Archive for the 1980s Category

Stranger To Stranger- Casting Shadows LP

Posted in 1980s, 1984, goth-rock, post-punk, stranger to stranger on June 6, 2013 by Frankie Teardrop

Been a bit since my last post, at least by my standards.  I’ve spent the past few weeks revisiting a lot of my 7”s and making new rips of quite a few of them, as well as a few that haven’t been posted/have been posted elsewhere.  You’ll see some of those soon, but for now, you can check these posts for new rips:

Berlin- The Metro 7”
Jus D’orange/Red Rain Coat 7”s
Fatidic Seconde- Le Drakkar 7”
Message- Dernière Nuit 7”
Troops For Tomorrow- Songs of Joy & Faith 7”
I’m So Hollow- Emotion/Sound/Motion LP (LP only)
Minimal Synth mystery corner 7”
Excentrique Noiz- Dark Crystal Day 7”
Repetition- A Still Reflex 7”
Modern Eon- Fiction Tales Plus (VBR rip thanks to Jeff!)
Luxembourg- La Cible 7”
Sensation- Trafic 7”
Ahab- Party Girl 7”
Ultime Possibilité- Errance 7”

I’ve ripped a few new acquisitions too, so with that in mind, here’s an LP that’s appeared elsewhere on the net thanks to Fantod Under Glass, but I finally got my hands on a fresh copy for maximum listening pleasure.  Fantastic debut release from Stranger to Stranger, a Philadelphia, PA band from 1984.  As Fantod explains, there’s a heavy 4AD influence here, from the more esoteric post-punk era of the label (My Captains, Mass, etc.) as well as some similarities to Sad Lovers and Giants, European Toys, and the above mentioned I’m So Hollow.

Quite a UK-centric sound for this ambitious Philadelphia band, who have six more releases following this one.  I’ve only heard 1985’s The Child In Me 12” and the follow up LP, both of which move more towards an indie/jangle sound.  Great if you like that sort of thing as well (I certainly do), but this LP is the real deal, and both “Easter Night” and “Evening Opus” have quickly become favorites.   You can get the 12” on Vinyl Obscurity, and you can catch the Darkest Dreams LP on A Viable Commercial!

You can read a bit more about the band here.

Stranger to Stranger- Casting Shadows LP
1. Easter Night
2. Crowded Room
3. In Your Eyes
4. Voices Calling
5. Flux
6. Cry To Dream
7. Evening Opus (Pts. 1, 2 & 3)
8. Lonely Winter
9. Wind On Skin

*download it here*

Dropopop- Knuste Drømmer 7”

Posted in 1980s, 1982, coldwave, dropopop, goth, goth-rock, norweigan, post-punk with tags on May 23, 2013 by Frankie Teardrop

This 7” was a recent discovery (on Youtube of all places), and it’s as cold as the night is long.  This one-off single from Norway was released in 1982 and bears a strong resemblance to the usual suspects, including heavy influence by Joy Division and early Cure, as well as sharing similar sonic territory with bands like the Dutch Neon, The Opposition’s amazing first record, and the U 137 single I just posted a few days ago.

The A-side is a recent obsession of mine with heavy drums and haunting melodies, but the two tracks on the flip are equally commanding, dark and intense listens.  The band have three more other songs spread across two different cassette comps. but I haven’t heard them.

As always, little to be found about the band.  It appears they were from Skien, a large shipping town in the Southeast of Norway. A four piece by defintion, there were two additional musicians on this single, one playing string synths and the other credited with additional drum work.  Their label, Uncle Remus Records, also released a 7” and LP by fellow Norweigans band Øresus, which you can grab here if you want some excellent anthemic punk a la Generation X or the KBD comps.  But I know you guys, you like it cold and dark…

Dropopop- Knuste Drømmer 7”
1. Knuste Drømmer
2. Frykt
3. Giftige Lepper

*download it here*

Luxus- Smiling Daughters 7”

Posted in 1980s, 1982, luxus, minimal, minimal synth, new wave, ohio, synth, US with tags on May 21, 2013 by Frankie Teardrop

Here’s a 7” recommended highly by a few collectors out there.  This one hails from 1982 and features a dirgey, drum heavy minimal synth sound very similar to Pink Industry (with vocals that sound like a pitched down/drugged out Bowie or John Foxx) on the a-side.  The B-side is a little more new wave-y by definition, but still a great listen.  Fans of Fallout Club may like this one as well.

This is the band’s second single on Stork Records.   I only have the A-side of that at 128, but if someone has this one and can rip both sides, feel free to chime in!  EDIT: Soul brotha Nick over at Crispy Nuggets just exhumed the first 7”, so head on over there to grab it.

Chuck from the band chimed in recently and had this to say about this excellent slice of synth goodness:

Recorded in a basement on a Dokordor Open Reel 4 track on the east side of Cleveland, Ohio. I know this because I played bass, some keys, and audio manipulations. Smiling Daughters took months to record, I’m So Confused(I’m A Mess) took a weekend.

You heard it from the source, kids!

