Archive for the goth-rock Category

Mélopée- Mélopée & Lyelle K7s

Posted in 1980s, 1990, 1990s, coldwave, france, french, goth, goth-rock, k7, mélopée, post-punk on March 9, 2015 by Frankie Teardrop

Two fantastic, rare, and undersung cassettes up on the slab today from Mélopée (translation- threnody), a coldwave band from France. Very little to be found on the net about this band, as both tapes were self-released in very limited numbers. One of the tapes (Lyellle) dates back to 1990, while the self-titled cassette doesn’t have a year attached to it, but is likely around the same time period, give or take a year in either direction. Outside of a handful of compilation appearances, the band also released a CD in 1995, but I haven’t heard it aside from the track that appears on the excellent Beaucoup, compilation alongside Lucie Cries, Ellysgarden, Résistance, Babel 17, and more, to say the least…

Fans of all the aforementioned bands (as well as the slew of Mémoires D’automne tapes from a few years back) will find lots and lots to love here!

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Mélopée- Mélopée
1. Le Vide D’Un Cœur Solitaire
2. A L’Aube De La Vie
3. Les Tempes Blanchies
4. Mémorial
5. Ignaledre

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Mélopée- Lyellle
1. Petite Vieilles Fanées
2. L’Arbre
3. Lyellle
4. Vision
5. Niomée
6. Procession
7. Inwradness

*download both tapes here*

Suicide- Celebration 7”

Posted in 1980s, 1985, goth, goth-rock, japan, japanese, post-punk, suicide on January 22, 2015 by Frankie Teardrop

Welcome to 2015! A bit of a slow start here, but I’m slowly ripping a lot of things I’ve acquired over the past few weeks, with plenty of great stuff to go around for a while. So with that in mind, thanks as always for visiting, and I hope to keep your ears happy in 2015.

Despite the fact that the title of this post reads like a twisted self-help book, what we have here is an excellent and uncelebrated post-punk/goth 7” from Japan, released on Captain Records in 1985.  I unearthed this gem at a record fair in Brooklyn, listening to only a few seconds of each track on what looked like a Fischer Price turntable, and immediately it ticked all the right boxes. Chorus-drenched bass, big guitar hooks, and driving, but melancholy melodies across three tracks. This is the last of three 7”s from this band, and from my understanding, this one leans more towards the goth side of the spectrum, while the first two appear to be more straightforward anthemic punk.

This one should definitely appear to fans of Blitz, Christian Death, Lost Loved Ones, and any other driving and/or big-minded goth bands. Here’s the info:

Suicide- Celebration 7”
1. Celebration
2. Last Decide
3. Darkness

*download it here*

Stimmen Der Stille- Morgenstern LP

Posted in 1980s, 1988, german, goth, goth-rock, post-punk, stimmen der stille on October 22, 2014 by Frankie Teardrop

Hi all, apologies for the delay but it’s been a bit difficult to make time for a post these days. I hope to rectify that soon. With that in mind, here’s one of my all-time favorite obscure goth/post-punk records, 1988’s Morgenstern by German band Stimmen Der Stille. Someone had requested this in the Asmodi Bizarr post, and that was the only motivation I needed to finally shell out for this one. Thanks for being a bad influence! 😉

There’s only a little information to be found about this band. Their name translates to Voices of Silence (pretty awesome). The official lineup consisted of Daniela Siemon on vocals, Thomas Stelkens on guitar, Martin Gasper on drums and Pamela Alnoch on bass. The band recorded two demos between 1985-6 and released one 12”, Kristallkugel around the same time as this LP. As one might expect, there’s a lot of similarity to Xmal Deutschland and Siouxsie and the Banshees (including a Budgie-esque breakdown on the title track), but the quality of this record is astounding. A few tracks veer into experimental soundscapes before taking hold with killer hooks and powerful vocals, so there’s plenty to love on this LP from front to back!

