Archive for the 1980s Category

Magic Dragon – Emotional Landscape / Courage of Lassie – The Temptation to Exist LPs

Posted in 1980s, 1981, 1986, canadian, courage of lassie, magic dragon, minimal, minimal synth, neo-folk, neoclassical on March 6, 2023 by Frankie Teardrop

Canada seems like an unlikely haven for a minimal synth/neofolk project with a very European-style sound, but that said, here are two of my favorite LPs from up north.

Magic Dragon formed from the wake of Private School, a punk band who released one single in 1979. Members Maddy Schenkel and Ron Nelson quickly formed Magic Dragon, enlisting bassist Rachel Melas to record their lone LP  Emotional Landscape, which was released in 1981 on Friends Records. The album combined the folky interplay of bands such as Steeleye Span and Mellow Candle with minimal electronics, skittering drum machines, and experimental passages, creating a singular sound that few bands, especially on the western hemisphere, were flirting with. Some other touchstones I can think in this vein are UV Pop, Mekanik Kommando, Solid Space, Les Joyaux De La Princesse, Collection D’arnell~Andrea, and Modern Art, all of which flirted with folkier and experimental influences over their tenure.

Magic Dragon soon evolved, adding violin player Rod Booth. The band changed their name in 1983 to Courage of Lassie (keeping the nostalgic/childhood magic and wonder alive in name), and self-released a cassette in 1984 that featured, amongst new material, the first track from the Magic Dragon LP. Their core folky/minimal synth hybrid sound remained intact, and the band soon recorded The Temptation to Exist, which consisted of a handful of songs from the cassette, a couple of new tracks, and a haunting cover of Pete Seger’s “Where Have All the Flowers Gone,” done in Marlene Deitrich’s German-vocal style. This LP was originally released in 1986 via Amok Records, but has been re-released in 1987 and 1991, respectively. The band would release two more albums (1988’s Sing or Die and 1994’s This Side of Heaven) before calling it a day.

While folks may have heard both of these records before, I’m happy to provide newly digitized versions. Hope y’all enjoy!

Magic Dragon – Emotional Landscape (1981)
1. Objet Du Desire
2. Memories
3. Egyptian Radio
4. Once Upon a Time
5. (White Monkey) Under the Volcano

Courage of Lassie – The Temptation to Exist (1986)
1. All That I Know
2. Iron
3. Hiroshima
4. The Rose
5. Hopes & Fears
6. La Notte
7. Sag Mir Wo Die Blumen Sind
8. Air Du Temps

*download both LPs here*

Be sure to visit the band on Facebook.

Passiflora- Statica 7”

Posted in 1980s, 1987, italian, jangle, passiflora, post-punk on March 2, 2023 by Frankie Teardrop

Traveling through Europe and landing in Italy for our third and final post today. Passiflora were an Italian outfit who tapped into similar sonic territory as Cocteau Twins, combining ethereal vocals with classical influences, jangly/folky post-punk, and some sax thrown in for good measure. Other touchstones include the excellent and underrated All About Eve or even perhaps The Innocence Mission, if they had a more post-punk edge.

This 1987 single is the band’s first release, though a cassette and a LP would follow after. The band would change vocalists in 1988, splitting after the 1991 LP release.

As always, enjoy!

Passiflora- Statica 7”
1. Statica
2. Gente Del Teatro E Della Morte

*download it here*

Aptit – Han Vågar Inte 7”

Posted in 1980s, 1982, aptit, goth, post-punk, swedish on March 2, 2023 by Frankie Teardrop

While we’re on a Swedish groove, here’s a darker, more visceral post-punk single by Aptit, a sextet from Gothenburg, released in 1982. Fans of bands such as Asmodi Bizarr, Stimmen Der Stille, Cry of the Innocent, etc. will find much to love on both tracks, which have always been favorites, especially the driving b-side “Som Vatten.”

Three of the members of Aptit would continue to make waves in Sweden’s new wave/post-punk scene. Bassist Elisabeth Johnson would also play with Camouflage (not the synth pop stars we know and love, but the gloomier, synth-driven post-punk band who would change their name to Tapirena). Guitarist Tinna Möller would also play in Camouflage/Tapriena and sing backing vocals on Lars Falk of Twice a Man’s excellent solo LP. Synth player Ruby Berner would go on to perform with Abcess Exil.

Hope y’all enjoy!

Aptit – Han Vågar Inte 7”
1. Han Vågar Inte
2. Som Vatten

*download it here*

Pieces of Dreams – The Velvet Hand 7”

Posted in 1980s, 1986, darkwave, pieces of dreams, post-punk, swedish on March 2, 2023 by Frankie Teardrop

Gonna aim to post a trio of 7”s today, if all goes well… The first up on the docket is the lone single by Swedish band Pieces of Dreams, released in 1986. The single consists of two tracks of superb ethereal darkwave vibes. I’m reminded a bit of Concrete Blonde, if they fully embraced the vibes that were hinted at on Bloodletting.