Luxus- Bent to Scale 7”
1. Smiling Daughters
2. I’m So Confused (I’m In A Mess)

*download it here*

U 137- Härifrån Till Evigheten 7”

Posted in 1980s, 1982, coldwave, post-punk, Stulna Begär, swedish, Total Musak, U 137 on May 10, 2013 by Frankie Teardrop

U 137 were a Swedish band, also featuring Mats Larsson (alias Tage Jesus) of Stulna Begär. They took their name from a Russian submarine that hit a rock in Swedish international waters in 1981, causing further speculation of Soviet influence on Sweden.  It’s a very interesting incident, which you can read more about here.

It seems like this was a collaborative project of three like-minded Swedish musicians, who swapped instruments for each track. Vocalist Michael Andersson would go on to form Sacrilege, a death/black metal band in the 90s.  Andersson and Anders Nilsson (aka Nisse) also released a few singles as Andra Sidan in the late 1980s.  Most notably, all three members were involved in Total Musak, with a similar cold/post-punk style and a female singer.   Total Musak further explored the Cold War sentiment covered here, and are just as good.  BONUS: you can hear all their recordings (though sadly only at 128 kbps) here.  Awesome!

Not sure how many copies of this exist in total (rough guess is 500), but the first 300 copies were pressed on blue vinyl with no center label. This is the version I have.

Both sides here have something different to offer, likely a product of Larsson and Nilsson swapping string synth/drum duties for each track. Fans of bands like Peyr, Killing Joke, and the Red Rain Coat 7” will dig the energy of “En Som Faller,” (A Falling) while those who prefer the the cold Seventeen Seconds, Names/Factory sound should go nuts for “Baksidan Av Ditt Öga” (The Back of Your Eye).  There is rumored to be an English version of “En Som Faller” on a compilation, re-titled “Trip and Die” but not sure where you can hear that version.  For now, here’s a fresh rip of this excellent 7”!

U 137- Härifrån Till Evigheten 7”
1. Baksidan Av Ditt Öga
2. En Som Faller

*download it here*

Thanks to the excellent B-Sound website for filling in the gaps of this otherwise mysterious 7”!

Language From Memory- Fortune 7”

Posted in 1980s, 1981, language from memory, minimal synth, nick head, post-punk, uk on May 3, 2013 by Frankie Teardrop

England was ripe with excellent DIY post-punk and minimal synth gems, bands inspired by Factory Records, early Cure singles, etc.  Some of my favorite 7”s (Obscure By Degrees, Persons Unknown etc.) were birthed from this era with the same aesthetic.  So with that in mind, here’s another obscure gem from Towerbell Records, released in 1981.  This is the one and only single from Language From Memory, who disappeared into the ether soon after recording this 7”.  It’s a shame, as the a-side here truly kicks ass, one of the best undiscovered gems I’ve stumbled upon in recent times.  Incisive guitars, Sad Lovers and Giants-esque string synths, and catchy, fist-pumping hooks abound.  Power pop lovers will also enjoy the flip.

The band were from northern London, and played out quite often in the early 80s.  As for their disappearance, I believe they changed names and continued on together.  A fan who knew the band back then states that Nick Head played rhythm guitar on this single.  The name may be familiar to some, as he also acted as producer/engineer for KMFDM and Exit 13.

This single is also proof that not all obscurities are out of budget, as there are tons of copies out there to be had for relatively cheap, even by discogs standards.   Towerbell seemed to have some backing behind it, and a decently stacked roster, which was formed out of the disco era and included Shirley Bassey and Justin Hayward (Moody Blues) as well as a series of popular TV series compilations.  I haven’t heard of much else from the label, so perhaps this single is an anomaly, but either way, aspiring collectors should have no problem finding a copy for themselves…

Language From Memory- Fortune 7”
1. Fortune
2. The Coat

*download it here*

Mickeranno- Mickeranno LP

Posted in 1980s, 1985, experimental, italian, mickeranno, post-punk on April 30, 2013 by Frankie Teardrop

Here’s another LP on donation from Ondanera, deep from the heart of Italy.  This LP is the lone release from Mickeranno, an artist from Catania, a town in Sicily (Sicilian pride!).  As I understand it, Jacopo Leone was the primary musician for this release, with a few collaborators providing drums, trumpet, and other touches. Recorded in Northern Italy in the Emilia Romagna region, the album didn’t break out past its native country when it was released in 1985, so hopefully it can find new life here.

Fans of bands like Felt, Dif Juz, or the Durutti Column will love this one, as it’s a quiet, understated affair, with subtle electronic/dark synth flourishes against a mostly acoustic backdrop. A really haunting record from a very humble and quiet area in Italy. The standout track is easily the gloomy “Da Un’altra Parte” (From Another Part) but this a really interesting listen, front to back. Hope you enjoy it!