Stimmen Der Stille- Morgenstern LP
1. Intro (Warten)
2. Kämpfen
3. Fegefeuer
4. Eine Stunde
5. Morgenstern
6. Unterwelt
7. Sahara
8. Not Red
9. Todeslied

Tracks 8 and 9 are ripped as one continuous track!

*download it here*

Madame Edwarda- Illuminé K7

Posted in 1980s, 1986, goth, goth-rock, japan, japanese, post-punk on June 2, 2014 by Frankie Teardrop

Happy Monday, folks!  Here’s a generous donation of a very special Japanese cassette, courtesy of Elias, who runs an excellent Facebook page on the Japanese goth movement.  Until now, I hadn’t heard much about Madame Edwarda, just some passing familiarity with the name, but I’m psyched to offer this release from 1986.  Fans of Japanese post-punk/goth bands such as G-Schmitt and D-Day should find lots to love here.

This is one of five releases from Madame Edwarda, a four piece band who, even at first glance, seemed very influenced by The Damned, Bauhaus, etc.  The band formed in 1980 and took their name from a Georges Bataille’s novel of the same name. Their earlier releases are more straightforward goth-rock affairs, while this cassette combines those influences with an experimental, almost neo-classical approach (see also In the Nursery for a suitable reference point).  There are several killer goth tunes here, including “Honey,” “La Nuit,” and “Marionette,” while other tracks are a bit more esoteric, mixing carnival-esque melodies, synth choir patches, and what sounds like cellos from time to time (though may very well be synth patches as well).  All in all, it’s an incredibly interesting listen from front to back.

The cassette box itself is a rather curious affair, with a larger box and book with rather intricate designs inspired by Aubrey Beardsley and Art Nouveau designs, which more or less sets the stage for the aural treats on this tape.

Ps- for anyone looking to hear their other releases, Elias has provided me a few links to share as well… They aren’t his own, nor mine, but if anyone would like to hear more and can’t find them elsewhere, please leave a note and I’ll upload them soon.  That said, you can still get a copy of the Lorelei 12” from the band’s official site.  With that in mind, here’s the information for this excellent cassette, with embedded English translations courtesy of Elias as well!

Madame Edwarda- Illuminé K7
1. 混声合唱 (Mixed Choir)
2. Carnival
3. 夜間飛行 (Night Flight)
4. 夜想曲~ノクターン~ (Nocturne)
5. 幻惑 (Enchanting)
6. 回転木馬~メリーゴーラウンド~ (Carousel~Merry-Go-Round~)
7. 青い悪魔 (Blue Devil)
8. 大観覧車 (Ferris Wheel)
9. サーカス (Circus)
10. 恋歌~ロマンス~ (Love Song~Romance~)
11. Le Château
12. Honey
13. コクトーの剣 (Sword of Cocteau)
14. Marionette
15. La Nuit
16. 夢想 (Reverie)
17. Emeralde

*download it here*

Crux Ansata- I Feel the Atmosphere 12”

Posted in 1980s, 1990, crux ansata, darkwave, endraum, german, goth, goth-rock, neutral project, post-punk on May 22, 2014 by Frankie Teardrop

Happy world goth day, everyone!  Figured I’d chime in and celebrate with an updated version of one of my favorite darkwave/goth classics, the lone 12” from Germany’s Crux Ansata.  You may have seen this one on Dreams and Voices in the past, but here’s a fresh rip I made of the record early last year.  The opening epic, “Remembrances” is one of my favorite cold, gloomy tracks, perfect for this rainy, foggy day in NYC and beyond.

This record was released in 1989, and while it’s their only release, both members were active in other bands.  Both Hovi Miskovics and Roman Rütten continued in Endraum after this 12”, and also released one song as A Foamy Project In Neutral Days, a supergroup of sorts with Neutral Project.  You can find the one track they recorded together on the infamous Supercherie compilation from 1991.

