Bush Tetras

Posted in 1980s, 1990s, 2007, bush tetras, funk, no-wave, nyc, post-punk on November 5, 2007 by Frankie Teardrop

Today’s band, Bush Tetras, formed in the heart of New York City soon after the initial wave of the punk rock explosion. A female fronted dance-groovin’ post-punk band led by vocalist Cynthia Sley and complete with jerky rhythms and dissonant guitars, Bush Tetras first hit the scene in 1980 with a series of singles and EPs. Lead guitarist Pat Place’s previous credits included co-founding James Chance’s no-wave outfit the Contortions.

The band would achieve initial club success for their ‘Too Many Creeps’ single, a roaring, fiery, and jagged tune that helped draw attention to the budding post-punk and no-wave movements. The band would tour relentlessly during their initial tenure, forming a kinship with The Clash and experimenting with more Afro-rhythms and Caribbean influences.

After recording three proper EPs (Too Many Creeps, Boom In the Night, and Rituals), the band split up in 1983 upon the release of a live cassette entitled Wild Things. A further compilation of the band’s material saw the light of day (albeit also on cassette) in 1989, and it wasn’t until 1995, a year before the initial lineup would reform, that the band saw their first proper cd release, a compilation entitled Boom in the Night, which would collect all their previous efforts. In 1996, the band would record a new record entitled Beauty Lies, picking back up briefly from where they left off. After another decade of inactivity, the band released a combination compilation/record this year, entitled Very Very Happy, which features a handful of new tracks and a series of re-recorded tunes from their past, updating these songs and recording them as they were meant to be heard. The band is currently active and playing shows in East USA, so catch them if you can!

 

For your listening pleasure (and with the blessing of the Bush Tetra’s promotions dept./label), I’ve uploaded a duo of Bush Tetras tracks: the first is the title track from their 1981 Boom In the Night EP and the second, the freshly re-recorded take on their initial breakthrough single, ‘Too Many Creeps’- plucked from 2007’s Very Very Happy.

 

download Bush Tetras- ‘Things That Go Boom in the Night’
download Bush Tetras- ‘Too Many Creeps (2007 version)’

To pick up some Bush Tetras material on CD, check out these links:
Roir Online
CD Baby dot com

Shox- No Turning Back 7”

Posted in 1980, 1980s, 4ad, british, shox, synth, wave on November 2, 2007 by Frankie Teardrop

Sorry for the delay, ladies and gents…I’ve had computer trouble for a few days, and as of this morning (fingers crossed) I’ve gotten things back up and running, with only a few gigs of music completely lost. That said, here’s a quick Friday treat.

Shox were a British wave trio comprising Mike Atkinson, Jacqui Brookes and John Peters. They released only two tracks in 1980, comprising one of the first four Axis 7” singles, just before the label rechristened itself as 4AD that same year.

Jacqui Brookes would go on to sing for both Siam and Intro after this single, releasing a solo LP as well. Not at all sure what happened to the remaining Shox members after this lone recording appearance…

Shox- No Turning Back 7”
1. No Turning Back
2. Lying There

*download it now*

These two tracks can also be purchased digitally via this link to 4AD’s homepage:

Shox on 4AD dot com

Stay tuned next week for more resumed activity (*fingers crossed*), including an album request, a post on NYC locals Bell Hollow, and a bit of new material from the legendary Bush Tetras!

Neon Hearts

Posted in 1970s, british, paul raven, post-punk, punk, uk on October 29, 2007 by Frankie Teardrop

Just last week, influential bass player Paul Raven passed away, and today’s post pays tribute to one of his earlier bands, Neon Hearts.

A few years before Paul would co-form Killing Joke, he would join the ranks of fellow UK punk rockers to form Neon Hearts in 1977. The band would embellish upon the bare-bones punk structure, complimenting it’s furious rhythms with blaring saxophones, a precursor to the sonic experimentation that would soon birth the post-punk movement.

The band gigged regularly, saving up cash to record their first single, Regulations, released in December, 1977. After more relentless touring, the band gained a relatively large following and signed to Satril Records. However, the glory of a recording contract did little to stop the band from splitting at the seams far too soon, mostly thanks to Satril Records’ constant meddling in the band’s creative process. The band split just before their first full length, Popular Music was released in April of 1979.

I’ve uploaded both sides of their debut Regulations single for your listening pleasure. Enjoy!

download Neon Hearts- ‘Regulations’
download Neon Hearts- ‘Venus’

Though the band’s records are tough to come by in their original form, Overground Records has compiled their discography (both singles and their full length) into one collection, also entitled Popular Music. Click below for a purchase link.

Purchase Popular Music from Overground Records.

The Neon Judgement

Posted in 1980s, 1990s, 2000s, Belgian, industrial, synth, the neon judgement, wave on October 24, 2007 by Frankie Teardrop


Today’s post features Belgian new wave act the Neon Judgement, a two piece outfit currently reactivated after a temporary hiatus.