Mickeranno- Mickeranno LP
1. Decisioni
2. Solo Voci
3. Boh
4. Dai Vetri
5. D.D.
6. E Per Un Paio Di Giorni
7. Uscirò Ogni Sera
8. Fotocopiandoti
9. Nel Buio
10. Da Un’Altra Parte
11. Che Si Tratti Di Me?
12. Boh (Versione 2)

*download it here*

PS- I removed the link for La Valse for now… I’m expecting a copy of the 7” in the mail.  Once it arrives, I’ll make a new rip and let you all know so you can update your digital files.  Hang tight, and thanks as always for the support.

La Valse- Winter 7”

Posted in 1980s, 1984, coldwave, Dutch, la valse, netherlands on April 22, 2013 by Frankie Teardrop

Incredibly rare 7” from the Netherlands here that I’ve seen on several wantlists over the years.  Due time for this gem to be heard!  No year attached to this one, and despite the label (No Records), it may be a private pressing.  If I had to guess, it has an early 80s feel to it- perhaps 1981-4 due to the prominent use of the TR606 (EDIT: according to a magazine listing, this was released in 1984).  The band were from Breda and this is their only release, perfect for fans of that cold guitar sound with both male and female vocals on the a-side.  Minimal synth fans should also enjoy this one, as the flip features some trademark synth and drum machine work.  You can also find “Sorrow” on one of the None Night of Flexipop compilations…

Either way, both tracks here are great, gloomy affairs that should feel at home for fans of The Names/Factory Records.

Thanks to Stéphane for clueing me into and sending me the original rip of this lost classic!

La Valse- Winter 7”
1. Winter
2. Sorrow

*download it here* (RE-RIPPED at 320 kbps 5.5.13)

Gulf Klub- What’s Cooking 7”

Posted in 1980s, 1984, australia, australian, gulf klub, minimal, minimal synth, post-punk on April 19, 2013 by Frankie Teardrop

Just realised it’s been a while since my last post.  Sorry, guys!  I have quite a few things on the plate, including a rare French coldwave 7” and a few more Italian goodies that I’ve been meaning to get to, but here’s something I’ve had uploaded for a while to whet your appetite until I can get that stuff all organized properly for you.

This is a one-off 7” from Australia, released in 1984 via Vi-Nil Records. Despite being distributed by EMI, this one didn’t get a lot of attention when it came out. Not much about them on the net, but Geoffrey Stapleton was also involved with The Aliens, GANGgajang, and more.

Personally I don’t care much for the a-side (but of course, that’s just my own taste), but the flip is a great piece of Middle Eastern inspired minimal synth. While the geography is all wrong here, the sound still feels right at home for fans of Minimal Compact, Beograd, Max & Intro, etc. A short little piece of synth perfection that I hope you all enjoy!

Gulf Klub- What’s Cooking 7”
1. What’s Cooking
2. India

*download it here*

More soon, stay tuned!

 

Pro Memoria- 1988 K7

Posted in 1980s, 1988, coldwave, ethereal, france, french, k7, lost desert, spleen ideal with tags , on March 29, 2013 by Frankie Teardrop

Apologies for flooding your hard drives yet again, but I’ve been meaning to post this tape for months now, and it’s due time for it to be heard.  Here we have the debut demo cassette from Pro Memoria, a haunting and gloomy French Coldwave band from Lyon, one of the country’s hotspots for this sound.  The cassette was self-released in 1988, and features three incredible studio tracks and one live number to top it off.  Fans of Cocteau Twins, Lost Desert, Rosa Luxemburg, Baroque Bordello, Collection D’Arnell-Andrea, etc. will love this one.

There are a handful of scattered compilation appearances around the same era as this release, including two tracks on the often mentioned Nos Années Folles compilation (Lost Desert, Spleen Ideal, etc.)  The band changed their sound a bit to incorporate some jazz influences, releasing Elegia in 1991.  You can grab that one from 7” From the Underground.  “Cinderella” from this cassette has been cleaned up and reissued on the excellent Transmissions Continued compilation on Infrastition.

R-2186760-1268682141

Pro Memoria- 1988 K7
1. Cindirella
2. Le Cri
3. Secret Du Prisme
4. Pro Memoria (Live Lyon, Mars 88)

*download it here*

Harumi Shimada- Yakō Shōnen 7”

Posted in 1980s, 1984, after the sludge, harumi shimada, japan, japanese, masahiro sugawara, minimal, minimal synth, new wave on March 27, 2013 by Frankie Teardrop

Another quick and dirty post here, an excellent 7” from Japan, released in 1984 via Forecast Records. According to the discogs entry, this 7” was written by Masahiro Sugawara, who was also involved in After the Sludge.  Harumi was just one of six people who performed on this 7”, which features an excellent mid-tempo minimal synth track.  The B-side appears to be a bizarre dub version of the track which weaves in and out of coherence and descends into chaos over the course of 5 minutes.  Safe to assume that the B-side is the English translation of Yakō Shōnen.

I have plenty of excellent coldwave on the back burner, but it’s been a long time since we’ve had a bona fide minimal synth rarity, so have at it!

Harumi Shimada- Yakō Shōnen 7”
1. Yakō Shōnen
2. Midnight Boy

*download it here*