Crux Ansata- I Feel the Atmosphere 12”
1. Remembrance
2. No Time For Lies
3. Imprinted In My Mind
4. This Night of Memories

*download it here*

Stay tuned over the next few weeks for some more dancefloor-ready 12”s, some unheard discoveries, even more new and improved rips of old classics, and one of these days, a new VA comp. coming down the pipeline!

Asmodi Bizarr- Sunsierra LP+12”

Posted in 1980s, 1986, asmodi bizarr, cathedral of tears, german, Glenn Matlock, goth-rock, post-punk on May 15, 2014 by Frankie Teardrop

Asmodi+Bizarr+ab1

A few notes of housekeeping before today’s post— I’ve re-ripped and reuploaded a few things, mainly upgrading bitrates of Epitaphe, De Press, Boytronic, and Bushido from a while back.  I’ve also re-ripped a few more things that I’m slowly working through, so there should be a few more of these upgrades to come, as well as a lot of new, unheard stuff that I can’t wait to share with you…

Here we have Asmodi Bizarr’s classic Sunsierra LP, a landmark in female fronted post-punk in the veins of Xmal Deutschland, Stimmen Der Stille, Cry of the Innocent, etc.   The band hailed from Düsseldorf, Germany and released three albums and one demo 7” (would love to hear this!) before calling it a day in the early 90s.   Members of the band also recorded a 7” compilation track under the name Aspirin.  Fortunately, the band can be found on Facebook, and has since reunited to play shows in 2011 and 2014, respectively.  They’re playing this year’s Wave-Gotik-Treffen festival, so I hope those headed out that way can check them out and report back!

This is their first LP, released in 1986 as an LP+12” package, featuring two of the band’s best songs as the bonus LP cuts.  Some of you may have seen this posted elsewhere, but this particular copy is freshly ripped and cleaned up for maximum listening enjoyment.  To those who haven’t heard it yet, it’s one of my all time favorites.  Either way, hope you enjoy it!

Asmodi Bizarr- Sunsierra LP+12”
1. Spin the Wheel
2. Liebeslied
3. The Bride
4. Hush…Hush, Sweet Charlotte
5. Memories
6. The Dreamvision Song

7. Traumland
8. Grüne Augen
9. Dorian

*download it here*

Move- Move K7

Posted in 1980s, 1985, demo, goth, goth-rock, italian, move, post-punk on March 28, 2014 by Frankie Teardrop

Sorry for the huge delay in posting, ladies and gents.  That said, good things come to those who wait, and I have quite a few obscurities to share to make up for my disappearance.  First up we have a previously unheard Move demo tape from 1985, ripped by a good friend in Italy.  This tape precedes the Move out Sight cassette and the self-titled LP by a year and change and features a handful of otherwise unreleased songs from the Move catalog, as well as a few that appear elsewhere over the years.

I believe this tape completes the Move discography, though I also have been sent a live performance from S.P.S.P., which featured some members from Move.  The tracklisting is unknown, but the band also performed a few Move songs in the set.  I don’t generally go for live tapes, but I hope to post that sometime down the line for anyone who’s interested.  In the meantime, here’s the info for this cassette:

move

Move- Move K7
1. Speeding Speed/Sweet Move
2. Kronstadt
3. Ragazzo Di Strada
4. Re Sole
5. Salto Nel Vuoto
6. When I’m With Myself
7. Lacrime & Sangue
8. Romano
9. F.L.C.T.
10. Lo Scoglio

*download it here*

Twelfthnight- Masque 7” + Demo Cassettes

Posted in 1980s, 1983, bell hollow, deathrock, goth, goth-rock, Greg Fasolino, Joe Kasher, Joe Truck, New York, new york city, post-punk, Redex, Scarecrow, The Brain Eaters, US on December 19, 2013 by Frankie Teardrop

The holiday season is soon upon us, and I’m going to put the wrap on another excellent year with a gift from my bandmate, Greg Fasolino, who some of you may also be familiar with from Bell Hollow and The Naked and the Dead.