Neon Judgement formed in a town outside of Brussels in 1981, and since then the duo of TB Frank and Dirk Da Davo have been creating synth driven music with a dash of electronic violence and a sprinkle of rock and roll ideology. Neon Judgement would release several records and remixes before briefly disbanding in 1998. However, as the two reunited in 2004 to promote an upcoming remix collection in Europe, the band was also reactivated as a creative unit. In 2005, the band also released The Box, a 2cd set comprising live tracks and rarities alongside classic cuts.

On the side, member Dirk Da Davo also spearheads the Neon Electronics side project, composing new material and reworking old tracks.

The first of two tracks I’ve uploaded is the top-off track from the 1986 record Mafu Cage. The second hails from 1989’s General Pain and Major Disease.

download The Neon Judgement- ‘Awful Day’
download The Neon Judgement- ‘Factory Walk’

For a live performance of ‘Miss Brown,’ click the video below:

…and for more on the Neon Judgement, including a link to pick up some cds and merchandise, here’s their homepage for your clicking pleasure:

The Neon Judgement homepage
Neon Electronics homepage

Chris + Cosey

Posted in 1980s, 1990s, ambient, chris + cosey, industrial, synth, uk, wave on October 22, 2007 by Frankie Teardrop

Today’s post features Chris + Cosey*, an eclectic and prolific duo formed in the wake of Throbbing Gristle’s initial demise.

In 1981, hot on the heels** of their previous outfit’s split, members Chris Carter and Cosey Fanni Tutti formed a duo to continue their musical experiments. Though their approach still featured some sonic similarities to Throbbing Gristle’s pioneering industrial work, Chris + Cosey would apply more song structure and pop sensibilities to some of their records, whilst others would meander just as dangerously.

Chris + Cosey would release over a dozen albums on several different labels, including their own Conspiracy International (aka CTI) label, and would record several collaborative works with the likes of Monte Cazzaza***, Coil, and the Eurythmics throughout their tenure. Though both members have explored solo ventures under CTI, the duo still collaborate together, these days as Carter Tutti, and the pair have also reactivated Throbbing Gristle with other original members Genesis P-Orridge and Peter Christopherson, and have released an EP and a full length under their original outfit.

Though my favorite Chris + Cosey track remains ‘Haunted Heroes,’ a brief haunting ambient piece, I’ve uploaded three of their more synth/wave tracks for your listening pleasure. The first opens their 1985 record Techno Primitiv, the second hails from 1989’s Trust, and the third is featured on 1991’s Pagan Tango.

download Chris + Cosey- ‘Hazey Daze’
download Chris + Cosey- ‘Percusex’
download Chris + Cosey- ‘Cords of Love’

and for your eyes, the video for 1984 track ‘The Final Calling:’

For a full discography and tons of information on Chris + Cosey, including links to purchase more choice CTI recordings, please visit the following link:

Chris + Cosey homepage

*normally, there’s an ampersand in their name instead of a plus sign, but blogger won’t let me use one.
**see what i did there?
***who may appear shortly in these pages.

The Sound

Posted in 1980s, british, post-punk, the sound on October 19, 2007 by Frankie Teardrop

Today’s band is a lesser post-punk classic, UK act The Sound. The band formed in 1978 as the Outsiders, switching up their name in 1979 after a quick lineup shift.

Their sound was akin to the likes of the intitial wave of post-punk, and the band toured with the likes of friends and cohorts the Chameleons, Echo & the Bunnymen, Au Pairs, and the Comsat Angels. Singer Adrian Borland’s lyrics would often ruminate on existentialist affairs and paranoid observations, while the music would mix synthesizers and horns with fast-paced rhtyhms and guitars.

Throughout their tenure, the band recorded five full length records, a few peel sessions, and a slew of EPs and singles before their split in 1987, just after a canceled European tour. Adrian would persue a solo career, but the band would never reunite, as keyboardist Colvin “Max” Mayers would pass on in 1993 and Adrian Borland would commit suicide in 1999. However, the band lives on- several reissues of the Sound’s catalog and tributes to their material have since materialized, and the band’s influence can be heard in many modern post-punk acts.

I’ve uploaded two tracks- the first from their second record, 1981’s From the Lion’s Mouth and the second a track from their 1980 debut Jeopardy.

download The Sound- ‘Fatal Flaw’
download The Sound- ‘Heartland’

For your viewing pleasure, here’s a video of the Sound performing ‘Sense of Purpose’ (From the Lion’s Mouth‘s lead-off single) on the Old Grey Whistle Test:

Even though most of the band’s material was released for the first time on CD earlier this decade, those copies are still hard to come by. Keep your eyes peeled for them!

Alexander Von Borsig

Posted in alexander von borsig, Einstürzende Neubauten, experimental, industrial, NDW, p1/e on October 17, 2007 by Frankie Teardrop

Though I’ve posted material featuring today’s artist’s contributions, I’ve yet to post his own material, so without any further adieu, today’s post features German jack-of-all-trades, Alexander Von Borsig.

Known best for his contributions to Einstürzende Neubauten, P1/E, Crime + the City Solution, and most recently the Tiger Lillies, Alexander Von Borsig (currently active as Alexander Hacke) began making music at the tender age of 13. Under several monikers, he released homemade cassette tape and single recordings of his own material, as well as work with Christiane F. in Sentimentale Jugend. Soon after these tapes were released, he would join as guitarist of experimental act Einstürzende Neubauten (at age 15), and he remains with the band to this day, switching to bass guitar most recently.

