3. Transdance (UK Mix) –> same as UK Club Mix
4. Transdance
5. Transdance
6. Transdance (Remix)
bonus track- Transdance (7” Version)
*not on original 12”.
Here’s a pretty killer dance/disco 12”, released in 1983. The Puppets were a New York/Long Island based dance group, who earned quite a bit of airplay from their lone 12” single. The 12” was released on Quality Records, a Canadian label, and came with generic brown sleeve. You can still find this one kicking around certain record stores if you have the patience to sift through coverless singles. Worth the time!
Rumor has it that The Puppets disbanded while recording a follow up full-length. Would love to hear any unreleased material!
Here’s the breakdown for the single:
The Puppets- The Way of Life 12”
1. The Way of Life (Dance Mix)
2. The Way of Life (Vocal)
3. The Way of Life (Instrumental)
This one comes as a generous donation, and supplements Dave Ball’s full length LP, which you can nab over at Mutant Sounds.
For those unfamiliar, Dave Ball was most famous as the second half of Soft Cell, but also was a member of The Grid as well as an esteemed producer. Though Soft Cell didn’t split until 1984, Ball released a solo record and a string of 12” singles in 1983, collaborating with the likes of Gavin Friday (Virgin Prunes) and Genesis P-Orridge (Psychic TV, Throbbing Gristle, etc.). In fact, this particular 12” features each of the three collaborative tracks, with Friday on the first and P-Orridge on the remaining two. The version of “Man In the Man” on this 12” is slightly different from the LP version (mostly clipping ten seconds of strange sounds at the beginning), but it looks like the other two songs are identical to their album counterparts, but might be a bit cleaner and crisper than the album provided above. Either way, it’s a nice additional nugget to any self-respecting synth collection! Here’s the information:
Dave Ball- Rare Tempo 12”
1. Strict Tempo
2. Man in the Man
3. Sincerity
Systems of Romance was created in mid-2007 to serve as a dumping grounds for all great things coldwave, minimal synth, post-punk, synthpunk, industrial, synthpop, and various other combinations of these styles. Feel free to make requests, noodle around, and discuss all you like...
Otherwise, this blog is dedicated to showcasing material that has long since been out of print. If you are aware of any of these items being readily available from the artist or label, or take issue with these tracks being uploaded, please let me know so I can amend the post or remove the links.