Anyone who knows Greg is aware of his vast archiving skills, complete with photos, setlists, friendships, and a collection that most of us would kill to own.  That said, the stories about this particular band date back to his time in the Naked and the Dead, a female fronted deathrock band from NYC who released one acclaimed demo before splitting.  The band reformed in the early 2000s with a different singer and have released archival material as well as sprinkled reissues of the demo across several compilations.  During his years as an underground musician, journalist, and all around music superfan, he befriended fellow musicians Joe Kasher (aka Joe Truck) and Andrew Cushen, who were both luminaries of the 1980s NYC underground as well.

It’s this musical partnership that is responsible for the tracks we’re posting today, but first a little backstory.  Cushen was originally involved in a band called Redex, who only released two demos in the early 1980s.  We’ll get to those another time, perhaps!  After Redex split, Cushen met Kasher and decided to form a new project, heavily influenced by the UK post-punk bands that were gaining momentum at the time.  They recorded two demos as well, one before releasing this 7” on Gash for Cash records in 1983, and one shortly afterwards.   As I understand it, Kasher and Cushen played every instrument you hear on these recordings, but recruited members to perform a few live shows.

The band quickly dissolved but the partnership continued as Cushen and Kasher drafted drummer Ronaldo Gonzalez (later of Swans) and Beth Balousek on vocals to form Scarecrow.  This band performed several shows under this name, and recorded one three song demo with a few live tracks, but as fate would have it, the band would also split as quick as they formed.  Kasher and Cushen then formed Chop Shop with Rebecca Korbet (later of Pussy Galore, King Missle) and Steve DiBenedetto, who also released a demo and recorded an unreleased album in 1985.  Meanwhile, Kasher and Cushen lent their expertise to Fasolino, co-producing the Naked and the Dead demo.  Greg also tells me that Cushen played e-bow on “Cassandra,” teaching him a skill that has become one of Greg’s signature sounds since.  Kasher also released a 7” with his next project, the Brain Eaters, in 1986.  Before Brain Eaters, Kasher and Fasolino played together briefly in a band called Burning Rome, who never recorded anything.  Everything’s incestuous!

Which brings us to today.  Kasher is still involved in the underground scene, and is currently playing as The Burning Ritual, who released their debut EP and are currently playing in the New York City area.  Kasher also collected several of these underground New York projects, including the Naked and the Dead, Scarecrow, The Children’s Zoo (featuring bassist Chris Bollman also of N&tD and Bell Hollow), and others for a compilation called Dark New York (Gotham City’s Post-Punk, Goth, and Deathrock Bands 1983-1988) Vol. 1, one of my favorite releases from last year.  We can only hope a volume 2 is in store in 2014!

Anyway, back to Twelfthnight.  I have here for you both demos (minus the 7” tracks, which I’ve been told are identical to the 7” pressings), and a fresh rip of the 7” from Greg’s collection.  You MAY recall seeing the flip-side to this on an early SOR compilation, erroneously credited to Twelfth Night (sorry!).  I’ve been curious to hear more about this band ever since, and while I’ve known Greg for ages, I had no idea that the missing pieces of this puzzle lay this close to home.

With that in mind, I’m very pleased to bring things full circle after all these years!  Thanks to Greg, Joe, and Andrew for their efforts both here and elsewhere!   Happy holidays and see you guys in 2014!

Twelfthnight- Masque 7”
1. Masque
2. Tree Soldiers

Twelfthnight- Demo #1
1. Silent Spring
2. It Must Have Been Minutes

Twelfthnight- Demo #2
1. All Soul’s Day
2. Sanctuary
3. Premonition

BONUS:
1. Visions of These (Rehearsal 1983 – 17th Street, New York, NY)

*download all three here*

Quite Simple- Victims 7” & Unknown Stranger LP

Posted in 1980s, 1987, 1989, darkwave, Dutch, goth, goth-rock, post-punk on November 18, 2013 by Frankie Teardrop

I have two posts today, both request from friends so I thought I’d drop both on you in one day.  This first post fulfills a request by Xerfrank for the official discography of post-punk/goth band Quite Simple, from Holland.  I’ve seen these two records go for moderate prices over the years, so they certainly warrant some more attention for those unaware of the band.