I’ve uploaded three tracks for you folks today, the first a single A-side for the song ‘Hiroshima,’ and the second, the entire ‘Japanisch’ single. Enjoy!

download Alexander Von Borsig- ‘Hiroshima’
download Alexander Von Borsig- ‘Japanisch’
download Alexander Von Borsig- ‘Truncheon Rei’

Though there are several clips of Alexander Hacke performing with his other outfits, I can’t seem to find anything on his earlier material for web viewing- though Einstürzende Neubauten’s Liebeslieder dvd features a live piano performance of ‘Hiroshima,’ and is available on netflix for any curious parties.

For more on Alexander Von Borsig/Hacke, visit this cleverly designed site:
Hacke dot org

Crispy Ambulance

Posted in 1980s, 2000s, british, crispy ambulance, factory, manchester, post-punk on October 15, 2007 by Frankie Teardrop


A large group of cohorts and I just caught the NYC premier of Anton Corbijn’s Control this weekend, a biopic about the life and times of Ian Curtis. Though today’s post doesn’t feature Joy Division OR New Order, it features one of their contemporaries, fellow Manchester based Factory records outfit Crispy Ambulance, whose singer would fill in for Ian Curtis during one ill-fated night, culminating in an audience riot.

The band, formed in 1977 by Alan Hempsall and Robert Davenport, was unfairly dismissed as Joy Division knockoffs during their short recording tenure. Despite these accusations however, Crispy Ambulance had their own innovative style to add to the budding post-punk movement, and often incorporated a more minimal and dreamy sound to their compositions.

The band would flesh out their lineup and record a handful of singles in 1980 and play shows alongside the likes of prominent bands such as Killing Joke. Upon Factory’s request, the band would sign to record the full length record The Plateau Phase and a few assorted singles. Unfairly written off (along with fellow label mates Section 25, previously featured on these pages), the band would split in 1982, releasing a collection of unreleased tracks soon after.

Despite their demise, the band would reunite in 1999 to record two more records into the new millenium, and are together to this day, playing sporadic gigs in their native Manchester.

I’ve uploaded a handful of tracks…The first, a personal favorite from the 1982 record The Plateau Phase and the second, a lone 1984 single compiled on a resissued version of said album.

download Crispy Ambulance- ‘The Force and the Wisdom’
download Crispy Ambulance- ‘Sexus’

…and here’s the video for ‘The Presence’ from A Factory Video.

For more information on Crispy Ambulance, including a full discography, live mp3 downloads and more, here’s a link to their official site:

Crispy Ambulance dot com

An April March- Lava 7”

Posted in 1990s, an april march, canadian, dreampop, shoegaze on October 12, 2007 by Frankie Teardrop

Finally! Fall weather! The most recent bout of New York rain has dropped temperatures considerably, and with the onset of autumn, I tend to dust off most of my shoegaze collection and listen to it obsessively. Don’t worry folks, I won’t be clogging up these pages with dreampop (unless you ask, of course), but to kick off the first proper week of autumn, I’ll toss one out.

Today’s band is An April March (not to be confused with ye-ye revivalist April March), a four piece unit hailing from Toronto, Canada. Formed in 1989, the band lasted a decade before splitting up, leaving behind a trail of 7” singles and 4 full length records. The band combined the dark-bass driven fury of post-punk with a budding shoegaze sound- swirls of guitar feedback and heavily chorused female vocals.

The band split in 1999 after a handful of parting gigs, and vocalist/guitarist Danella Hocevar and guitarist Christopher Perry soon formed the band rethotred.

Today’s tracks compromise their 1994 7” single for ‘Lava.’ The A-side also appears on their 1995 EP Instruments of Lust and Fury while the B-side was already released on their 1993 record Impatiens.

An April March- Lava 7”
1. Lava
2. Gates Within Us

*download it here*

There’s a video for “Lava” as well!

A  few of their cds, cassettes, and vinyl can still be found through various online outfits, they manage to fetch a hefty sum from those who are aware of their scarcity! Fortunately, yours truly managed to score the 7” single posted above for a mere buck back in my college days, so have hope if you’re a collector!

Zyx

Posted in 1980s, austrian, minimal, wave, zyx on October 10, 2007 by Frankie Teardrop


Today’s post features Austrain wave act ZYX, little known duo whose first and only record, Trust No Woman was released in 1981. Since it’s inception, it’s become a pioneering electronic recording and has recently seen an expanded cd rerelease, including a slew of earlier recordings as bonus tracks.

Little information is known about this gem, aside from a few bits about the duo’s work in performance arts and television after releasing Trust No Woman. If anyone else has anything else to contribute, chime up! Otherwise, here’s two standout tracks from Trust No Woman for your enjoyment.

download ZYX- ‘Trust No Woman’
download ZYX- ‘Bad Manners’

To pick up a cd copy of Trust No Woman, rereleased under the name Graf + Zyx and complete with bonus materials, click the link below:

Purchase ZYX- Trust No Woman