The A-side is upbeat and punchy, while the flip is a bit more sprawling and moody overall. Regardless, both tracks tick that sweet spot that we know and love, so hope you enjoy them as much as I do…

Pieces of Dreams – The Velvet Hand 7”
1. The Velvet Hand
2. No Man’s Land

*download it here*

Crashing Plastic – Gretchen 12”

Posted in 1980s, 1989, goth, synth, synthpunk, US on December 8, 2022 by Frankie Teardrop

Thanks to Goutroy as always for turning me on to this one and making the original rip. A Viable Romance!

Here we have three icy guitar-wave tracks from Crashing Plastic, self-released in 1989. There’s a touch of deathrock/synthpunk flavor in both Gwen Alyson’s vocals and synth melodies and Chris Daya’s musicianship, with razor-sharp guitars, punchy drum programming, and synths galore to round out their sound. I’m reminded of the early Pretty Poison releases, before they went freestyle. This tracks in a sense, as this duo also appears to be from Philadelphia, PA. As always, if anyone has anything more to share about this band, please do.

Otherwise, hope y’all enjoy!

Crashing Plastic – Gretchen 12”.
1. Gretchen
2. Time Tunnel
3. Take Me Away

*download it here*

 

 

Ear Trumpet – Bring on the Dirt LP

Posted in 1980s, 1987, art-punk, art-rock, bc gilbert, buzzcocks, ethereal, experimental, siouxsie and the banshees, steve severin, tony barber, uk, wire with tags on October 14, 2022 by Frankie Teardrop

Back in the early pandemic days, I (and a few pals) started going through our collections with the sole intention of re-digitizing and improving digital copies of our records across the board. So many LPs and singles that exist out there ripped poorly with low bit rates, from back in the long long ago, when digital space was a premium and hearing the record by any means necessary was the one true goal. While we all can be grateful that those rips existed back then to give us a taste of unheard pleasures, now’s the time to improve things. You’ve likely seen me updating posts here and there over the last few years, and I’ve been doing a lot of work behind the scenes as well,  spending most of my free time (that isn’t taken up with child care, band responsibilities, and horror movies), sifting through gigabytes and gigabytes of rare records, meticulously separating tracks, de-clicking with the most careful of hands, ensuring that all the music remains intact at the best quality possible. It’s been a labor of love, and I probably have enough posts to keep me going another decade or two. That all said (getting to the damn point), back in 2020, someone asked me to make a new rip of this classic experimental record from UK project Ear Trumpet, and while I can’t remember who asked for it at this point, this post is for you…

Ear Trumpet were a supergroup of sorts, if one could call it that… Aside from two fellows named Neil and Gary, some of the more famliar players include The Banshees/The Glove’s Steve Severin (on organs/synths), Wire/Cupol/Dome’s Bruce Gilbert on guitar, and latter day Buzzcocks/Lack of Knowledge’s Tony Barber on bass, all of which lend their immense talents and knack for experimentation to this LP. This is their lone LP, released in 1987… and while on paper it could easily sound like a goth/punk hybrid by the numbers with these alumni on board (and I’d be perfectly happy with that, mind you), the results are actually quite unique – ethereal in spots, experimental art rock in others, with a solid post-punk bedrock coursing through its veins. I feel like this album is rather underrated in circles – not discussed nearly as much as other Banshees or Wire offshoots, to my knowledge. A blog back in 2008 spoke about it with similar affinity, but otherwise, I don’t see it discussed as much in music groups, forums, etc.

The project released a follow up in 1987, a three-track 12” that continues the story a bit, though I don’t believe Gilbert or Barber performed on that release. It’s been a minute since I’ve listened to the 12”, but I recall it being much heavier/less subtle and nuanced than the LP, hitting more like a Loop/Swans kind of thing. While I like those bands quite a bit, the second release doesn’t hit me quite the same way as the LP, but your mileage of course, may vary.

All that said, here’s the info for the debut LP.

Ear Trumpet – Bring on the Dirt LP
1. Acts Of Devotion
2. Whack
3. Ask My Mother
4. You Go On There
5. The Smell You Get From Old Books
6. Fall Back In Houses
7. No Spill Over
8. Bring On The Dirt
9. Fetch My Bag
10. Last Bus Fever

*download it here*

A Motion Industry – Pylon the Pressure 7” / compilation tracks

Posted in 1980s, 1986, 1987, A Motion Industry, post-punk, uk on August 18, 2022 by Frankie Teardrop

Here’s another one lovingly ripped by Goutroy of A Viable Commercial – from his shelves to your hearts. This is the lone single from UK post-punk quartet A Motion Industry, released in 1986. A solid two-track affair, for fans of driving, anthemic bands like Rhythm Corps, The Sound, U2, etc. Lots of guitars here. Aside from this lone 7”, the band does appear to have two additional loose tracks out there, one on the cassette-only compilation Against the Tide and another on 1987’s Sample & Hold compilation. Goutroy was kind enough to rip the latter as well for us, and I’ve found the former out on the internets (not either of our rips), so happy to include both tracks for y’all to complete the discography.