Fans of hook-driven Leeds bands such as March Violets and the Lorries should love this one, straight down to the male/female vocal dynamics and big, shameless production.   For a private pressing, the production on the LP is especially impressive, and sometimes it sounds like the LP is only a major label away from being Floodland II.

Unknown Stranger was released in 1989, while the 7” (which I prefer by a small margin) was released in 1987.  There’s also another track released on the Made In Brabant compilation in 1987, and since that collection pre-dates the LP as well, I’m assuming the recording of “Visions” from the compilation is different than what would appear two years later.  If anyone has this compilation, feel free to drop a line!   Otherwise, enjoy!

Quite Simple- Victims 7” (1987)
1. Victims
2. Light In the Dark



Quite Simple- Unknown Stranger LP (1989)
1. Unknown Stranger
2. Mistery of the Night
3. Visions
4. Age of Miracles
5. China Town
6. Curious Eyes
7. Nightmare
8. Out of the Spirit World

*download both here*

Psi Com- Worktape 1 and Demos

Posted in 1980s, 1984, alternative, deathrock, goth, goth-rock, jane's addiction, LA, los angeles, mazzy star, perry farrell, post-punk, psi com, red temple spirits, US on August 12, 2013 by Frankie Teardrop

psi com group 2

Before there was Jane’s Addiction, there was Psi Com, a post-punk/deathrock band fronted by Perry Farrell.  The band released one demo tape and one 12” (re-released on CD and 10” in the mid-90s) in 1985.  The band began in 1983, when Perry answered an ad from guitarist Vince Duran looking for a drummer, as his fledgling band was primarily using a drum machine.  Instead, Farrell took over as vocalist, adding Rich Evac on bass, Aaron Sherer on drums, and Mariska Lassius on keyboards.  This was the lineup for their demo tape that was eventually sold at shows in 1984 with elaborate packaging reminiscent of Independent Project Records releases.  The photo above depics the lineup for these recordings.  Soon after the demo was released, Lassius and Evac left the band, replaced by bassist Kelly Wheeler for their 12” sessions.

Based heavily in the psychedelic roots of Pink Floyd as well as the UK post-punk movement, Psi Com’s sound was much more in line with Savage Republic, The Ex, and Bauhaus than the horror punk sound that was developing on the West Coast.   If anything, Psi Com was a vessel for the Red Temple Spirits sound moreso than the hedonistic excesses of Jane’s Addiction, though both bands continued exploring their psychedelic influences and alternative leanings.  Even Perry Farrell’s trademark wail is downplayed on these recordings, though there’s no mistaking it during certain key passages.

Psi Com broke up suddenly in 1985, after gaining a heavy local following.  Legend has it that Eric Avery, bassist for Jane’s Addiction, was drafted as a new bassist for Psi Com, changing direction as Stephen Perkins and Dave Navarro joined.  Bassist Kelly Wheeler played briefly with Dino Paredes of Red Temple Spirits, and Aaron Sherer eventually retired from music after playing drums on several tracks from Mazzy Star’s excellent Among My Swan LP.

Here we have a fan circulated collection of demos and additional tracks, including the debut Worktape cassette as well a series of studio recordings and instrumentals that originally appeared on a Jane’s Addiction bootleg CD from 1991.  While the 12” has received a fair amount of attention as Farrell’s pre-Jane’s vessel, these demos are still rather obscure, and definitely worth hearing even if you’re not a fan of what came next. 

psi com worktape art

Psi Com- Worktape 1 and Demos
1. Hopeful
2. Them
3. Psi Com Theme
4. 14th Floor
5. Cat
6. Karuna
7. 14th Floor (Instrumental)
8. Cat (Instrumental)
9. Karuna (Instrumental)

*download it here*