If anyone can help fill in the gaps on their story, we’re all eyes! Otherwise, straight to the good stuff:

A Motion Industry – Pylon the Pressure 7”
1. Pylon the Pressure
2. Re-Union

Various Artists- Against the Tide (1986)
6. Ignorance Is Bliss

Various Artists-  Sample & Hold (1987)
5. Man In a Bottle

*download it here*

Front and Fantasy – Treatment 12”

Posted in 1980s, 1985, Danish, darkwave, Martin Hall, minimal synth, new wave on July 25, 2022 by Frankie Teardrop

It’s been a minute since we’ve had a post here – sorry about that, folks. Been a rough few months here. It’s ALSO been a minute since we’ve had a true dark synth/wave classic featured on these pages, so with that in mind, let’s highlight this lone 12” by Front and Fantasy, a Danish duo featuring a pair of Martins: Martin Krogh and the ever-prolific Martin Hall. This 12” is the only release by the duo, dropping in 1985, the same year Hall himself released his first non-cassette solo recording, the equally excellent Relief. Martin Krogh was in a handful of goth/post-punk bands, many of which only had a handful of tracks, and sadly, he passed away in 1987.

For those uninitiated, Hall and his many collaborators certainly had a knack for creating some of the most arrestingly powerful darkwave records, many of which could have been heard on a weekly basis at NYC’s Wierd party (and elsewhere across the globe, I’m sure). Tracks like SS-Say’s “Care,” Ballet Mécanique’s “Lied,” and Under For’s “Free-Force Structure” were staples in my own personal DJ sets, and it’s easy to decree the A-side from this 12” in as an instant classic in the same vein, from the moment the stabbing synth bass lines take hold. I can almost taste the fog now, as those warm synth pads kick in, while Hall’s deep croon cuts through the pulsing electronics.

The B-side is an interestingly deconstructed mix of the track- focusing primarily on the isolated vocals and empty spaces, with a distant beat and the otherwise minimal guitar line driving the second half of the piece. It’s a curious addition, worth a listen or two. Come for the icy dance floor smash, stay for the more experimental dub mix.

Enjoy! More posts to come soon!

Front and Fantasy- Treatment 12”
1. Treatment
2. Re-Treat

*download it here*

Club Tango- Performance & FTN 7”s

Posted in 1980s, 1981, 23 skidoo, Disco Zombies, mystery plane, post-punk, uk, worldbackwards on April 13, 2022 by Frankie Teardrop

Fresh from the mailbox to the turntable, here’s the full 7” discography by UK band Club Tango, all of which was released in 1981. I love both singles, though have slight preference for FTN,” the track I first heard and fell in love with ages ago (with many thanks and much love to Only Death Is Fatal blog for turning me on to originally).

All four tracks have that excellent rickety 1981 post-punk sound I generally go wild for. The first single features male vocals, while the second adds a female vocalist, who is unknown as far as I can tell. The band features several musicians who also were involved in various well known projects. Alex Turnbull would join 23 Skidoo, Andy Ross also was a member of The Disco Zombies, and Dave Henderson, Paul Hood, and Nigel Lackey would carry on as minimal post-punk outfit Worldbackwards with Dinah Mulholland. Is Mulholland the same singer on the FTN single? Do tell, if so! Lackey would also play in Mystery Plane, whose “Curse of the Bodysnatcher” is a stone cold classic.

Henderson eventually became a music journalist, while Ross became a music executive for British label Food, and is likely more well known these days for being the genius to sign Blur, one of my all-time favorite bands. He just passed away in January of this year, so this one’s for you, Andy. <3

Club Tango – Performance 7”
1. Performance
2. Fun Specialists

Club Tango- FTN 7”
1. FTN
2. Get the Picture

*download both here*

The Nevermen- Monitor LP

Posted in 1980s, 1988, canadian, goth, goth-rock, goutroy, post-punk on April 3, 2022 by Frankie Teardrop

This record might tick boxes for fans of late 80s alternative. The band is The Nevermen, a four piece from Canada. This is their lone LP, which was released on Amok Records (Courage of Lassie, Psyche, Preison’s Shade) in 1988. While all the late 80s goth touchstones are here – the reverb drenched drum machines, the thick bass grooves, and the gloomy guitar, I sometimes find the vocal melodies to be somewhat close to Alice in Chains or bands from that era – even though naturally this record predates the band for a few years. Producer Michael Wojewoda provides backing vocals, which complement the main vocals with a similar kind of dual attack. I also get some early Faith No More vibes throughout with the soaring synths and bass tones.

Now don’t get me wrong folks, there are still plenty of familiar sounds here to keep all us 80s lovers interested – I also hear traces of Simple Minds, Midnight Oil, Big Country throughout this LP, if these bands ditched their stadium sounds and leaned darker overall. This record would definitely have picked up some 120 Minutes airplay if they made a video. Maybe they did?

Either way, if I haven’t scared you away with all this rawk talk, here’s the details for this LP:

The Nevermen- Monitor LP
1. Real Life
2. Across The Room
3. The Waltz
4. Waiting For Rain
5. Living In The Past
6. She’s Got Me
7. Burning
8. Cacophony And Dance (Silver Crown Cement Mix)

*download it here*

(thanks as always to Goutroy for ripping this one initially – keeping A Viable Commercial alive and well!)